|Cover art by Sarah Anne Langton|
I worked on Lavie Tidhar's Central Station the latter part of last year, which you can read about in my November 30, 2015, blog post.
Since then, the final cover art has been revealed, as shown on the left.
I included a couple excerpts from the book itself in that November 30 blog post; and you can access the publisher's website -- Tachyon Publications -- to read the starred Publishers Weekly review and the starred Library Journal review.
What I want to include here this time around is some thoughts on the book from the author himself, from Lavie Tidhar's own blog post on July 2, 2015, announcing the sale of Central Station to Tachyon Publications:
You can read the full blog post, including the Comments section, on the author's website. Central Station is now available from Amazon or your favorite bookseller.....In a way, [Central Station] both represents everything I have to say about the shape of science fiction – and a large part of it is a sort of dialogue with older (mostly, admittedly, quite obscure) SF – and a way of talking about the present. It is set in the old central bus station area in south Tel Aviv, currently home to a quarter of a million poor economic migrants from Asia, and African refugees, and I wanted to explore that area through the lens of science fiction (one of the weird things I found recently is that the fictional sort of "federal" political vision of Israel/Palestine I have in the book is now being touted as a real solution by a group of political activists). My other ambition was to write a book which was mostly about character interaction: about extended families, about relationships, in which the "shiny" science fiction future serves as a sort of background rather than taking centre stage. My other inspiration was that I always wanted to write a novel in short stories. Science fiction has a long tradition of doing this – from The Martian Chronicles to Lord of Light – but my inspiration was also partly V. S. Naipaul's Miguel Street.