Judith Moffett's Pennterra: Going Native

During my one year as an acquiring editor for Fantastic Books, two of my acquired titles saw publication: Judith Moffett's long-out-of-print first novel Pennterra, and gonzo novel Fuzzy Dice by Paul Di Filippo, which had been previously published only as a limited edition by a British small press.

Recently Pennterra was reviewed by a British print magazine, H&E Naturist. Since the review is not available online, I've taken the liberty of entering the full review below for your reading pleasure.  I'm posting this review on More Red Ink because the author is currently involved in writing a memoir, to which she is devoting all of her writing time; thus her blog and website have not been updated for quite some time. If you don't know who Judith Moffett is, or you are curious what she has to write a memoir about, you may want to check out her Wikipedia entry: Judy is not your typical SF/F genre writer! You can also read my previous blog post about Judy's published work entitled "Aliens Have Entered Mainstream's Orbit."

Before posting the review, I would first like to reiterate the quote from Nebula Award-winning author Michael Bishop that appears on the cover (pictured above) of this reprint edition of Pennterra: "Stunning... the best first novel I have read in at least a decade... dangerous and breathtaking to behold."

May Links & Things

My May links and such are not as numerous as in months past as this has been a busy month for me, which left little time for twitter- and blog-gazing. And yet, I had more blog posts in May than in any other previous month, with the release in their entirety of two stories (so far) from my anthology Is Anybody Out There? co-edited with Nick Gevers, and released today -- June 1 -- by Daw Books. I also attended BayCon this past Memorial Day weekend, and as anyone knows who has attended a panel on which I participated, I always try to prepare ahead of time for my convention panels, with reference material, visual aids, etc. This weekend I participated in three excellent panels -- one being the Iron Editors panel, in which I (along with 3 others) edited/copyedited and commented upon manuscript pages from the audience for two straight hours. On another panel, on books and cover art, I had the opportunity to meet artist guest of honor Lee Moyer -- a knowledgeable and personable individual; and here's hoping I have an opportunity in the very near future to meet up with Lee once again.

Here are my links and such for the month of May. I've listed them here, with additional detail and comment. You can receive these links in real time by following me on Twitter: @martyhalpern.

• Booklist Online: Book Reviews from the American Library Association has named The Good Humor Man (Tachyon Publications, 2009) by Andrew Fox one of the Top 10 SF/Fantasy books of 2010. Congrats to Andy Fox, and to Tachyon for their willingness to publish an over-the-top book such as this. I've written about my involvement in the publication of The Good Humor Man; and I'm extremely pleased to see the book recognized by the ALA. But let me tell you, the two-sentence blurb that you'll find on the Booklist Online page truly does not do this book justice. Read my previous blog post, and then read the io9 review of The Good Humor Man by Chris Braak; it's always a thrill ride to read a solid review such as this!



• Don Sakers reviews Judith Moffett's novel Pennterra in his column "The Reference Library" in the July/August issue of Analog magazine (you'll need to scroll down the page to find the review). Sakers concludes his review with: "Pennterra packs a thousand pages of first-rate science fiction into its scant 288. The hrossa are finely drawn aliens with their own language, culture, philosophy, and even sexuality (all of which figure into the story). The clash between the Sixers and the Quakers, with the still-largely-unknown hrossa taking their own side, is compelling. If you think you hear distant echoes of Le Guin, you're right: Moffett is a stylist as well as a good storyteller." [Note: I acquired the reprint rights for Pennterra for Fantastic Books in 2009; and in a previous blog post, I wrote about Judith Moffett, Pennterra, and her Holy Ground Trilogy.]



• With great sadness I note the passing on May 10 of artist Frank Frazetta, whose iconic work graced book covers, movie posters, magazines, comics, record albums, and more. In an homage to the artist, Unreality Magazine (@un_reality) showcases 20 of Frazetta's best known works.



• Writer, blogger, and book reviewer Maud Newton (@maudnewton) shares with her readers "Notes on eight years of book blogging" -- "If you'd told me in 2002 that I would keep at it for so long or that so many people would know about this site or care what I had to say, I probably would've reacted the way I did to two boys in elementary school who said I was pretty: decided you were mocking me and head-butted you to the ground, shouting, "Why do you have to be such a jerk?" Eight years... Whew!...



• And speaking of Ms. Newton, she was named one of "40 bloggers who really count" by the UK's TimesOnline. Whether it be Celebrities, Fashion, Feminism, Food, Health, Law, Politics, Pop Culture, Sex, Technology, War, and more, you'll find the top bloggers on this list.

Aliens Have Entered Mainstream's Orbit

After joining Warren Lapine's Fantastic Books imprint as an acquisitions editor¹, a bit less than a year ago, the first book I acquired for reprint was Judith Moffett's novel Pennterra. This was her first novel and had been out of print since 1993. In an email to Warren on February 27, 2009, in which I introduced Judy (virtually speaking, that is) to him, I described her as follows:

...Judith Moffett is not your typical sf author! She is an award-winning poet with a PhD from the University of Pennsylvania, a couple of Fulbrights under her belt and grants from both the National Endowment for the Humanities and the National Endowment for the Arts. She is also a world-class translator of Swedish poetry, and presented at the 1998 Nobel Symposium on Translation of Poetry and Poetic Prose held in Stockholm.

Now I know that when Judy reads this, she'll be all "Aw, shucks," and the like, but how many science fiction, fantasy, horror, slipstream -- hell, even mainstream fiction -- authors do you know with this kind of street cred? Just check out all her awards and recognitions on Wikipedia and then come back here and leave me a comment if you're not totally knocked out!

What influenced my decision to blog about Ms. Moffett and her fiction was a recent online review of Pennterra. The review is by Sam Kelly on a blog entitled Cold Iron and Rowan-Wood. But first, a bit about the novel itself: A group of Quakers colonize a planet -- Pennterra -- already inhabited by the alien hrossa. In order to live in peace and harmony with both the planet and the natives, the colonists are restricted to a single valley, and they must limit their population and forsake all heavy machinery in their building and farming. Not exactly what they had in mind when they left a devastated Earth for a new home amongst the stars. Without the use of machinery, the colonists' days are completely filled with exhausting, backbreaking work, and consequently they have had little time to study the hrossa -- until now. A small group of scientists are sent to live with, and study, the natives, and this is detailed in a large section of the novel through the use of field notes and personal journals; the hrossa have a very interesting set of sexual mores, which has a direct impact on the scientists themselves (sorry, no spoilers here). There is a particularly fine "first contact/coming-of-age" story arc involving the son of one the scientists. The main conflict arises in the novel when another colony ship arrives on the planet and these folks are not so inclined to limit and forsake.

Now, what makes Sam Kelly's review of Pennterra interesting is that he makes little mention of the aliens, but he does comment on the Quaker religion portrayed in the book: "Moffett does a good job of showing us how they find the nature of the planet out...making no distinctions between biological research, botanical studies, practical anthropology, and conversation between friends. At the same time, we see the characteristic painful Quaker honesty about themselves and their reactions to their work. The pacing of discovery is good, without playing I-know-something-you-don’t-know tricks on either reader or characters; it might have been good to have seen the author coming down less heavily on the Quaker side, but then I may well be seeing more of that than is there as a Quaker myself." [Note: I believe the reviewer is sensing more of the Quakerness of the story than a typical reader (myself) would.]

All of this, of course, is to encourage you to read Pennterra. Judy and I spent approximately two weeks copyediting the page proofs, discussing each and every correction during very lengthy (two to three hours) telephone conversations. The Fantastic Books edition of Pennterra is indeed the most accurate text of the novel and thus the author's preferred text. However, copies of earlier editions are available through secondary markets, or you can purchase the Fantastic Books edition directly from the FB website, or via Amazon or other booksellers. (And yes, I'm shilling books here; what can I say...)