Showing posts with label Jack Skillingstead. Show all posts
Showing posts with label Jack Skillingstead. Show all posts

Friday, April 11, 2014

"What You Are About To See" by Jack Skillingstead (Part 3 of 3)

What You Are About To See
by Jack Skillingstead


[Continued from Part 2]


Probabilities shuffled...

* * * *

I woke up next to my wife. In the ticking darkness of our bedroom I breathed a name: "Andy."

Connie shifted position, cuddling into me. Her familiar body. I put my arm around her and stared into the dark, hunting elusive memories. Without them I wasn't who I thought I was. After a while Connie asked:

"What's wrong?"

"I don't know. I think I was having a dream about Andy McCaslin. It woke me up."

"Who?"

"Guy I knew from the Rangers, long time ago. I told you about him. We were friends."

Connie suppressed a yawn. "He died, didn't he? You never said how."

"Covert op in Central America. He found himself in the custody some rebels."

"Oh."

"They kept him alive for weeks while they interrogated him."

"God. Are you—"

"That was decades ago, Con. Dreams are strange, sometimes."

I slipped out of the bed.

"Where are you going?"

"Have some tea and think for a while. My night's shot anyway."

"Want company?"

"Maybe I'll sit by myself. Go back to sleep. You've got an early one."

"Sure? I could make some eggs or something."

"No, I'm good."

But I wasn't. In my basement office, consoling tea near at hand, I contemplated my dead friend and concluded he wasn't supposed to be that way. My old dreams of pain surged up out of the place at the bottom of my mind, the place that enclosed Andy and what I knew had happened to him, the place of batteries and alligator clips, hemp ropes, sharpened bamboo slivers, the vault of horrors far worse than any I'd endured as a child and from which I fled to the serenity of an office cubicle and regular hours.

But that wasn't supposed to have happened, not to Andy. I rubbed my temple, eyes closed in the dim basement office, and suddenly a word spoke itself on my lips:

Squidward.

* * * *

My name is Brian Kinney, and today I am not an alcoholic. My father was an alcoholic who could not restrain his demons. During my childhood those demons frequently emerged to torment me and my mother. Dad's goodness, which was true and present, was not enough to balance the equation between pain and love. I had been skewing toward my own demon-haunted landscape when Andy McCaslin took my gun from my hand and balanced out the equation for me.

My new world order.

* * * *

I'm driving through the moonless Arizona desert at two o'clock in the morning, looking for a turn-off that doesn't exist. After an hour or so a peculiar, hovering pink light appears in the distance, far off the road. I slow, angle onto the berm, ease the Outback down to the desert floor, and go bucketing overland toward the light.

* * * *

Wednesday, April 9, 2014

"What You Are About To See" by Jack Skillingstead (Part 2 of 3)

"What You Are About To See"
by Jack Skillingstead

[Continued from Part 1]


The moon was a white poker chip. The desert slipped past us, cold blue with black ink shadows. We rode in Andy's private vehicle, a late model Jeep Cherokee. He had already been driving all day, having departed from the L.A. office that morning, dropping everything to pursue "something like a dream" that had beckoned to him.

"Care to reveal our destination?" I asked.

"I don't want to tell you anything beforehand. It might influence you, give you some preconception. Your mind has to be clear or this won't work."

"Okay, I'll think only happy thoughts."

"Good. Hang on, by the way."

He slowed then suddenly pulled off the two-lane road. We jolted over desert hardpan. Scrub brush clawed at the Cherokee's undercarriage.

"Ah, the road's back thataway," I said.

He nodded and kept going. A bumpy twenty minutes or so passed. Then we stopped, for no obvious reason, and he killed the engine. I looked around. We were exactly in the middle of nowhere. It looked a lot like my personal mental landscape.

"I know this isn't a joke," I said, "because you are not a funny guy."

"Come on."

We got out. Andy was tall, Scotch-Irish, big through the shoulders and gut. He was wearing a sheepskin jacket, jeans and cowboy boots. A real shit-kickin' son of a bitch. Yee haw. He had a few other sheepskins somewhere, but his walls were wearing those. I followed him away from the Jeep.

"Tell me what you see," he said.

I looked around.

"Not much."

"Be specific."

I cleared my throat. "Okay. Empty desert, scrub brush, cactus. Lots of sand. There is no doubt a large population of venomous snakes slithering underfoot looking for something to bite, though I don't exactly see them. There's also a pretty moon in the sky. So?"

I rubbed my hands together, shifted my feet. I'd worn a Sun Devils sweatshirt, which was insufficient. Besides that I could have used a drink. But of course these days I could always use a drink. After a lifetime of grimly determined sobriety I'd discovered that booze was an effective demon-suppressor and required exactly the opposite of willpower, which is what I'd been relying on up till Connie's death. I have no idea what my father's demons might have been. He checked out by a self-inflicted route before we got around to discussing that. I almost did the same a couple of years later, while in the thick of Ranger training, where I'd fled in desperate quest of discipline and structure and a sense of belonging to something. Andy talked me out of shooting myself and afterwards kept the incident private. I sometimes wondered whether he regretted that. Offing myself may have been part of a balancing equation designed to subtract a measure of suffering from the world.

Now, in the desert, he withdrew a pack of Camels from his coat pocket and lit up. I remembered my dad buying his packs at the 7-Eleven, when I was a little kid.

"Hey, you don't smoke," I said to Andy.

"I don't? What do you call this?" He waved the cigarette at me. "Look, Brian, what would you say if I told you we were standing outside a large military instillation?"

"I'd say okay, but it must be invisible."

"It is."

I laughed. Andy didn't.

"Come on," I said.

"All right, it's not invisible. But it's not exactly here, either."

"That I can see. Can't see?"

"Close your eyes."

"Then I won't be able to see anything, including the invisible military instillation."

"Do it anyway," he said. "Trust me. I've done this before. So have you, probably."

I hesitated. Andy was a good guy—my friend, or the closest thing to one that I'd ever allowed. But it now crossed my mind that my informal status vis-à-vis the Agency was about to become terminally informal. Certainly there was precedent. We who work on the fringes where the rules don't constrain our actions are also subject to the anything-goes approach on the part of our handlers. Was I on the verge of being...severed? By Andy McCaslin? He stood before me with his damn cigarette, smoke drifting from his lips, his eyes black as oil in the moonlight.

"Trust me, Brian."

Maybe it was the lingering wine buzz. But I decided I did trust him, or needed to, because he was the only one I ever had trusted. I closed my eyes. The breeze carried his smoke into my face. My dad had been redolent of that stink. Not a good sense-memory. But when I was little I loved the look of the cigarette cartons and packages, the way my dad would say, Pack a Camels non-filter, and the clerk would turn to the rack behind him and pick out the right one, like a game show.

"Now relax your mind," Andy said.

"Consider it relaxed, Swami."

"Try to be serious."

"I'll try."

"Remember the empty mind trick they taught us, in case we ever got ourselves captured by unfriendlies?"

"Sure."

"Do that. Empty your mind."

It was easy, and I didn't learn it from the Army. I learned it at my father's knee, you might say. Survival technique number one: Empty your mind. Don't be there. Don't hear the screaming, even your own.

Andy said, "I'm going to say a word. When I do, let your mind fill with whatever the word evokes."

I nodded, waited, smelling the Camel smoke, my head not empty in the way Andy wanted it to be. I was too preoccupied by a memory of smoke.

"Arrowhead," Andy said.

I felt...something.

Andy said, "Shit. And then, "What you are about to see is real. Okay, open your eyes."

We were now standing outside a 7-Eleven store. The desert ran right up to the walls. A tumbleweed bumped against the double glass doors. The interior was brightly lit. In the back I could make out a pair of Slurpee machines slow-swirling icy drinks in primary colors. After a while I closed my mouth and turned to Andy.

"Where the hell did this come from?"

"Instant Unconsciously Directed Association. You like that? I made it up. Only I don't know why this should be your Eyeooda for Arrowhead. I was hoping you'd bring up the real place. Anyway, let's go inside while it lasts."

He started forward but I grabbed his arm.

"Wait a minute. Are we still operating under the disengagement of preconceived notions policy, or whatever?"

He thought about it for a moment then said, "I guess not, now that we're sharing a consensus reality. Brian, this 7-Eleven is actually the Arrowhead Installation."

The coal of an extinguished memory glowed dimly. I knew Arrowhead, or thought I did. A top secret base located more or less in that part of the Arizona desert in which we now found ourselves. Or was/did it? The memory was so enfeebled that if I didn't hold it just so it would blow away like dandelion fluff. Still, this wasn't a military base; it was a convenience store.

"Bullshit?" I said.

Do you remember Arrowhead?" Andy asked.

"Sort of. What is this, what's going on?"

"Listen to me, Brian. We finally got one. We finally got an honest to God extraterrestrial—and it's in there."

"In the 7-Eleven."

"No. In the Arrowhead facility that looks like a 7-Eleven in our present consensus reality. The alien is hiding itself and the installation in some kind of stealth transdimensional mirror trick, or something. I've been here before. So have you. Our dreams can still remember. I've come out to the desert—I don't know, dozens of times? I've talked to it, the alien. It shuffles reality. I keep waking up, then going back to sleep. Here's the thing. It can cloak its prison, reinterpret its appearance, but it can't escape."

I regarded him skeptically, did some mental shuffling of my own, discarded various justifiable but unproductive responses, and said: "What's it want?"

"It wants you to let it go."

"Why me?"

"Ask it yourself. But watch out. That little fucker is messing with our heads."

* * * *

Monday, April 7, 2014

"What You Are About To See" by Jack Skillingstead (Part 1 of 3)

Alien ContactIn 2011, prior to the release of my Alien Contact anthology (from Night Shade Books), I decided to take a different approach to introducing the anthology to readers: Instead of simply listing the table of contents -- a boring list of story titles and authors' names -- I blogged about each story, one story per week for 26 weeks. Of course, about four or five weeks into the project I realized the magnitude of the task I had set for myself: 26 weeks, one-half of a year! I won't go into the details here, you can check out my "Alien Contact" page where you'll find a listing of all the related blog posts.

As part of this project I obtained permission from a number of authors to post the complete text of their stories. Most of the stories were posted here, on More Red Ink. One story, however, Jack Skillingstead's "What You Are About To See," was posted on the Night Shade Books website and also on the NSB Facebook page. So it was to my surprise -- and dismay -- to discover a few weeks ago that the story had been wiped from both the NSB website and Facebook page.

After conferring with Jack Skillingstead, we agreed that the story should remain available online (and free) for future readers -- and so I am posting the story here (below) in three parts. I encourage you to first read my original blog post on the story, which provides the genesis and history of the story as well as how I selected it for the anthology.

And now, enjoy....



"What You Are About To See"
by Jack Skillingstead
(©2008 by Jack Skillingstead.
Reprinted with permission of the author.)


It sat in a cold room.

Outside that room a Marine handed me an insulated suit. I slipped it on over my street clothes. The Marine punched a code into a numeric keypad attached to the wall. The lock snapped open on the heavy door, the Marine nodded, I entered.

Andy McCaslin, who looked like an overdressed turnip in his insulated suit, greeted me and shook my hand. I'd known Andy for twenty-five years, since our days in Special Forces. Now we both worked for the NSA, though you could say my acronym was lowercase. I operated on the margins of the Agency, a contract player, an accomplished extractor of information from reluctant sources. My line of work required a special temperament, which I possessed and which Andy most assuredly did not. He was a true believer in the rightness of the cause, procedure, good guys and bad. I was like Andy's shadow twin. He stood in the light, casting something dark and faceless, which was me.

It remained seated—if you could call that sitting. Its legs, all six of them, coiled and braided like a nest of lavender snakes on top of which the alien's frail torso rested. That torso resembled the upper body of a starving child, laddered ribs under parchment skin and a big stretched belly full of nothing. It watched us with eyes like two thumbnail chips of anthracite.

"Welcome to the new world order," Andy said, his breath condensing in little gray puffs.

"Thanks. Anything out of Squidward yet?"

"Told us it was in our own best interests to let him go, then when we wouldn't it shut up. Only 'shut up' isn't quite accurate, since it doesn't vocalize. You hear the words in your head, or sometimes there's just a picture. It was the picture it put in the Secretary's head that's got everybody's panties in a knot."

"What picture?"

"Genocidal carnage on a planet-wide scale."

"Sounds friendly enough."

"There's a backroom theory that Squidward was just showing the Secretary his own secret wet dream. Anyway, accepting its assertions of friendliness at face value is not up to me. Off the record, though, my intuition tells me its intentions are benign."

"You look tired, Andy."

"I feel a little off," he said.

"Does Squidward always stare like that."

"Always."

"You're certain it still has the ability to communicate? Maybe the environment's making it sick."

"Not according to the medical people. Of course, nothing's certain, except that Squidward is a non-terrestrial creature possessed of an advanced technology. Those facts are deductible. By the way, the advanced technology in question is currently bundled in a hanger not far from here. What's left looks like a weather balloon fed through a shredder. Ironic?"

"Very." I hunched my shoulders. "Cold in here."

"You noticed."

"Squidward likes it that way, I bet."

"Loves it."

"Have you considered warming things up?"

Andy gave me a sideways look. "You thinking of changing the interrogation protocols?"

"If I am it wouldn't be in that direction."

"No CIA gulag in Romania, eh."

"Never heard of such a thing."

"I'd like to think you hadn't."

Actually I was well familiar with the place, only it was in Guatemala, not Romania. At its mention a variety of horrors arose in my mind. Some of them had faces attached. I regarded them dispassionately, as I had when I saw them in actuality all those years ago, and then I replaced them in the vault from which their muffled screams trouble me from time to time.

Andy's face went slack and pale.

"What's wrong?"

"I don't know. All of a sudden I feel like I'm not really standing here."

He smiled thinly, and I thought he was going to faint. But as I reached out to him I suddenly felt dizzy myself, afloat, contingent. I swayed, like balancing on the edge of a tall building. Squidward sat in its coil of snakes, staring...

* * * *

Tuesday, November 15, 2011

What You Are About to See...And Read...Now

Alien ContactWhat seems like so many months ago -- April, actually -- I was plotting the best ways to introduce to readers the 26 stories included in Alien Contact, my then forthcoming anthology. I had contacted all the authors for their assistance in promoting the book, with hopes that their schedule would allow for such participation. I asked the authors if they would be open to being interviewed and/or write a guest blog post and/or allow for the online publication of the complete content of their story. More than half of the authors responded with a "yes" on one or more of the options.

Then I had to find homes for these interviews and guest blog posts and stories. I didn't want to limit all of this material to More Red Ink. I have my share of readers, but there are other, more popular sites with readers numbering in the many thousands -- and I wanted to bring Alien Contact to the masses. Hallelujah!

So that's why SF Signal hosted all of the interviews and all (but one) of the guest blog posts. And though the complete text of five of the anthology stories were posted here on More Red Ink, I had worked out plans to have two additional stories posted elsewhere.

On September 16, when I first introduced Story #20 -- "What You Are About to See" by Jack Skillingstead -- I wrote: "I've probably read the story at least four or five times now, and each time the story still leaves me in awe. This is one of those stories that slithers in behind your eyeballs as you read, and tweaks the hell out of your mind." Jack had given me permission to post the story online, but I refrained from doing so, painful as it was, because the publisher, Night Shade Books, had agreed to post the story in its entirety on their website -- but not until after the book itself was published. (This is me, waiting...waiting...waiting....)

Finally, that time is now: "What You Are About to See" is approximately 5,100 words in length; it's not an overly long story, and if you are prepared to have snakes slithering in behind your eyeballs, and your mind rearranged, well, you merely need to click here... and begin reading....

[Update April 7, 2014: Jack Skillingstead's story "What You Are About To See" is now hosted here on More Red Ink.]


Wednesday, November 9, 2011

SFSignal's Close Encounters Continues: Nov. 9

SFSignal.com's close encounters with the contributing authors to Alien Contact continues with Jack Skillingstead and the "Alien Contact" interview.

Thursday, November 3, 2011

SFSignal's Close Encounters Continues: Nov. 3

SFSignal.com's close encounters with the contributing authors to Alien Contact continues with Jack Skillingstead's guest post on "Thermalling" -- those "rising columns of air called thermals [that] are like free gas stations." Read how Jack relates these thermals, and thermalling, to his short story "What You Are About to See" in Alien Contact.

Friday, September 16, 2011

Alien Contact Anthology -- Story #20

Alien Contact: 26 stories to unveil -- one per week in order of appearance in the anthology. This is story #20. Forthcoming in November from Night Shade Books. If you are new to this blog, you might want to start at the Beginnings.



"What You Are About to See"
by Jack Skillingstead



This story was originally published in the August 2008 issue of Asimov's Science Fiction, and is approximately 5,100 words in length.

On September 10, 2008, I contacted author Nancy Kress for copies of her three "alien contact" stories (see her "Laws of Survival," Story #19). In that same email I asked Nancy to recommend one or two other stories "you think are the best -- or at least your favorites -- that have been written since 1980." And Nancy graciously responded the following day: "As for other authors' first-contact stories, there was a good one in the recent, August 2008 ASIMOV'S: Jack Skillingstead's 'What You Are About to See.' Very weird alien."

The previous year, in July 2007, I had been contacted by an agent for the Virginia Kidd Agency, on behalf of Jack Skillingstead, to inquire if I would be interested in a collection of his short stories. At the time I had already planned to depart Golden Gryphon Press at the end of the year, so I suggested the agent contact the publisher directly.1 I had some familiarity with Jack's stories, but certainly not all of them at that time. So, after receiving the recommendation from Nancy Kress, I contacted Jack's agent, explained the basics of the anthology, and requested a copy of the story, which she kindly provided. I then printed out a copy and added it to my increasingly large pile of stories to be read and considered.

The fact that "What You Are About to See" is included in this anthology shows that I was indeed taken with this story. In fact, I've probably read the story at least four or five times now, and each time the story still leaves me in awe. This is one of those stories that slithers in behind your eyeballs as you read, and tweaks the hell out of your mind. I asked Jack for some personal thoughts on the story and this is what he wrote:
"What You Are About to See" was inspired by my first-ever visit to Arizona back in 2006. I got three stories out of that Nebula Awards weekend. Which is weird when you consider I never left the hotel. Looking down at the desert from my 737 I thought of mirages, flying saucers, and a 7-Eleven store in Portland, Maine. I have no idea why. These unrelated elements came together when I needed them to at the keyboard.

Thursday, September 15, 2011

Alien Contact Anthology -- Bits 'n' Pieces

My Alien Contact anthology can now be preordered from Amazon.com and BarnesAndNoble.com, as well as other fine bookstores (physical and online). You may notice that the pub date is listed as January 2012; according to the publisher, Night Shade Books, this is incorrect and the book is on schedule for its November publication.


As you can see from the Facebook widget in the right column -- "Find us on Facebook: Alien Contact Anthology" -- I have just set up a "fan page" for the book. If you are an FB user, and you are so inclined, I would appreciate your click on the "Like" button. More stories from the anthology will be forthcoming, as will a giveaway or two, along with news and reviews.


On Sunday, September 11, I attended the Tachyon Publications "Sweet 16" birthday party at Borderlands Books in San Francisco. The party marked not only Tachyon's sixteen years of publishing but also the tenth anniversary of their first birthday party. On hand to celebrate the birthday, in addition to Tachyon's own Jacob and Rina Weisman, Jill Roberts, and Elizabeth Story, were Peter S. Beagle, Kathleen Bartholomew, Nancy Kress, and Jack Skillingstead. Nancy and Jack were in town for the previous evening's SF in SF event, so they hung around an extra day for the birthday festivities. Also on hand were Charlie Jane Anders, Terry Bisson, Grania Davis, Jeremy Lassen, Nick Mamatas, and Pat Murphy, to name just a few.

During the Tachyon birthday party each year, the Norton Awards are also presented. The awards are given for "extraordinary invention and creativity unhindered by the constraints of paltry reason," in memory of Joshua Norton I, the self-proclaimed Emperor of the United States of America and Protector of Mexico. Norton Awards judge Jacob Weisman presented the book award to Steven R. Boyett for his novel Mortality Bridge (Subterranean Press); and Norton Awards judge Richard A. Lupoff presented the creativity award to Rudy Rucker for his autobiography Nested Scrolls (PS Publishing). Both Boyett and Rucker were on hand to accept their award. Rudy has a lengthy blog post, including photos, on the award. Rudy and I go way back, to the '80s when he was teaching at San Jose State; I wrote in a previous blog post of my interviewing Rudy Rucker regarding the Philip K. Dick Award, and our friendship over the years.

Anyhow, you may be wondering why I'm including the Tachyon Pubs birthday party and related events in this blog post on my Alien Contact anthology. And to answer that, I will share the following photograph with you:

Nancy Kress and Jack Skillingstead, and the ARC of Alien Contact

I had planned to attend the Tachyon Pubs birthday party since I had received the first announcement, but my circumstances changed a few weeks ago (see Status blog post). In fact, as of Saturday evening, due to work deadlines as well as the cost of public transit to San Francisco ($47.40 round trip for the two of us, using both Caltrain and BART), I had decided to stay home that day and work, in between loads of laundry. Mid-morning on Sunday I turned on the PC to send an email to Rina to let her know I would not be attending, when, to my surprise, I found an email in my inbox from Cliff Winnig letting me know that I could hitch a ride with him to San Francisco for the b-day party. It was a sign....

As both Nancy Kress and Jack Skillingstead were making a rare Bay Area appearance (they hail from Seattle), this gave me a chance to chat with them (and to meet Jack for the first time) about their contributions to the Alien Contact anthology. I revealed Nancy's story last week -- "Laws of Survival" (Story #19) -- and Jack's story just happens to be Story #20, which will be revealed shortly.

I'm not much of an autograph collector these days, but I did have both Nancy and Jack sign my copy of the ARC, as well as Pat Murphy, too, who contributed the story "Recycling Strategies for the Inner City" (Story #7) to the anthology. [Sorry I didn't get you in the photograph as well, Pat; hopefully next time.]