Paul Williams 1948–2013

On March 27, we lost one of our own: Paul Williams passed away. In 1995, Paul suffered a traumatic brain injury in a bicycle accident, which is believed to have later caused his early-onset dementia. Paul's achievements are far too numerous to list here, but let me just touch upon a few: In January 1966, Paul launched Crawdaddy! the first magazine of rock music criticism, which paved the way for Rolling Stone and other such rags. In the '80s Paul founded the Philip K. Dick Society and published the society's newsletter. It was Paul's hard work that helped keep PKD's name -- and work -- alive, following the author's death in 1982. Paul also edited the 5-volume Collected Stories of Philip K. Dick and the 13-volume Complete Short Stories of Theodore Sturgeon.

Obits and tributes to Paul Williams have been posted across the 'net, including io9, the LA Times, and the New York Times.

All 19 issues of Crawdaddy! published between 1966 and 1968 are also available online for your reading pleasure in the Crawdaddy! Archives.

I briefly wrote about my involvement with the PKD Society in my "February Links & Things" post (third bullet point from the bottom) in 2010. I again mention Paul Williams in another blog post on PKD and Rudy Rucker, published on August 30, 2010: Paul had fact-checked an article I wrote on PKD in 1988 prior to its publication in the 'zine Paperback Parade.

My friend, author Eileen Gunn, shared some personal thoughts with me, and her Facebook readers, the day after Paul passed away:

Crawdaddy! was a stenciled fanzine, and I bought it for a quarter at Briggs & Briggs in Harvard Square in the spring of 1966. It made my head explode. And that was just the first time. The first issue looked like a term paper; the next looked like an SF fanzine. By the third issue, in less than six weeks, it looked like it belonged on a shelf with other magazines. Whatever the subject, Paul wrote always of exactly the moment he was in, and it was often exactly the moment that I was in. He expanded my view of my own world, of my own (counter)culture, whether it was music or philosophy or the strange internal politics of the Sixties. (Fort Hill, anyone?) I will miss him, but somehow it feels like he's still out there....

Aside from the 5-volume PKD story collection and the 13-volume Theodore Sturgeon collection, both of which hold special places (literally and figuratively) in my own personal library, I would also like to recommend Paul Williams's Bob Dylan: Performing Artist series -- assuming of course that you are a fan of Dylan's music. Unlike most books about rock music, which are typically biographical in nature, these three books focus on Dylan in concert, a critical look at the man's performances over a span of nearly 40 years: Volume 1, The Early Years 1960-1973; Volume 2, The Middle Years 1974-1986; and Volume 3, Mind Out of Time 1986 and Beyond.

My deepest sympathy to Paul's wife, Cindy Lee Berryhill, their son Alexander, and Paul's extended family and friends.

Keep on rockin', Paul....

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Note: The Paul Williams photo that opens this post accompanied the New York Times article by Paul Vitello; the photo was taken by Raeanne Rubenstein, and features Paul Williams in 1971, after he had left Crawdaddy! Since I do not have the rights to reprint this photo, I have linked to the photo on the NYT website. It's one of my favorite photos of Paul: we were grunge before there was grunge. Thank you, Raeanne Rubenstein, for sharing this photograph with us.

Philip K. Dick & Rudy Rucker's Warez

I've been reading Philip K. Dick's stories and novels ever since I learned to read and think at the same time. Seriously, I've been reading (and collecting) PKD's work for many years. On my bookshelves, I have all of his more esoteric "mainstream" novels, including Confessions of a Crap Artist (Entwhistle Books, 1975), The Man Whose Teeth Were All Exactly Alike (Mark V. Ziesing, 1984), In Milton Lumpky Territory (Dragon Press, 1985), Puttering About in a Small Land (Academy Chicago, 1985), Humpty Dumpty in Oakland (Victor Gollancz, 1986), as well as a few others, in addition to the 5-volume Collected Stories of Philip K. Dick, edited by Paul Williams¹ and published by Underwood-Miller in 1987.

I was a member of the PKD Society beginning in the mid-1980s, and as I wrote in a previous blog post, I used to help out at the newsletter mailing parties at Paul Williams' San Francisco home. And it was this involvement with PKD and the PKD Society that led me to attend my first Armadillocon in Austin, Texas: Armadillocon 10 in October 1988. K. W. Jeter was the Guest of Honor, and when I learned that James P. Blaylock and Tim Powers were also scheduled to attend -- all three former members of the "Thursday Night Gang"² -- then I knew this was one convention that I simply could not miss.

During that convention, Jeter, Blaylock, and Powers held a panel discussion entitled "Memories of Philip K. Dick;" the panel met at midnight, but I don't recall on which night, Friday or Saturday. I recorded the entire discussion on a mini-cassette recorder, obtained the three panelists' permission to reprint the content in the PKD Society's newsletter, and then sent the tapes to Paul. He transcribed the tapes himself, and the highly edited panel discussion³ was included in issue #20 of the newsletter, April 1989, under the title "The Phil Wars."

March Links & Things

Following are my links and such for the month of March. I've listed them here, all in one post, and with additional detail and comment (and the occasional rant). You can receive these links in real time by following me on Twitter: @martyhalpern.

• If you haven't surmised by now, I am a freelance editor; my wife is also self-employed. When our health care premium topped over $1,100 per month -- more than $13,200 a year (and that was 2 years ago!) -- we had to abandon that plan and go with an HSA plan with a high deductible. So you won't be hearing any complaining from me about health care reform; in fact, I'm truly saddened there is no public option: that was the only way to force some real competition among the private health care providers, who whine about rising costs as they give multi-million-dollar bonuses to their CEOs.
  
  I bring this to your attention because of a blog post by award-winning author George R. R. Martin, who speaks from the heart on health care and its impact on freelance writers: himself and his close friends. "It is worth pointing out that if either of my friends had lived in Canada, or Australia, or France, or England, or any country with that old vile 'socialized medicine' the right wing likes to denounce, they would never have gotten so sick. They would have seen a doctor much earlier, early enough so that their medical problems could have been diagnosed, treated, and perhaps cured or ameliorated before they required major surgery. But no, they couldn't afford doctors, and they didn't feel THAT bad... not at first... so they did what millions of Americans have done, and ignored their symptoms until it was almost too late."
  
  If you are a freelancer, if you are self-employed, and you have health care coverage -- even what is termed "catastrophic coverage" -- consider yourself very, very lucky indeed.



• In my February Links & Things, I talked about Paul Williams, former editor of Crawdaddy, former head of the Philip K. Dick Society, author of the Bob Dylan: Performing Artist series, and all-around great guy; and I linked to an article about Paul's current illness: early-onset dementia. As a follow-up to that entry, author Paul Di Filippo has an article on BarnesandNobleReview.com in which he discusses the significance of the Collected Stories of Theodore Sturgeon (12 volumes to date), all of which have been edited by Paul Williams. The final volume, entitled Case and the Dreamer, is scheduled to be published this October. Paul Di Filippo expresses concern that Paul Williams "might already be beyond the point where any kudos can reliably reach him." It's a well-done, albeit short article highlighting the significance of Sturgeon's short fiction, and this 13-volume series in particular. I have all 12 volumes in my library, and am eagerly awaiting the final volume in October.



• Author Mark Teppo (@MarkTeppo) is in the news a lot these days to promote Heartland (Night Shade Books), book two in his Codex of Souls. You can read my previous blog about working with Mark on the first two books in this series.
  
  Mark has two entries on Amazonblogs's Omnivoracious, hosted by Jeff VanderMeer. In the first, on "The Nature of Magick," Mark writes: "I love the idea of secret knowledge, and when you strip away all the pomp and circumstance surrounding most modern religious practices, what remains is an unshakable faith in a secret." The second entry is entitled "On the Existence of Monsters": "I think we're more afraid of our fellow man. We're more terrified of the innocent-looking neighbor who might worship a different god or who has a predilection for devouring children or who might simply want to tell us what we can do in the dark privacy of our own home. These sorts of monsters are hard to defang because you can't find them, because they aren't physically different than you or I. What makes them different is the way they think."
  
  Lastly, here's an excerpt from the Mark Teppo interview in Fantasy Magazine: "I jettisoned all of [the urban fantasy tropes] for historical occult practices, secret religious doctrines, alchemical theories, and other religious magic practices. Why? Because I couldn't sort out a worldview where vampires didn't turn us all into cattle, or we got our shit together to wipe them out. Couldn't do it. Stopped trying after a while. Though, to be fair, Markham [the protagonist in the series] is, essentially, a psychic vampire, and the soul-dead are zombies, so I haven't quite abandoned the tropes.... Ignorance is not the victor; that is certain. Ignorance is what gets Markham into trouble and what hounds him during the ten years he spends wandering. In Lightbreaker, it does come down to a faith and/or knowledge, and [which one] the reader chooses will inform how they interpret the last chapter."



• Another new title (which I also edited) is Matthew Hughes's Hespira (Night Shade Books), the final volume in his trilogy of Henghis Hapthorn adventures. Hapthorn is a "discriminator" (think Sherlock Holmes but in the style/language of Jack Vance), who is trying to survive in a world in which the age of rationalism (aka science) is succumbing to sympathetic association (aka magic). Hespira is reviewed by Andrew Wheeler, former editor of the Science Fiction Book Club. Wheeler writes: "I can't see any reason why the SF audience would avoid a writer as witty and endlessly pleasurable as Hughes, but they certainly didn't buy all that many copies of [his earlier Warner and Tor] books. But Hughes has kept writing, adding new wrinkles to his Vancean far future with each book and becoming one of the most entertaining writers the modern genre has to offer.... Again, I can be reliably counted on to call each new Matthew Hughes novel a triumph; he writes wonderful books that I enjoy massively. The Vancean flavor [has] mixed with a dash of Wodehouse, a couple of jiggers of Conan Doyle, and a shot or two of Wolfe to form a bracing cocktail that is nothing but Hughes. Hespira in particular builds on its two predecessors to make a satisfying end to a trilogy -- and what SFF reader can resist a trilogy? Hughes is the writer I invariably mention whenever the question of modern underrated writers comes up; he writes the kind of wonderful, funny, thoughtful, exciting, zippy novels that should be massively popular and winning him shelves-full of awards."



• We've all been hearing about the demise of print media -- magazines and newspapers in particular; how ad revenue has dropped 30-plus percent over the past year, thousands of newspaper and magazine employees laid off, etc. Well, here's one: Robert Feder of blogs.vocalo.org writes: "...you'd think the chief executive officer of a company struggling to emerge from bankruptcy and desperate to salvage an $8 billion buyout-gone-bad would have better things to do than pester his underlings with crazy proclamations. But in the case of Tribune Co. CEO Randy Michaels, you'd be wrong. The man at the top of the troubled media empire took time out of his real job this week [the week of March 10] to issue a list of words and phrases -- 119 of them, to be exact -- that must never, ever be uttered by anchors or reporters on WGN-AM (720), the news/talk radio station located five floors below his office in Tribune Tower." Here are a few of those banned words: "alleged," "close proximity," "flee," "icon," "legendary," "motorist," "untimely death," "vehicle," and "youth," to name only a few of the 119 words/phrases. You will be shocked to see the everyday words on this list. (via mediabistro.com)



• NASA's Goddard Space Flight Center in Greenbelt, Maryland, has updated its Flickr account with some new, astounding photographs of the "Blue Marble" -- Earth. I often imagine what it would be like to be "out there," looking down. Whew.... (via @Huffingtonpost)

February Links & Things

I back up my working data automatically every half hour to a USB drive; specific files and folders (all working data) are backed up nightly to a stand-alone external drive; and the entire "My Computer" (essentially my entire PC) gets backed up to that same external drive once a week. Well, during my weekly backup I have begun to receive bad sector errors, so I ran a disk check upon startup Saturday morning and received four different "File record segment is unreadable" error messages. Disk check fixed the errors so that I was able to then complete the "My Computer" backup, but I'm afraid my hard drive is headed for HDD hell. I have a couple projects that I hope to complete within the next two days, and then I suspect I'll have to replace the hard drive and reinstall the entire "My Computer," and hope that there hasn't been too great a loss of data due to those unreadable file records. Sigh....

Following are my links and such for the month of February. I've listed them here, all in one post, and with additional detail and comment. You can receive these links in real time by following me on Twitter: @martyhalpern.

• Recent reviews of books from two different authors with whom I worked as editor:
  
  Canadian author Nathalie Mallet's second book in a series has recently been published by Night Shade Books. Colleen Cahill, in her review on SFRevu, writes: "In her first book, The Princes of the Golden Cage [2007], Nathalie Mallet took a pass at fairy tales and brought us a new version, with the Prince being locked away rather than the Princess. In her second book about Prince Amir, The King's Daughters [2009], we are again in a medieval fantasy setting, but this time we move from the Arabian Nights to a North Eastern European arena. The good news is Mallet continues to bring us a piece full of fascinating characters and intriguing plots, all presented in a compelling style; the bad news (for Amir) is that while the Prince might be out of the cage, life is not getting any easier.... This book is a good read for fans of medieval fantasy, especially those who want something that does not follow the standard plot. You need not have read the earlier work to enjoy this book, but I recommend both of them. On a cold winter's night, you can't do better than snuggling in with The King's Daughters."
  
  And...Mark Teppo's Heartland, the second book in The Codex of Souls, also from Night Shade Books, is reviewed by @MadHatterReview: "Teppo doesn't suffer the sophomore slump at all with Heartland. In fact, the same level of cleverness and knowledge of the occult still clings to Teppo's prose as this man is a knowledge bucket of the arcane and manages to make it fresh and undaunting.... The Codex of Souls is without a doubt one of the most original Urban Fantasy series going right now. It has stepped away from the pack and embraced a different type of magic and a very different sensibility worth checking out."
  
  You can read my earlier blog post, entitled "Mark Teppo's Codex of Souls Seeks the Light," on working with Mark on The Codex of Souls series.



• Ted Genoways, editor of the Virginia Quarterly Review, writes a sharp and critical analysis -- nay, a rebuke -- of the literary magazine, its writers, and the colleges and universities that sponsor them: "Last summer, Louis Menand tabulated that there were 822 creative writing programs. Consider this for a moment: If those programs admit even 5 to 10 new students per year, then they will cumulatively produce some 60,000 new writers in the coming decade. Yet the average literary magazine now prints fewer than 1,500 copies. In short, no one is reading all this newly produced literature -- not even the writers themselves.... To pull out of this tailspin, writers and their patrons both will have to make some necessary changes -- and quick.... young writers will have to swear off navel-gazing in favor of an outward glance onto a wrecked and lovely world worthy and in need of the attention of intelligent, sensitive writers. I'm not calling for more pundits -- God knows we've got plenty. I'm saying that writers need to venture out from under the protective wing of academia, to put themselves and their work on the line. Stop being so damned dainty and polite. Treat writing like your lifeblood instead of your livelihood. And for Christ's sake, write something we might want to read." Bravo! As of this writing, there are more than 120 comments. (via @Catherine_Asaro)



• As a follow-on to the above link on the demise of literary journals, is this article (rant?) in the Los Angeles Times Book Section from Dani Shapiro, guest editor for the anthology Best New American Voices 2010, the latest volume in a long-running series, which is coming to an end because the publisher can no longer justify its publication due to declining sales. Shapiro criticizes MFA programs because "creative writing programs (not to mention the thousands more who attend literary festivals and conferences) do not include insecurity, rejection and disappointment in their plans. I see it in their faces: the almost evangelical belief in the possibility of the instant score.... The emphasis is on publishing, not on creating. On being a writer, not on writing itself. The publishing industry -- always the nerdy distant cousin of the rest of media -- has the same blockbuster-or-bust mentality of television networks and movie studios. There now exist only two possibilities: immediate and large-scale success, or none at all." If you've often heard other writers say (or have said this yourself, or at least thought it): "So many crappy novels get published. Why not mine?" -- then you need to read this piece.



• Author @JasonSanford blogs about a website he just discovered: "Selecting and aggregating content from the 'independent' publishing world, FictionDaily presents three new stories each day -- a short, a long, and a genre story. Excerpts of stories in each of these categories are presented without reference to the author's name, the title, or the story's publication. If you're interested, you click over to the original publisher to read the story.... To get a sense of the site's goals, I asked FictionDaily's editor David Backer a few questions." If you're into reading online short-fiction, but don't have the time to search out all the sites and stories, then let FictionDaily do the work for you. I think you'll be amazed as to just how much short fiction is being published online: I counted 54 magazines on the list, and that was only through titles beginning with numbers and the first three letters of the alphabet! And enjoy Sanford's mini interview with David Backer, too.