Digital Detective Inspector Chen

Nearly three years ago, on December 1, 2010, I published a blog post on the long-awaited publication of the fifth Detective Inspector Chen novel, The Iron Khan, by author Liz Williams. At that time, the novel was only available in various ebook formats. Morrigan Books, publisher of this fifth DI Chen novel, released the print edition in the first part of 2011.

I had edited all five of Williams's Chen novels for Night Shade Books, but due to circumstances (which the author explained on her Live Journal here and here), the fifth volume was dropped by Night Shade and picked up by Morrigan Books.

Now, finally, all five Detective Inspector Chen novels are available in a variety of ebook formats from Open Road Media -- the novels should be read in order, as the underlying story is revealed that leads up to the proposed sixth and final volume, Morning Star. Here are the five volumes, in order of publication -- and the order in which they should be read: [Note: Links below are to the Amazon Kindle format; other formats can be obtained via iTunes, Google, B&N, and Kobo.]

1. Snake Agent
2. The Demon and the City
3. Precious Dragon
4. The Shadow Pavilion
5. The Iron Khan

Paul Weimer, in his review of The Iron Khan on Goodreads, has summed up what is so special about this series of novels. Paul writes: "As is usual for the Chen books, the narrative not only focuses on Chen, Zhu Irzh and their friends and allies, but new characters, whose goals, desires and needs bloom like a flower quickly coming into full season. Both the titular antagonist, the Iron Khan, other antagonists, and those who oppose their efforts, such as the Japanese warrior Omi, have their narrative threads intersect with our main characters. They have pasts, presents and futures of their own, and never serve to act for the benefit of the main characters. If anything, these characters draw our main characters and their talents into their stories, for ill or will."

All five Detective Inspector Chen novels are also available in matching trade paperbacks from Amazon and Barnes and Noble.

Writing 101: Thog's Masterclass at BayCon

If you've attended any of my convention panels having to do with the craft of writing, then you have undoubtedly heard me refer to Thog's Masterclass.

Who is Thog? According to Thog.org, "Thog the Mighty, a not terribly bright barbarian hero, is the creation of John Grant (Paul Barnett) in his 'Lone Wolf' fantasy novels. Thog first appeared in The Claws of the Helgedad (1991)."

Thog's Masterclass is a regular feature of David Langford's zine Ansible, enshrining prose gems primarily from science fiction and fantasy publications: "It is to be assumed that the chosen selections are stuff which brutish Thog really likes." The site goes on to explain how the tradition began at the 1993 UK EasterCon, when David edited the con's daily newsletter with Paul Barnett's assistance. I'll leave you to further investigate Thog's history should you so desire.... (and more on Ansible¹ later in this blog post.)

Over Memorial Day Weekend I attended BayCon, an annual San Francisco Bay Area convention that is now in its twenty-ninth year. And this year I participated once again in the Iron Editors workshop: writers present the first 2 pages of a story or novel for review and critique by the panel of editors. The author's name need not be included on the pages, so while the writing may be anonymous, the critique is public. This allows other writers to learn from the critiques as well. In fact, writers may attend the workshop without having submitted anything for review.

Along with moderator Kent Brewster, this year's panel of editors also included Jeremy Lassen, Deirdre Saoirse Moen, the Kollin Brothers, and Dario Ciriello. The review process is quite hectic, to say the least. Kent likes to keep things moving so that a marked up submission is always on the display screen and open to discussion. Often I'll be working on one submission and have to stop what I'm doing to comment on my mark ups on the submission that is being presented. Consequently not all submissions are reviewed by every editor.

Usually a Thog's Masterclass-worthy sentence will arise from the heaps of paper, which will provide me with the opportunity to introduce the audience to Ansible and Thog. Due to the hectic nature of the workshop I didn't have an opportunity to write down the specific sentence, so this one will have to do (it is similar in content). This sentence is from a previously published story that was part of a collection that I acquired and published with Golden Gryphon Press. The author and story shall remain anonymous, to protect the guilty.

...his face: a strong jaw, cheekbones ruddy with cold, softened by a well-proportioned nose, and eyes which skipped from aisle to counter to shelf like pebbles glancing over water.

The boldface is, of course, my addition to highlight the content that I know Thog would really like. When I brought this sentence, and Thog's Masterclass, to the author's attention, the author chose to rewrite the text before including the story in the collection. But this isn't always the case. In Liz Williams's Detective Inspector Chen series of novels, you'll find sentences like this one:

Sung's eyebrows crawled slowly up his broad forehead.

In the Chen novels, Liz wants that stylized, exaggerated content; a better word might be "campy." And as the editor for all five (so far) of her Detective Inspector Chen novels, I'm right there with Liz on this. So story content is dependent on your style, your goal, what you wish to create within the story. Just be aware that these types of sentences just may find themselves in some future entry of Thog's Masterclass.

March Links & Things

This is my monthly wrap-up of March's Links & Things; you can receive these links in real time by following me on Twitter: @martyhalpern. Note, however, that not all of my tweeted links make it into these month-end posts. Hopefully, you will find some value in what follows; and if you are new to my blog, you may want to catch up on my previous month-end posts: just look for the "Links and Things" tag in the right column of this blog; there are 28 previous blog posts.

• I've blogged previously (here, here, and here) about Liz Williams's fifth, and most recent, Detective Inspector Chen novel, The Iron Khan. But this is the first time I've come upon a review of a Chen book in which the reviewer so succinctly sums up what is so special about these novels. The reviewer's name is "Paul," the review is on Goodreads.com, and this is merely one of Paul's 836 (as of this writing) reviewed books. Paul writes: "As is usual for the Chen books, the narrative not only focuses on Chen, Zhu Irzh and their friends and allies, but new characters, whose goals, desires and needs bloom like a flower quickly coming into full season. Both the titular antagonist, the Iron Khan, other antagonists, and those who oppose their efforts, such as the Japanese warrior Omi, have their narrative threads intersect with our main characters. They have pasts, presents and futures of their own, and never serve to act for the benefit of the main characters. If anything, these characters draw our main characters and their talents into their stories, for ill or will." [Note: I edited all 5 volumes, so far, of the Detective Inspector Chen series; the first 4 titles for Night Shade Books, the most recent title for Morrigan Books UK.]

• The Jacqueline Howett meltdown may have been the major controversy this past month, but there were no shortages of others. Mediabistro.com's @ebooknewser reported that publisher HarperCollins plans to limit the number of checkouts to 26 that their eBooks may have at the public library. This means that after 26 checkouts the library is required to purchase another copy of the eBook. The Pioneer Library System, Norman, Oklahoma, responded with a video showing various HarperCollins print books, their condition, and the number of times each has been checked out; had there been a limit on these print copies, hundreds of readers would never have read these books because the library simply cannot afford to replace a book unless it is both in demand and severely damaged. The HarperCollins decision has led to numerous libraries throughout the country boycotting HarperCollins eBooks. So if you cannot find a HarperCollins eBook at your library, don't blame the messenger (your public library), blame HC. In fact, feel free to send HC some feedback right now!

• Two Very Big Names in publishing were in the news this past month: Barry Eisler and Amanda Hocking. NYT bestselling author Barry Eisler turned down a two-book, one-half-million-dollar deal with St. Martin's Press in order to self-publish his future books himself. On the other hand, bestselling self-published author Amanda Hocking has gone New York, signing a four-book, two-million-plus deal, after a very heated bidding war, with St. Martin's for her next series of books.
  
  Via The Daily Beast, Jason Pinter (@jasonpinter) interviews Barry Eisler to find out just why the author decided to self-publish. In the interview Eisler explains the numbers and reasons behind his decision. Here's a taste: "What happens whenever I hit that point [the earn out point] is that I'll have 'beaten' the contract, and then I'll go on beating it for the rest of my life. If I don't earn out the legacy contract, the only money I'll ever see from it is $142,000 per year for three years. Even if I do earn out, I'll only see 14.9% of each digital sale thereafter. But once I beat the contract in digital, even if it takes longer than three years, I go on earning 70% of each digital sale forever thereafter. And, as my friend Joe Konrath likes to point out, forever is a long time."
  
  As to Amanda Hocking, the St. Martin's deal was announced in the New York Times, which stated that Ms. Hocking explained herself to her readers, via her blog, thusly: "I want to be a writer," she said. "I do not want to spend 40 hours a week handling e-mails, formatting covers, finding editors, etc. Right now, being me is a full-time corporation." (via mediabistro.com)

• Self-Publishing Review (@selfpubreview), whom I have linked to on numerous occasions, has a follow-up piece on Amanda Hocking, noting that though she has garnered all the attention recently as a self-published author -- and she may indeed be one of the wealthiest – she certainly isn’t a self-pub pioneer. But who are said pioneers you may ask? Boyd Morrison, Lisa Genova, Zoe Winters, and Dean Wesley Smith. You can read their stories on the Self-Pub Review link.

Liz Williams's The Iron Khan -- First Review

If you are a fan of the Detective Inspector Chen series by UK author Liz Williams, and you've been eagerly awaiting the publication of book 5 in the series, The Iron Khan (print edition), then your wait is -- Finally! -- over, thanks to the amazing efforts of the folks at Morrigan Books.

The Iron Khan trade paperback edition is currently in stock at Amazon.com via CreateSpace, an Amazon company. Morrigan also has plans for a limited hardcover edition to be available through Mysterious Galaxy Bookstore in San Diego. I have no additional information on the limited edition at this time, but I will post further details as soon as I have them.

The first review of The Iron Khan (at least the first review that I am aware of) has appeared. What's intriguing about this review can be summed up by a comment Liz Williams made in a recent post on her LiveJournal: "...reviewers often (as in this case) pick up on themes which were not intentional/subconscious, but which nonetheless seem to have emerged as dominant."

The review appears in Strange Horizons, and is penned by Kelly Jennings, who does double duty by reviewing the previous DI Chen title, The Shadow Pavilion, alongside The Iron Khan. Jennings writes:

In The Shadow Pavilion, Lord Lady Seijin, a dual-souled (one soul is male, the other female) immortal assassin, has been hired to assassinate Mhara, the new Emperor of Heaven. Having taken the throne, Mhara at once begins making changes. Some of Mhara's subjects welcome these changes. Others do not....

This theme -- both that change can be good, and that it will be resisted, often violently -- is the common thread running through both novels. With such a topic, the slide into cliché would be easy: simple villains opposing good, simple heroes charging the barricades. Williams resists that lure, writing situations to demonstrate that change in itself is neither good nor bad....

[In The Iron Khan] every plot movement from the opening pages turns on change. Indeed, we begin to see, reading this text, how throughout the series every relationship has turned on changes in social and spiritual attitudes, which have made possible bonds which were previously forbidden.... There is, further, the matter of Inari’s pregnancy -- her child, still unborn at the end of The Iron Khan...is the reincarnation of Lord Lady Seijin, who was the enemy of Heaven throughout the previous novel; the enemy, also, of Inari and Chen. Not only does this suggest a major change for Seijin -- that the villain can change -- but consider what it says about Chen and Inari: their enemy will be their child, whom they will raise up and love. Is this not the definition of true change?...

At the end of The Iron Khan, Inari’s child, forecast to bring some major change to Heaven and Earth and all the several Hells, is about to be born. Considering who the child was and what he/she has been up to, even before birth, I can’t wait to see what comes next.

I've you've not read the Detective Inspector Chen series, then hopefully this review will give you just a wee taste of what you've been missing -- a series that is in a class all by itself. Please do read the full review on Strange Horizons. And yes, I'm prejudiced about the DI Chen series: I was fortunate enough to have had the opportunity to work (as editor) with Liz Williams on all five titles.

Tweet This

DI Chen Finally Turns 5 Redux

In my December 1 blog post, "DI Chen Finally Turns 5," I presented Reece Notley's cover art for the ebook editions of novel The Iron Khan by Liz Williams, and published by Morrigan Books. If you've been anticipating the fifth Detective Inspector Chen novel, and ebooks are your media of preference, you can purchase the Kindle edition directly through Amazon.com, and all other ebook formats (epub, LRF, PDF, and mobi, too, as well as others) from Smashwords.

But if you prefer the smell of real paper, the feel of a real book in your hands (as opposed to cold metal, plastic, and glass), then your wait for the print editions of The Iron Khan will soon be over. So I'm taking this opportunity to showcase the new cover art (sans the typography) by Stephanie Pui-Mun Law for the print editions. On Ms. Law's website, you can click on the "Detail closeups" link, allowing you to take in all of the amazing details of this artwork. The art features one of the story's main characters, Raksha (recently reanimated!), flying atop her elegantly plumed blue crane, with the floating city of Agarta in the distance. If you are a fan of the DI Chen series and a collector of art as well -- or just a collector of art -- you can purchase an 8.5 x 11-inch print for only $15.00; or, if you just happen to have an extra $1,500.00 available, you can snag the original art itself, 12 x 17 inches, pen and ink. I'm simply amazed that the artist can work all this detail into only 204 square inches.

The Iron Khan print editions will be published in two states: a trade paperback edition and a limited hardcover edition. The trade edition will be available through Amazon; the limited hardcover edition will only be available (so I am told) through Mysterious Galaxy. I have purchased books from Mysterious Galaxy (probably the most recent was a first edition/first printing of Scott Westerfeld's Leviathan); the store takes great pride in the quality of their books, as well as the quality of their packing and shipping. So should you purchase The Iron Khan from them you will have nothing to worry about.

And then we all get to anxiously await book six (the final volume?) in the DI Chen series: Morningstar, which should be available in late 2011. [Liz, if you're reading this, I hope you are furiously writing because I need to find out what impact Inari's child has on the world of Singapore Three.]

Tweet This

Detective Inspector Chen Finally Turns 5

After too long a delay, and a great deal of anticipation, Liz Williams's The Iron Khan, the fifth Detective Inspector Chen novel, has been published -- in ebook formats only, so far -- by Morrigan Books.

The Iron Khan was originally to have been published by Night Shade Books, as they had published the previous four Detective Inspector Chen novels: Snake Agent, The Demon and the City, Precious Dragon, and The Shadow Pavilion. Liz delivered the manuscript for Khan to me on October 26, 2008. By mid-November I was emailing Liz with questions and suggestions, and this back and forth between us carried over into 2009. By the time I approved the final book layout of The Iron Khan on November 11, 2009, Liz and I had worked through nearly 75 emails, which is actually a low number of emails compared to some of the other books I have worked on.

I believe there was a delay (or two), but the book was scheduled for publication in March 2010. As fans and readers of Liz Williams's work know, that date came -- and went. In April, Liz expressed some frustration on her LiveJournal with the status of the Chen series, then some behind-the-scenes action took place, and the rights to the Detective Inspector Chen series were eventually returned to the author.

Fast forward to August 20, 2010: Morrigan Books posted the following announcement, which I have condensed a bit:

Morrigan Books can now announce that it is to continue the successful series of Detective Inspector Chen novels, written by Philip K. Dick Award nominee Liz Williams....

Iron Khan is due for release this December and Morningstar will be published in 2011. The covers for both books are to be designed by award-winning artist Stephanie Pui-Mun Law.

We are extremely excited by Liz Williams' choice to continue the series with Morrigan Books, and see this as a confirmation of the high standard we are setting in the independent press industry.

Though Stephanie Pui-Mun Law will be designing the covers for the print versions of each new book, the cover pictured above -- designed by Reece Notley -- is for the ebook editions only, which have just been released. The Kindle edition can now be purchased directly through Amazon.com; all other ebook editions (epub, LRF, PDF, and mobi, too, as well as other formats) are available from Smashwords.

Morrigan tells me that the print editions -- a trade edition as well as a limited hardcover edition -- of The Iron Khan will be announced soon. I also know that ebook editions of the first four Chen novels are also in process from Morrigan. And lastly, Liz is hard at work (don't tell her that I told you this!) on the next, the sixth, Chen novel, Morningstar.  After working with Liz on the first five Chen novels over the past five years, I'm hopeful that I'll be able to work with Liz on book six as well. Keeping fingers crossed. As I commented myself on Liz's LJ post back in April: "Working on these 5 Chen books, well, it's like Chen, Inari, Zhu Irzh, Jhai, Mhara, and Robin have become extended family!"

* * * * *

Update: December 27 blog post on the cover art for the print editions of The Iron Khan.

* * * * *

For those waiting for my monthly wrap-up, November's Links & Things, my apologies as there will be a bit of a delay yet. I'm under a hard deadline to complete my review and copyedit of The Best Science Fiction and Fantasy of the Year, Volume Five, edited by Jonathan Strahan, for Night Shade Books. And since this volume is nearly 250,000 words (oy!), I'll need some time to complete this project. Cheers.

Tweet This