Thursday, December 2, 2021

"I Believe in Father Christmas" performed by Greg Lake

"I Believe in Father Christmas" was written by Greg Lake and Pete Sinfield.
This performance was recorded in 2005 at Shepperton Film Studios in the United Kingdom.
Greg Lake passed away on December 7, 2016.
This video was released on December 1, 2021.

Sunday, February 28, 2021

Ringo Starr - "Here's To The Nights" (Official Video)


Ringo Starr's "Here’s To The Nights," featuring guest vocals from Paul McCartney, Dave Grohl, Lenny Kravitz, Jenny Lewis, Joe Walsh, and more — from the forthcoming album Zoom In (UMe, March 19, 2021).

Wednesday, February 24, 2021

Bruce Springsteen: "The Middle"




[Ignore the Jeep advertising and just listen to The Boss's words....]


Wednesday, January 6, 2021

John Fogerty's "Weeping In The Promised Land"



"Weeping In The Promised Land"

A watery new well been poisoned with lies
Weeping in the promised land
Satan's dark angels are falling from the sky
Weeping in the promised land
Children of God, he turns into stone
Sick and the weak, he dancing on their bones
Pharaoh shouting down the medicine man
Weeping in the promised land

If I could talk Beirut, behold, he comes to speak
Weeping in the promised land
History spewing, it's power that he seeks
Weeping in the promised land
With dread in their eyes, all the nurses are crying
So much sorrow, so much damned
Pharaoh keep a-preaching but he never had a plan
Weeping in the promised land
Weeping in the promised land

And say weeping, weeping
Weeping in the promised land
And say weeping, weeping
Weeping in the promised land

Pharaoh's army knocking on the door
Weeping in the promised land
Shoot you in your bed just like they done before
Weeping in the promised land
Out in the street, on your neck with a knee
All the people are crying your last words
"I can't breathe"
And why just say there'd been no crime here today
Weeping in the promised land
Weeping in the promised land

And say weeping, weeping
Weeping in the promised land
And say weeping, weeping
Weeping in the promised land
Well weeping, weeping
Weeping in the promised land
Yeah, weeping, weeping
Weeping in the promised land


Wednesday, September 30, 2020

Charles Stross's Dead Lies Dreaming: The New Laundry Files Novel


U.S. Tor edition
I actually completed work on this manuscript for Tor Books at the end of January -- yes, January 2020! But knowing that nine months remained before the book would be published I decided to hold off writing about said book on this blog until we got a lot closer to the publication date.

That date is approximately four weeks away: the U.S. edition from Tor will be released on October 27; the U.K. edition from Orbit Books will be released on October 29. 

And though Dead Lies Dreaming will be the tenth Laundry Files novel from Charles Stross, this book is not -- I repeat, not -- part of the current/ongoing series involving our favorite cast of characters from Q-Division: Bob Howard, Dominique "Mo" O'Brien, Alex Schwartz, Mhari Murphy, and Pinky and Brains.

This new volume is actually the first in a new trilogy involving... well,  the only character from the prior books who even tangentially appears in this new series is Fabian Everyman, aka the Mandate, aka New Management (aka the Prime Minister). In fact, Stross's working title for this new series is "Tales of the New Management."

In his "Charlie's Diary" blog post of September 27, the author writes:

"....I gave myself license to doodle therapeutically. The therapeutic doodles somehow colonized the abandoned first third of a magical realist novel I pitched in 2014, and turned into an unexpected attack novel titled Lost Boys. (It was retitled Dead Lies Dreaming because a cult comedy movie from 1987 got remade for TV in 2020—unless you're a major bestseller you do not want your book title to clash with an unrelated movie—but it's still Lost Boys in my headcanon.)
Lost Boys—that is, Dead Lies Dreaming—riffs heavily off Peter and Wendy, the original taproot of Peter Pan, a stage play and novel by J. M. Barrie that predates the more familiar, twee, animated Disney version of Peter Pan from 1953 by some decades....Peter and Wendy can be downloaded from Project Gutenberg here. And if you only know Pan from Disney, you're in for a shock."
Orbit U.K. edition
In that blog post, the author shares a lot more detail on the genesis of this new Laundry Files series than I have included here, so be sure to click on that "Diary" link above to read the full content.

For those familiar with the previous Laundry Files novels, in The Annihilation Score, regular humans began developing superpowers. In Dead Lies Dreaming, those everyday people have formed groups, or clans (i.e. the Lost Boys of the original title), and now work in unison to, shall we say, pull the wool over the eyes of authority. And in this world, where there are thieves, there will be a thief-taker.

But as in any Laundry Files novel, there is always a much bigger (very much bigger!) outcome (the world!) at stake.

Dead Lies Dreaming is now available for preorder at Amazon and Amazon UK, or your bookseller of choice.

Friday, May 22, 2020

Grace Potter - "Eachother" (Lyric Video)

"Streets are all empty
Shelves are all bare
The world is holding its breath like we're running out of air

It's the first in our lifetime
Might not be the last
But I remember when my grandmama told me once - she said 'This too shall pass'

I don't know where we're going
But if the going gets rough,
We've got Eachother
And for now, that's enough"

Featuring Marcus King, Jackson Browne, and Lucius....



Wednesday, April 1, 2020

Mural by Denise Olenak



Denise Olenak finishes a mural in San Jose, California on Tuesday, March 31, 2020, honoring health care workers fighting the Coronavirus pandemic. (Karl Mondon/Bay Area News Group)

For additional photos and details of the mural-in-process: The Mercury News.


Wednesday, March 18, 2020

Sunday, March 15, 2020

Saturday, September 28, 2019

Patti Smith and Choir! Choir! Choir! - People Have The Power

"People have the power...to wrestle the world from fools...."



This is my second posting of a Choir! Choir! Choir! video. The first featured David Byrne and the song "Heroes" (written by David Bowie and Brian Eno). You can view that video here.


Saturday, September 21, 2019

In Celebration of the 50th Anniversary of "The Weight" - Song Around the World / Playing for Change


"The Weight" was written by Robbie Robertson, recorded by his group The Band, and released on the album Music From Big Pink in 1968.

From Rollingstone.com (September 18, 2019):
"What key is it in, Robbie?" Ringo Starr, sitting behind a drum set, asks Robbie Robertson over the phone. Ringo nods. "F-demented!" What happens next is a joyous cover of "The Weight," with Robertson reprising the recording's soulful intro lick. A series of musicians from all over the world – Marcus King, Lukas Nelson, the Japanese guitar virtuoso Char, Congo soul singer Mermens Mosengo and more – all add their own flavor to the classic from different locations.

The project comes from Playing For Change, a group dedicated to "breaking down the boundaries and overcome distances between people." That includes 15 music schools across 11 countries, documentaries and viral videos bringing artists from different cultures together; the group has released videos for "Redemption Song" [Bob Marley], "What’s Going On" [Marvin Gaye], and more ["All Along The Watchtower by Bob Dylan]. "The Weight" was done on an epic scale, a year and a half of production over five continents. "We made it brick by brick, starting with Robbie," says co-founder Mark Johnson, a Grammy-winning producer-engineer who's worked with Paul Simon, Keith Richards, and more. "That's what makes this special. We could never have never assembled this group in the studio. You need to go there, and then when you go there, you're where they feel comfortable....

We had built a mobile recording studio... Now I have little battery packs so we traveled the world with a mobile studio, great equipment and some cameras and this one we started off with Robbie Robertson playing guitar... And then as we traveled the world, we would deconstruct [the track.] So Ringo would replace the drums. Hutch [James "Hutch" Hutchinson”] would replace the bass. Everywhere I go, I'm putting headphones on musicians, and they're listening to whatever preceded them and playing along. And that's how we built it as we went from country to country. I think in this video, we went to about ten different countries.

Learn more about Song Around the World on the Playing For Change website -- and check out all those other videos!



Friday, August 23, 2019

Jeff Buckley - Grace

In memory of Jeff Buckley (November 17, 1966–May 29, 1997) on the twenty-fifth anniversary of the release of his Columbia Records album Grace on August 23, 1994.

"Hallelujah" (Official Video)


"Lover, You Should've Come Over"
Recorded live at the Middle East Club in Cambridge, Massachusetts, 
February 19, 1994



Grace

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Tuesday, August 20, 2019

Now Reading: The Vinyl Detective: Written in Dead Wax by Andrew Cartmel

Vinyl Detective 1This is the first mystery I've read in a very long time, and especially one that kept me reading, page after page, wanting to learn what happens next.

The Vinyl Detective: Written in Dead Wax by Andrew Cartmel (Titan Books, 2016) is the first volume in an ongoing series that currently numbers four -- and I already have book number 2 on order.

Recently, I seem to be selecting books to read that have received a starred review in Kirkus. Those familiar with Kirkus know that even being reviewed by this publication is indeed rare; receiving a starred review nearly requires cosmic intervention.

For those not of the vinyl record persuasion, the "dead wax" of the title refers to the area on a record between the end of the last track and the label. Typically "matrix" information is provided in this runout area, sometimes stamped, sometimes etched, occasionally both: alphanumeric information that pertains to that pressing of the record. Often the only way to tell a first pressing of an album from a reissue is by the matrix runout information.

I was relating some of the story to my wife and I couldn't remember the protagonist's name -- the Vinyl Detective of the title -- so I picked up the book and leafed through what I had read at that point, and realized that his name is never given! Even when he meets up with friends or talks to friends on the phone, no one addresses him by name. He picks up a nickname or two along the way, but we never learn his real name. That I found quite intriguing. I'll have to see if Cartmel's "no name" quirk continues into the next volume.

As to the story: years ago, our protagonist, a rather unassuming record-collecting geek, had handed out business cards at record stores, pubs, and dj gigs. The business card simply read "Vinyl Detective" below his name and address. So much time had passed that he actually forgot about those business cards. Now, years later, one of those cards results in a knock at his door -- and an offer to hire him to track down an extremely rare jazz album from the 1950s, of which only a few hundred were pressed at the time.

This album, as it turns out, is one of fourteen different titles that the record label produced during the course of only one year, before the owner of the label committed suicide and the label ceased production.

Of course, beatings, murders, and mayhem ensue -- this is a mystery, as I said. But, as the subtitle suggests, the secret to the mystery is written in the dead wax -- and to learn that secret, our Vinyl Detective must actually track down all fourteen of those albums.

"An irresistible blend of murder, mystery and music... our protagonist seeks to find the rarest of records – and incidentally solve a murder, right a great historical injustice and, if he's very lucky, avoid dying in the process."
—Ben Aaronovitch, bestselling author of Rivers of London

"Crime fiction as it should be, played loud through a valve amp and Quad speakers. No digital writing here, it's warm and rich. Every delicate pop and crackle adding character and flavour. Witty, charming and filled with exciting solos. Quite simply: groovy."
—Guy Adams, critically acclaimed author of The Clown Service

"The Vinyl Detective is one of the sharpest and most original characters I've seen for a long time."
—David Quantick, Emmy Award-winning producer of VEEP

I haven't had this much fun reading a mystery novel in a long time.

You can find The Vinyl Detective at your book store of choice or via Amazon.com.

[As an Amazon Associate I earn from qualifying purchases. If you use an affiliate product link, I make a commission.]

Sunday, August 11, 2019

The Final Excerpt: Chapter 22: The Universal Tone by Carlos Santana

Santana - The Universal ToneI have to hope I'm not dulling the senses with all these excerpts from Carlos Santana's autobiography, The Universal Tone: Bringing My Story To Light.

Chapter 22 deals with the making of the album Supernatural. Unfortunately the pages are too numerous to excerpt, so if you've read -- and enjoyed -- the excerpts I've posted so far, then please do snag the book for yourself. You won't be disappointed....

At this point in Santana's career, he and the band were still under contract to Island Records, with two albums remaining on that contract. Carlos met with Chris Blackwell, of Island Records, for lunch and simply asked him to release him from his contract. Carlos felt something special was brewing, and Island Records was not the label to be with. Much to Carlos's surprise, Chris agreed, and with no strings attached. (Chris could have made Carlos pay for the remaining two albums, he could have asked that Carlos's next label buy out the contract, etc. but he didn't -- he simply let Carlos go.)

This allowed Carlos and Santana to team up again with Clive Davis, now with Arista Records. Clive was formerly the head of CBS (Columbia Records) in 1968, and he was instrumental in the production of the first Santana album. Clive put together the entire Supernatural album, bringing together all the singers and musicians who performed with Santana on that album. Clive Davis wanted to put Santana back on the radio!

Excerpt from Chapter 22:
It's really hard to describe how it feels when something [Supernatural] hits that big, all around the world, and you're in the middle of it. It's like being that cork floating on a big ocean wave—how much am I controlling, and how much is controlling me? Every day the ego games have to be checked, and you have to find your balance again.
In February of 2000, Clive told me that Supernatural had been nominated for ten Grammy Awards. Deborah started calling me a new name even before we got to the show. "So, Mr. Grammy, how many do you think you'll win?" The kids were like, "Yeah, Dad, how many?" I was feeling that I'd be lucky and happy with one. That's why, when I won the first one during the event that takes place in the afternoon, I thanked everyone I could— Clive, Deborah, my father and mother and the kids. When I won the next one, I was thanking my siblings and the musicians and songwriters. By the time of the evening event, which was on TV, I felt like one of those dogs playing fetch with a Frisbee, and it became something to laugh about: winners in other categories, such as classical music and country, started thanking me for not doing an album in their genres.
The whole thing was a blur, really. The two things that I was most proud of were playing "Smooth" onstage, with Rob Thomas singing and Rodney Holmes [the drummer] bringing everything he had. I hit that first note, and everyone in the whole place jumped to their feet. My other favorite moment was when Lauryn Hill and my old friend Bob Dylan presented the Album of the Year award—that was the eighth and last Grammy that Supernatural won. They opened the envelope, and all Bob did was point to me—no words. I got up to accept it, and suddenly it was clear what I had to say.
"Music is the vehicle for the magic of healing, and the music of Supernatural was assigned and designed to bring unity and harmony." I thanked the two personal pillars who first came to mind: John Coltrane and John Lee Hooker.




The Universal Tone: Bringing My Story to Light is available from your bookstore of choice as well as Amazon.com.

[As an Amazon Associate I earn from qualifying purchases. If you use an affiliate product link, I make a commission.]