Showing posts with label Mike Resnick. Show all posts
Showing posts with label Mike Resnick. Show all posts

Monday, January 14, 2013

Happy Birthday, George Alec Effinger (Part 3 of 3)

In memory of author George Alec Effinger (January 10, 1947 – April 27, 2002), who would have been 66 years old this month, I am reprinting a series of three blog posts I published in the first half of 2009. This third, and final, blog post, originally published on June 8, 2009, focuses on the book A Thousand Deaths, which contained George's personal favorite, the novel The Wolves of Memory -- and my favorite of his work as well.

* * * *

Since my blogs tend to be more essay rather than random comments, like blogging about my great cup of coffee this morning, they take longer to compose. If you enjoy reading what I write, then I thank you for your time and patience, and I ask that you just keep checking back -- and/or subscribe to this blog's RSS feed -- for my next entry.

At least for now, this will be my final blog post on author George Alec Effinger; one blog entry for each of the three collections of his work that I acquired and edited for Golden Gryphon Press between 2001 and 2007. Part One of this series focused on Budayeen Nights and Part Two pertained to collection Live! From Planet Earth. I have a couple ideas for possible future projects of Effinger's work, but only time -- and the economy -- will tell if these ever come to pass.


In late 2002, once I had completed Budayeen Nights, and the book was in the hands of the typesetter, and then the printer, I began thinking about the next Effinger collection. During my email communications with George between 2001 and 2002, I promised him that I would do my best to help him bring his work back into print -- and even though George was no longer alive at this point in time, I felt a personal responsibility to honor that promise.

Obviously the second collection published by Golden Gryphon Press was George Alec Effinger Live! From Planet Earth -- but this wasn't the book I had initially intended to publish next.

In the latter part of 2002, I had written Barbara Hambly, executrix of Effinger's literary estate, for a list of her favorite GAE stories. On December 2, 2002, Barb wrote: "I've sorted through George's story titles, cut out all the Maureen Birnbaum and Sandor Courane stories (which have or are getting anthologies of their own) and still have quite a few." Of course, I knew about the Birnbaum collection, but a collection of Sandor Courane stories? This was a complete surprise to me. So I inquired further of Barb about the Courane collection, and later that same day she responded: "There's a fellow in the Midwest who's doing Sandor Courane -- George was working on it with him at the time of his death." Unfortunately, Barb could not recall this fellow's name. Now I was intrigued: during my email communications with George before he passed away, when he spoke so personally about all of his work being long out-of-print, he made no mention whatsoever of another editor working on a collection of his short fiction.

And so my search began.

Eventually my net searching found a website for Wunzenzierohs Publishing Company1, which noted a "forthcoming" GAE collection entitled A Thousand Deaths. But then the announcement went on to state that the collection was currently in limbo due to Effinger's passing. Using the "Email Us" link on the home page, I contacted the publisher on December 19, 2002. I expressed my interest in seeing GAE's short fiction back in print, and I asked if the publisher still planned to pursue this particular collection of Sandor Courane stories. I also requested a list of the proposed stories to be included in the book. I was thinking that if the publisher was willing to give up the rights to this collection so that it could be published by Golden Gryphon -- and if he had all the stories pretty much ready to go and was willing to share them with me -- then I could get this book into print more quickly than the other collection I was planning (Live! From Planet Earth), which I was having to start from scratch.

Gordie Meyer, Wunzenzierohs publisher, responded to my email the following day. Apparently, WunzPub (to use Gordie's abbreviation) was more of a hobby venture, and he had, in fact, been considering if he really had the time to do the Sandor Courane collection. Gordie wrote: "I've known George from his being online at Delphi long ago, and we'd occasionally touch base via email or meet in person at a con, but I didn't really know him all that well. Mike [Resnick], however, did, and when I mentioned that I thought it was a shame that all of George's work was OOP, he suggested that I consider a collection of...the Sandor Courane stories, as they were an identifiable group to collect and were some of Mike's favorite Effinger stories. So I ran the idea past George at a con, he and Barbara [Hambly] liked the idea..." Evidently this all occurred four years earlier, in 1998. Gordie went on to say: "If you'd be interested in taking over the publication of A Thousand Deaths ([the title of] which both George and I came up with independently -- cue Twilight Zone theme...), it'd make my decision a bit easier.... It was [always] about getting George's work back into print. So if I can make that happen, even without actually publishing it myself, I'd still feel good about the project.... Barbara has already approved having Mike Resnick do the introduction. And actually, Mike threatened physical violence if he didn't get to do the intro. {g}"

Sunday, October 30, 2011

Close Encounters with the Contributing Authors of Alien Contact!

Alien ContactThis was the headline as it appeared on SFSignal.com on Tuesday, October 25, 2011, a few minutes past midnight. Actually, the words "Starting Today" prefaced that headline, but that was Tuesday, and today is Sunday -- nearly a week later....

In support of the release this week of Alien Contact from Night Shade Books, SFSignal is hosting a series of guest blog posts and interviews with a number of the authors who contributed to the anthology.

World Fantasy Award nominee Charles Tan conducts all the interviews, in which the authors answer questions like: "What's the appeal of alien contact stories for you?" and "What was the first alien contact story you read that made a lasting impression?" as well as a question or two specific to their story. The authors also discuss their current projects.

The guest blog posts revolve around each author's story in the Alien Contact anthology. Readers will gain some insight into the genesis of each of these stories.

The blog posts and interviews will be posted at approximately 2:00 PM (Central time) each weekday (well, almost), from Tuesday, October 25, through Monday, November 14. Here's the schedule; links have been provided for the first four entries, which have already been posted:
* Tue, 10/25: Nancy Kress, Guest Blog post: "Building a Story from Fortuitously Nearby Construction Materials"
* Wed, 10/26: Mike Resnick: The "Alien Contact" Interview
* Thu, 10/27: Mark W. Tiedemann, Guest Blog post: "It's Not About the Buttons"
* Fri, 10/28: Adam-Troy Castro: The "Alien Contact" Interview

* Mon, 10/31: Nancy Kress: The "Alien Contact" Interview
* Tue, 11/1: Ernest Hogan, Guest Blog post: "Once Upon a Time in SoCal: The Making of 'Guerrilla Mural of a Siren's Song'"
* Wed, 11/2: Paul McAuley: The "Alien Contact" Interview
* Thu, 11/3: Jack Skillingstead, Guest Blog post: "Thermalling"
* Fri, 11/4: Mark W. Tiedemann: The "Alien Contact" Interview

* Mon, 11/7: Ernest Hogan: The "Alien Contact" Interview
* Tue, 11/8: Barbara Hambly, Guest Blog post: "George Alec Effinger and the Aliens Who Knew Everything"
* Wed, 11/9: Jack Skillingstead: The "Alien Contact" Interview
* Thu, 11/10: Bruce McAllister: The "Alien Contact" Interview

* Mon, 11/14: Pat Cadigan: The "Alien Contact" Interview

Remember, you can check in with SFSignal.com at approximately 2:00 PM every weekday -- that's 3:00 PM on the east coast and 12-noon on the west coast -- or, you could just check back here at More Red Ink each weekday for the next two weeks and I'll provide each forthcoming link in a new, albeit very brief, blog post.

Friday, June 24, 2011

"The 43 Antarean Dynasties" by Mike Resnick (Part 3 of 3)

The 43 Antarean Dynasties
by Mike Resnick


[Continued from Part 2]


When the Antareans learned that Man's Republic wish to annex their world, they gathered their army in Zanthu and then marched out onto the battlefield, 300,000 strong. They were the cream of the planet's young warriors, gold of eye, the reticulated plates of their skin glistening in the morning sun, prepared to defend their homeworld.

The Republic sent a single ship that flew high overhead and dropped a single bomb, and in less than a second there was no longer an Antarean army, or a city of Zanthu, or a Great Library of Cthstoka.

Over the millennia Antares was conquered four times by Man, twice by the Canphor Twins, and once each by Lodin XI, Emra, Ramor, and the Sett Empire. It was said that the parched ground had finally quenched its thirst by drinking a lake of Antarean blood.

* * *

As we leave the Tomb, we come to a small, skinny rapu. He sits on a rock, staring at us with his large, golden eyes, his expression rapt in contemplation.

The human child pointedly ignores him and continues walking toward the next temple, but the adults stop.

"What a cute little thing!" enthuses the woman. "And he looks so hungry." She digs into her shoulder bag and withdraws a sweet that she has kept from breakfast. "Here," she says, holding it up. "Would you like it?"

The rapu never moves. This is unique not only in the woman's experience, but also in mine, for he is obviously undernourished.

"Maybe he can't metabolize it," suggests the man. He pulls a coin out, steps over to the rapu, and extends his hand. "Here you go, kid."

The rapu, his face frozen in contemplation, makes no attempt to grab the coin.

And suddenly I am thinking excitedly: You disdain their food when you are hungry, and their money when you are poor. Could you possibly be the One we have awaited for so many millennia, the One who will give us back our former glory and initiate the 44th Dynasty?

I study him intently, and my excitement fades just as quickly as it came upon me. The rapu does not disdain their food and their money. His golden eyes are clouded over. Life in the streets has so weakened him that he has become blind, and of course he does not understand what they are saying. His seeming arrogance comes not from pride or some inner light, but because he is not aware of their offerings.

"Please," I say, gently taking the sweet from the woman without coming into actual contact with her fingers. I walk over and place it in the rapu's hand. He sniffs it, then gulps it down hungrily and extends his hand, blindly begging for more.

"It breaks your heart," says the woman.

"Oh, it's no worse than what we saw on Bareimus V," responds the man. "They were every bit as poor -- and remember that awful skin disease that they all had?"

The woman considers, and her face reflects the unpleasantness of the memory. "I suppose you're right at that." She shrugs, and I can tell that even though the child is still in front of us, hand outstretched, she has already put him from her mind.

I lead them through the Garden of the Vanished Princes, with its tormented history of sacrifice and intrigue, and suddenly the man stops.

"What happened here?" he asks, pointing to a number of empty pedestals.

"History happened," I explain. "Or avarice, for sometimes they are the same thing." He seems confused, so I continue: "If any of our conquerors could find a way to transport a treasure back to his home planet, he did. Anything small enough to be plundered was plundered."

"And these statues that have been defaced?" he says, pointing to them. "Did you do it yourselves so they would be worthless to occupying armies?"

"No," I answer.

"Well, whoever did that" -- he points to a headless statue -- "ought to be strung up and whipped."

"What's the fuss?" asks the child in a bored voice. "They're just statues of aliens."

"Actually, the human who did that was rewarded with the governorship of Antares III," I inform them.

"What are you talking about?" says the man.

"The second human conquest of the Antares system was led by Commander Lois Kiboko," I begin. "She defaced or destroyed more than 3,000 statues. Many were physical representations of our deity, and since she and her crew were devout believers in one of your religions, she felt that these were false idols and must be destroyed."

"Well," the man replies with a shrug, "it's a small price to pay for her saving you from the Lodinites."

"Perhaps," I say. "The problem is that we had to pay a greater price for each successive savior."

He stares at me, and there is an awkward silence. Finally I suggest that we visit the Palace of the Supreme Tyrant.

Wednesday, June 22, 2011

"The 43 Antarean Dynasties" by Mike Resnick (Part 2 of 3)

The 43 Antarean Dynasties
by Mike Resnick


[Continued from Part 1]


Lobilia was the greatest poet in the history of Antares III. Although he died during the 23rd Dynasty, most of his work survived him. But his masterpiece, "The Long Night of the Exile" -- the epic of Bagata's Exile and his triumphant Return -- was lost forever.

Though he was his race's most famous bard, Lobilia himself was illiterate, unable even to write his own name. He created his poetry extemporaneously, embellishing upon it with each retelling. He recited his epic just once, and was so satisfied with its form that he refused to repeat it for the scribes who were waiting for a final version and hadn't written it down.

* * *

"Thank you," says the woman, deactivating the recorder after I finish. She pauses. "Can I buy a book with some more of your quaint folk legends?"

I decide not to explain the difference between a folk legend and an article of belief. "They are for sale in the gift shop of your hotel," I reply.

"You don't have enough books?" mutters the man.

She glares at him, but says nothing, and I lead them to the Tomb, which always impresses visitors.

"This is the Tomb of Bedorian V, the greatest ruler of the 37th Dynasty," I say. "Bedorian was a commoner, a simple farmer who deposed the notorious Maelastri XII, himself a mighty warrior who was the last ruler of the 36th Dynasty. It was Bedorian who decreed universal education for all Antareans."

"What did you have before that?"

"Our females were not allowed the privilege of literacy until Bedorian's reign."

"How did this guy finally die?" asks the man, who doesn't really care but is unwilling to let the woman ask all the questions.

"Bedorian was assassinated by one of his followers," I reply.

"A male, no doubt," says the woman wryly.

"Before he died," I continue, "he united three warring states without fighting a single battle, decreed that all Antareans should use a common language, and outlawed the worship of kreneks."

"What are kreneks?"

"They are poisonous reptiles. They killed many worshippers in nameless, obscene ceremonies before Bedorian V came to power."

"Yeah?" says the child, alert again. "What were they like?"

"What is obscene to one being is simply boring to another," I say. "Terrans find them dull." Which is not true, but I have no desire to watch the child snicker as I describe the rituals.

"What a shame," says the woman, though her voice sounds relieved. "Still, you certainly seem to know your history."

I want to answer that I just make up the stories. But I am afraid if I say it, she will believe it.

"Where did you learn all this stuff?" she continues.

"To become a licensed guide," I reply, "an Antarean must undergo fourteen years of study, and must also speak a minimum of four alien languages fluently. Terran is always one of the four."

"That's some set of credentials," comments the man. "I made it through one year of dental school and quit."

And yet, it is you who are paying me.

Monday, June 20, 2011

Alien Contact Anthology -- Story #8: "The 43 Antarean Dynasties" by Mike Resnick (Part 1 of 3)

This marks week eight in which I reveal the eighth story (of 26 stories total) in my Alien Contact anthology forthcoming from publisher Night Shade Books. If you are new to all of this, you may want to start with my rather loose introduction to the anthology, which was posted on April 25. Assuming all goes well, the contents of Alien Contact should be revealed by the November publication date.



"The 43 Antarean Dynasties" by Mike Resnick



This story originally appeared in the December 1997 issue of Asimov's Science Fiction, and is approximately 5,600 words in length.

Even if you are only somewhat familiar with the multitude of short stories Mike Resnick has published, then you know that, when it comes to the theme of alien contact, there is much to choose from. But when I read this particular story, amongst many of the others, I knew this was the one I wanted to include in Alien Contact.

In this story, the author juxtaposes elements of the history of Antares III and its 43 Dynasties with the tale of an Antarean tour guide and the inane tourist family [humans, of course; we would expect no less] that hires him for a tour of the capital city Kalimetra. But "inane" is such an understatement with this family -- try racist, repugnant, and rude for a start. And yet, as the guide thinks to himself shortly after meeting this family, it is you who are paying me.

I asked Mike Resnick for his thoughts on the story:
We were traveling in Egypt -- my wife and I, my agent and her kids, and a couple of friends -- and we kept asking our private guide questions. At one point he thanked us, because the last group he took out kept getting annoyed when he would speak about the wonders of some ancient dynasty they were theoretically observing, when all they wanted to do was talk about the point spread of the upcoming Steelers-Cowboys game. I thought about that -- this dignified, highly educated, well-mannered man showing off the highlight of his country's antiquity to the latest set of bored conquerors -- and "The 43 Antarean Dynasties" practically wrote itself.
I love the protagonist, the Antarean tour guide, in this story because he has attitude -- a very sharp sardonicism -- and I'm rather a fan of stories with attitude.1 He's educated, and intelligent -- the former doesn't always insure the latter -- and a former professor, but he had to forsake academia because it simply didn't pay enough; and even though tourists tend to be stingy, he still makes more now with tips than he did teaching. (Sound familiar?) Yet, given his financial needs -- and the history of his planet -- he must also humble himself before these dreadful tourists.

At this point, as in the previous Alien Contact blog posts, I would be quoting text directly from the story. But that's not necessary this time around because Mike Resnick has graciously given his permission for me to include the complete text of the story, which will be posted in three parts due to the story's length.

Before beginning the story, I just wanted to note that "The 43 Antarean Dynasties" was nominated for the Locus and Theodore Sturgeon awards, and it won the Hugo Award, the Asimov's Reader Award, and the Spanish Premios Ignotus (given at HispaCon, Spain's national SF convention) for best short story.

Monday, June 8, 2009

George Alec Effinger - Part Three

I have completed and shipped (and billed!) my previous project: copyediting By Blood We Live, a reprint vampire anthology edited by John Joseph Adams, to be published by Night Shade Books. I'm now working on copyediting another reprint anthology edited by JJA for Night Shade, this one entitled The Improbable Adventures of Sherlock Holmes (approximately 230,000 words). I've also completed the second round of copyedits for Judith Moffett's novel Pennterra, the first reprint title I acquired for Warren Lapine's Fantastic Books, an imprint of his Wilder Publications. The second title, novel Fuzzy Dice by Paul Di Filippo, is now ready for layout and then copyediting. So, that's why I only blog about once per week or so. To paraphrase the Reverend Mother Gaius Helen Mohiam in Frank Herbert's Dune: "The work must flow." And the bills must be paid. Since my blogs tend to be more essay rather than random comments, like blogging about my great cup of coffee this morning, they take longer to compose. If you enjoy reading what I write, then I thank you for your time and patience, and I ask that you just keep checking back -- and/or subscribe to this blog's RSS feed -- for my next entry.

At least for now, this will be my final blog post on author George Alec Effinger; one blog entry for each of the three collections of his work that I acquired and edited for Golden Gryphon Press between 2001 and 2007. Part One of this series focused on Budayeen Nights; and Part Two pertained to collection Live! From Planet Earth. I have a couple ideas for possible future projects of Effinger's work, but only time -- and the economy -- will tell if these ever come to pass.

In late 2002, once I had completed Budayeen Nights, and the book was in the hands of the typesetter, and then the printer, I began thinking about the next Effinger collection. During my email communications with George between 2001 and 2002, I promised him that I would do my best to help him bring his work back into print -- and even though George was no longer alive at this point in time, I felt a personal responsibility to honor that promise.

Obviously the second collection published by Golden Gryphon Press was George Alec Effinger Live! From Planet Earth -- but this wasn't the book I had initially intended to publish next.

In the latter part of 2002, I had written Barbara Hambly, executrix of Effinger's literary estate, for a list of her favorite GAE stories. On December 2, 2002, Barb wrote: "I've sorted through George's story titles, cut out all the Maureen Birnbaum and Sandor Courane stories (which have or are getting anthologies of their own) and still have quite a few." Of course, I knew about the Birnbaum collection, but a collection of Sandor Courane stories? This was a complete surprise to me. So I inquired further of Barb about the Courane collection, and later that same day she responded: "There's a fellow in the Midwest who's doing Sandor Courane -- George was working on it with him at the time of his death." Unfortunately, Barb could not recall this fellow's name. Now I was intrigued: during my email communications with George before he passed away, when he spoke so personally about all of his work being long out-of-print, he made no mention whatsoever of another editor working on a collection of his short fiction.

And so my search began.

Eventually my net searching found a website for Wunzenzierohs Publishing Company1, which noted a "forthcoming" GAE collection entitled A Thousand Deaths. But then the announcement went on to state that the collection was currently in limbo due to Effinger's passing. Using the "Email Us" link on the home page, I contacted the publisher on December 19, 2002. I expressed my interest in seeing GAE's short fiction back in print, and I asked if the publisher still planned to pursue this particular collection of Sandor Courane stories. I also requested a list of the proposed stories to be included in the book. I was thinking that if the publisher was willing to give up the rights to this collection so that it could be published by Golden Gryphon -- and if he had all the stories pretty much ready to go and was willing to share them with me -- then I could get this book into print more quickly than the other collection I was planning (Live! From Planet Earth), which I was having to start from scratch.

Gordie Meyer, Wunzenzierohs publisher, responded to my email the following day. Apparently, WunzPub (to use Gordie's abbreviation) was more of a hobby venture, and he had, in fact, been considering if he really had the time to do the Sandor Courane collection. Gordie wrote: "I've known George from his being online at Delphi long ago, and we'd occasionally touch base via email or meet in person at a con, but I didn't really know him all that well. Mike [Resnick], however, did, and when I mentioned that I thought it was a shame that all of George's work was OOP, he suggested that I consider a collection of . . . the Sandor Courane stories, as they were an identifiable group to collect and were some of Mike's favorite Effinger stories. So I ran the idea past George at a con, he and Barbara [Hambly] liked the idea . . ." Evidently this all occurred four years earlier, in 1998. Gordie went on to say: "If you'd be interested in taking over the publication of A Thousand Deaths (which both George and I came up with independently -- cue Twilight Zone theme . . .), it'd make my decision a bit easier. . . . It was [always] about getting George's work back into print. So if I can make that happen, even without actually publishing it myself, I'd still feel good about the project. . . . Barbara has already approved having Mike Resnick do the introduction. And actually, Mike threatened physical violence if he didn't get to do the intro. {g}"