Showing posts with label Sheila Finch. Show all posts
Showing posts with label Sheila Finch. Show all posts

Monday, November 1, 2010

October Links & Things

This is my monthly wrap-up of October's Links & Things; you can receive these links in real time by following me on Twitter: @martyhalpern. But in these month-end posts, in addition to the links themselves, I include more detail and comments. Note, too, that not all of my tweeted links make it into these posts.

  • If you read short fiction, then you are most likely aware that, early last year, Sovereign Media ceased publishing Realms of Fantasy magazine. Warren Lapine and Tir Na Nog Press then purchased the rights to RoF and, after a few months hiatus, resumed publication with the August 2009 issue. I copyedited the next eight issues -- from October 2009 through December 2010, which has since become the magazine's final issue -- yet again, unfortunately. Warren Lapine has posted a Farewell Message explaining the magazine's demise. There are rumors of interested parties, one of whom may inevitably purchase RoF, but only time will tell if we will ever see another new issue. In the meantime, through the courtesy of the publisher, you can view/download the December 2010 issue of Realms of Fantasy. If you're not familiar with this magazine, I think you'll be surprised at the quality of the material, particularly the short stories. Enjoy! I'd like to take this opportunity to thank editor Doug Cohen: he respects his staff, which is most important, and every other month I could always count on the next issues' files arriving in my inbox on the specified date.

  • Sheila Finch's novel Reading the Bones was the first major freelance project I worked on for Tachyon Publications. The book, published in 2003, was an expansion of Sheila's Nebula Award-winning novella of the same name, originally published in the January 1998 issue of The Magazine of Fantasy & Science Fiction. The novella is part of the author's Xenolinguist (aka "lingster") series of stories. The online Oxford English Dictionary (OED), credits Sheila with coining the term "xenolinguist" in 1988. Read more of the Xenolinguist series in her recent blog post: "The Evolution of a (Fictitious) Universe."

  • During my one year as an acquiring editor for Fantastic Books, two of my acquired titles saw publication: Judith Moffett's long-out-of-print first novel Pennterra, and gonzo novel Fuzzy Dice by Paul Di Filippo, which had been previously published only as a limited edition by a British small press. [Note: I use the cover of FD as my icon for both Twitter and Fasebook.] John Berlyne has a review of Fuzzy Dice in the October issue of SFRevu: "Where he is most successful is in his depiction of abstract and/or abstruse ideas. He is able to convey these illustrative situations without straying into the surreal and it is a testament to Di Filippo's skill and imagination that he is able to share his visions with the reader with such extraordinary clarity."
  • Before you start whining about all your rejection letters, about the fact that you're not some hugely popular author, you just might want to read Robert "Bob" Weinberg's account of his experiences in publishing and why Hellfire: Plague of Dragons may just be the best damn dragon art book you will never see.

Friday, June 18, 2010

"Where Two or Three" by Sheila Finch (Part 3 of 3)

Where Two or Three

by Sheila Finch

[Continued from Part 2]


The sun was setting as they entered the outskirts of Palm Springs, a fuzzy red beach ball sinking into hazy waves of low-lying smog. Maddie was tired from driving in heavy traffic. Sam had slept most of the way. Now he woke and struggled upright.

"You want to eat something?" she asked as they passed a coffee shop.

"No. Go on through the city."

"How much farther are we going?" The Tesla was new enough to have an efficient fuel cell system, but there was still a limit on how far it could go without a recharge. Since she'd never had the chance to drive it this far, she had no idea what that limit was. The battery's indicator bars remained in the safe zone, but for how much longer?

"Just outside the city, you're going to make a left."

And then what? She kept the thought to herself because he obviously wouldn't answer anyway. She gazed at the people strolling from boutiques where golden light spilled out onto the sidewalk to restaurants whose banners pronounced them award-winning. Maddie retracted her window and the car filled with the aroma of barbecue and garlic and the faint sounds of music. Her stomach rumbled.

"Oblivious," Sam said. "All of them. It's going right through them and they're oblivious!"

"What?"

"You too. And me. And worst of all, NASA and SETI. Turn left at the next light."

The lights and sounds of Palm Springs fell away as they took the narrow dirt road across the desert floor rising slowly toward the nearby hills. The sky was filled with misty rose and lavender light, and the tops of the Little San Bernardinos looked as if they'd been draped in glowing chiffon.

"Pull off here."

Tiredness flooded through her. This was without question the stupidest thing she'd done in her life. Sam scrambled out of the car without help, yanking the duffel bag behind him. In the twilight, he looked spidery and strange, like an alien himself. She yawned and reached to turn off the engine.

"Leave it running," he said. "I need a power supply."

He rummaged through the bag, pulling objects out and setting them down on the sand. She got out of the car.

"Here." He handed her a pair of field glasses. "You might as well look at the stars while I'm getting set up."

She took the glasses out of their case. She could see Venus in the west already, and other pinpricks of light were beginning to show against the rapidly darkening sky. Her father had taught her to recognize the major constellations and nebula clusters and most of the minor ones too.

"Easier at night," Sam said.

"What is?"

"Listening."

Did he mean the kind of signals SETI was listening for? That would be dumb, she thought; the stars were there even when we didn't see them. "What difference does darkness make to messages coming from way across the universe?"

"I meant for us!" he said testily. "Less distractions."

Wednesday, June 16, 2010

"Where Two or Three" by Sheila Finch (Part 2 of 3)

Where Two or Three

by Sheila Finch

[Continued from Part 1]


She couldn't stop thinking about Sam. Of course Daddy would find out if she took him for a ride in the car! And even if she did get the keys, she certainly shouldn't be driving all the way to Palm Springs, the only part of the desert she knew how to get to. By Monday morning she was roaming around the silent house as antsy as if it were the first day of school in a new place.

Who did that old guy think he was, anyway?

That was a question she could find the answer to.

Daddy had gone to the airport on his way to a two-day SETI conference on the east coast; Mom had driven up to Santa Barbara to see Grandma, who'd suddenly taken ill, and she planned to stay the night. Maddie was on her own.

She went into the study to use the computer. It didn't take long to learn that Samuel Coulter Ferenzi had once been famous. And that there was something really odd about the dates.

He'd been the first astronaut to rendezvous with an asteroid, she read, a feat no one else had repeated in the twenty years since. She skipped over the voyage and its mission. When the crew came back to Earth, there'd been a huge welcome parade. Ferenzi had given speeches at universities. He'd cut the ribbons opening Air & Space Museums. The tabloids had buzzed over his romance with a movie star. Then things had apparently gone wrong.

The phone beeped. She touched the pad for the study extension. "Parker residence."

"What're your plans for today, Madison?" her father's voice asked.

Just like that, she thought. No: How are you, sweetie? No: I hope you're not bored all by yourself? that anybody else's dad might've asked. Sounded like he'd given up on her already; she really resented that. "I'm putting in my hours at the hospice like I'm supposed to!"

He'd taken her cell too, as if he thought she'd be putting in a call to her supplier.

"Don't get snarky with me, young lady!" Daddy said. "Be home before dark."

"Sure."

"My plane's boarding. See you in a couple of days."

Maddie turned the phone off before he put any more conditions on her. It wasn't fair. Maybe she should've done something that would really deserve it, not just a couple of puffs off a joint someone handed her. And it hadn't even given her much of a buzz!

She turned her attention back to the monitor. Ferenzi had started acting strangely. Several hospital stays had followed; one article mentioned psychiatric care. On the tenth page of citations, she found a tabloid headline: Spaceman sees aliens. Bride calls off wedding. The date was puzzling, only a little more than twenty years ago. Too recent to fit the old man in the hospice bed.

Maddie exited the program and thought about what she had just read. Chances were, Sam was crazy. Why did he want to go to the desert? And more important, why should she risk being grounded for the entire school year to take him there? She'd be as crazy as he was to do it.

A flicker of movement on the computer's monitor attracted her attention; the screen saver had activated. She stared at the ballet of spinning galaxies and soaring cloudlike nebulae her father had installed. He was involved with the SETI program at JPL, but it wasn't something he talked about much. Not because it was secret, Maddie knew, but because the results were so disappointing. She wondered if he knew about Sam Ferenzi. Her father thought people who claimed to have seen aliens cheapened the real search for extraterrestrial intelligence.

The old man seemed so lonely. At least she could take him for a short drive around Pasadena. Maybe the change of scenery would do him good.

She knew where her father had put her car keys. He never locked his desk drawer, trusting the members of his household. She felt a twinge of guilt as she retrieved her keys.

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Monday, June 14, 2010

"Where Two or Three" by Sheila Finch (Part 1 of 3)


And another story follows from Is Anybody Out There? (Daw Books, June 1), my co-edited anthology with Nick Gevers. If reading these stories has motivated you to purchase a copy of the anthology, please feel free to post a comment and let me know; or, if you've chosen not to purchase a copy of the anthology after reading the four (so far) posted stories, then please comment on that too. By the way, an ebook edition of Is Anybody Out There? is also available in the Kindle format.


I began freelancing for Jacob Weisman's Tachyon Publications in 2002. In the first part of 2003, Jacob contacted me about a new project: Sheila Finch's novel Reading the Bones. The book was an expansion of Sheila's Nebula Award-winning novella of the same name, originally published in the January 1998 issue of The Magazine of Fantasy & Science Fiction. The novella is part of the author's Xenolinguist (aka "lingster") series of stories. The expanded novel -- to snag a few words from the book's PR -- follows xenolinguist Ries Danyo, and sisters Lita and Jilan Patel, to their pivotal role in shaping the future of the alien Frehti.

Reading the Bones was published in September 2003, just in time for Tachyon's eighth anniversary party held at Borderlands Books in San Francisco on September 14. Sheila Finch was on hand to celebrate the publication of her book, as were Tachyon authors Peter S. Beagle, Grania Davis, Richard Lupoff, Pat Murphy, and Michael Swanwick. Other authors included Kage Baker (a future Tachyon author), Mark Budz, and Marina Fitch.

Reading the Bones
At the anniversary party, I had the opportunity to meet Sheila Finch1, and to introduce myself as the person responsible for the editorial work done on Reading the Bones. Fortunately, Sheila was quite pleased with my work on the book, and thus I was able to breathe a sigh of relief, since this was my first major project for Tachyon Publications, and I was hopeful there would be more projects in the future.

And the anthology Is Anybody Out There? again provided me with an opportunity to work with Sheila Finch. With a series of stories dealing with linguistics and alien communication, Sheila, I knew, would add a unique perspective to the Fermi Paradox theme -- and she did not disappoint.

About her story "Where Two or Three," Sheila writes: "I've long thought we're putting the cart before the horse in our search for messages from ET. We haven't solved the difficulty of translating reliably between the languages on Earth, let alone knowing how to communicate with other sentient creatures on our own planet -- cetaceans, for instance. Musicians and music lovers learn to listen to more than one instrument's voice at a time, appreciating that the effect of harmony is more than just the sum of its parts. I initially explored these ideas years ago in 'Sequoia Dreams,'2 and have touched on them frequently in the Guild of Xenolinguists series; this story was a chance to come at them from a different angle. And volunteering in a hospice, I hear some pretty amazing stories!"


Where Two or Three

by Sheila Finch

The charge nurse barely paused in her fast trot down the hospice hallway. "Seventeen needs his water jug refilled. Can you get it?"

"I'll get it." Maddie turned back the way she had come. It was her second day as a volunteer -- What a joke! She hadn't volunteered for anything -- but already she was getting the routine. Here, the charge nurse was boss.

She picked up a full plastic jug of ice water from the kitchen and walked back to room seventeen. Like most of the other rooms, it contained a hospital bed with a white coverlet, a straight-back visitor's chair, a battered chest of drawers that had hosted too many patients' belongings. Unlike the others, the occupant or his family hadn't made an effort to personalize the room with family photos, art work, or flowering plants. They hadn't replaced the old 2-D, which probably didn't work any more, with a newer Tri-D either. The hospice cat, a large orange tabby, jumped off the bed when she came in as if his shift was over once a volunteer showed up.

"Hi," she said. "I'm Maddie. I brought your water."

The skinny old man on the bed didn't open his eyes. "Haven't seen you before."

"Only my second day."

He had the most wrinkled skin she'd ever seen, and his face was blotchy as if he'd had a bad sunburn and skinned recently. He had to be at least a hundred, she thought. There was a smell in the room too, not really bad but odd, sort of baby-powdery and musty at the same time. She picked up the empty jug. She definitely did not want to spend time in here.

"Why're you here if you don't like it?"

Maddie jumped. "Would I be here if I didn't?" Lying again, she thought. One of these days she was going to have to break the habit.

He turned his head away from her. The back of his neck was scrawny as a chicken's, and the skin was patchy here too. "Sit and visit."

She sat gracelessly on the edge of the chair by the wall and stared at the old man's neck. "So, what did you used to do?" she asked brightly. Most of the older ones liked to talk about the old days, the younger ones not so much.

"Astronaut," he said.

"Astronaut? You mean, like space and stuff?"

"Space," he said to the wall. "And stuff."

"Have I heard of you?" she asked cautiously.

"Probably not. Name's Sam." He rolled back to face her, surprisingly agile for someone who looked so old. His eyes were a pale, washed-out blue, same color as the jeans she was wearing. "And how did you get sentenced to this place?"

Maddie felt her cheeks grow warm. "I'm a volunteer."

"Crap. Person your age has better things to do than visit old coots like me."

"All right. Here's the truth. I got busted for doing drugs at a party. One rotten joint -- and if I'd been eighteen already like everybody else it would've been legal anyway. So the judge gave me community service."

"Good," Sam said. "I don't have time for lies. What would you rather be doing -- besides being stupid?"

"You really are unpleasant, know that?" she snapped.

He chuckled -- at least she thought that was what he was doing. Maybe he was choking or something. "Didn't they tell you you're supposed to humor me?"

"I'm in high school. I'll be a senior starting next month. I don't get much time to do what I'd rather be doing. But when I do, I play the flute."

"A musician," he said. "Will you play for me?"

"I didn't bring it with me."

"How about next time you come?" He gazed at her with the washed-out eyes. The edges of his lipless old mouth creased up. "Please?"

Why not? The staff encouraged volunteers to entertain the residents any way possible. "Well, maybe when I come back on Friday."

"And maybe I'll tell you about space. And stuff."

Maddie got out of the room before he could say anything else. In the hallway, she passed the charge nurse again.

"Glad to see you spent some time with Mr. Ferenzi. He never gets any visitors." The charge nurse smoothed the pink tunic over her white slacks. "He used to be famous. But something happened to him, and he was never quite right afterwards."

Even if it wasn't true, she thought, it beat spending time with the old biddies here who only wanted her to play cards with them.

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