Book Received...The Very Best of Fantasy & Science Fiction, Volume 2

The second project I worked on this year was The Very Best of Fantasy & Science Fiction, Volume Two, edited by Gordon Van Gelder -- and the first project for this year for Tachyon Publications.

Reading this volume of The Very Best of F&SF is like peering into a time capsule of the history (well, at least as far back as the '50s) of fantasy and science fiction short stories, from "The Third Level" by Jack Finney, published in 1952, to the most recent story, "The Paper Menagerie" by Ken Liu, published in 2011.

My blog post of January 24 lists the full table of contents, along with some personal thoughts on the stories themselves.

And if this "very best of" Volume Two intrigues you, then please check out the previous volume, The Very Best of Fantasy & Science Fiction, which I worked on in early 2009. I didn't post the table of contents at that time, but the stories range from "Of Time and Third Avenue" by Alfred Bester (1951) to "The Merchant and the Alchemist's Gate" by Ted Chiang (2007). This first volume also includes the original Hugo Award-winning novella "Flowers for Algernon" by Daniel Keyes, who passed away on June 15.

Editing in Process...The Very Best of F&SF, Volume Two

After completing my copy edit of the Kameron Hurley novelette, I resumed work on my current project for Tachyon Publications -- volume two of anthology The Very Best of Fantasy & Science Fiction, edited by Gordon Van Gelder.

Back in 2009, in celebration of sixty years of The Magazine of Fantasy & Science Fiction, Tachyon Publications released the anthology The Very Best of Fantasy & Science Fiction, which contained 23 stories from some of the best names in the genre: Ray Bradbury, Shirley Jackson, Kurt Vonnegut, Philip K. Dick, Ursula K. Le Guin, Stephen King, Karen Joy Fowler, Ted Chiang, and Roger Zelazny, to name just a few. I copy edited this initial F&SF anthology in March 2009 -- and now, nearly four years later, I had the opportunity to work on volume two.

Here's the Volume Two table of contents:

Introduction by Michael Dirda
"The Third Level" by Jack Finney (1952)
"The Cosmic Charge Account" by C. M. Kornbluth (1956)
"The Country of the Kind" by Damon Knight (1956)
"The Anything Box" by Zenna Henderson (1956)
"The Prize of Peril" by Robert Sheckley (1958)
"'—All You Zombies—'" by Robert A. Heinlein (1959)
"A Kind of Artistry" by Brian Aldiss (1962)
"Green Magic" by Jack Vance (1963)
"Narrow Valley" by R. A. Lafferty (1966)
"Sundance" by Robert Silverberg (1969)
"The Attack of the Giant Baby" by Kit Reed (1976)
"The Hundredth Dove" by Jane Yolen (1977)
"Jeffty Is Five" by Harlan Ellison® (1977)
"Salvador" by Lucius Shepard (1984)
"The Aliens Who Knew, I mean, Everything"
      by George Alec Effinger (1984)
"Rat" by James P. Kelly (1986)
"The Friendship Light" by Gene Wolfe (1989)
"The Bone Woman" by Charles de Lint (1993)
"The Lincoln Train" by Maureen F. McHugh (1995)
"Maneki Neko" by Bruce Sterling (1998)
"Winemaster" by Robert Reed (1999)
"Suicide Coast" by M. John Harrison (1999)
"Have Not Have" by Geoff Ryman (2001)
"The People of Sand and Slag" by Paolo Bacigalupi (2004)
"Echo" by Elizabeth Hand (2005)
"The New York Times at Special Bargain Rates"
      by Stephen King (2008)
"The Paper Menagerie" by Ken Liu (2011)

Each of these 26 stories is a classic in its own right.

If you've been reading this blog for any length of time, then you know I have a penchant for the humorous, sardonic story -- and R. A. Lafferty's "Narrow Valley" fits this requirement perfectly.

In 1893 the remaining 821 Pawnee Indians were given land allotments of exactly 160 acres; they were to live on the land and pay taxes, "the same as the White-Eyes did." But Clarence Big-Saddle had other ideas, and performed a Pawnee chant over his land: he had no plans to ever pay any taxes.

"Clarence Big-Saddle lived on his land for many years, and he paid no taxes. Intruders were unable to come down to his place. The land was sold for taxes three times, but nobody ever came down to claim it. Finally, it was carried as open land on the books. Homesteaders filed on it several times, but none of them fulfilled the qualification of living on the land."

Then one day, many decades later, the Rampart family arrived in town and filed paperwork on this one tract of land that still remained open. After filing the paperwork at the courthouse, they climbed back into their camper and headed to the property, all 160 acres of it.

The easiest route to the property was through the short pasture belonging to cattle and wheat farmer Charley Dublin. So the Ramparts stopped at Dublin's house, and he escorted them to their property:

"Well, Rampart, this is the fence and the end of my land. Yours is just beyond."

"Is that ditch on my land?" Rampart asked.

"That ditch is your land."

And that's just the beginning of this 5,300-word treasure.

The Very Best of Fantasy & Science Fiction, Volume Two will be published in July, but why wait: preorder your copy now.

Reflections on the 2000 World Fantasy Convention

With this year's World Fantasy Convention quickly approaching [alas, I won't be attending....], I began to reminisce about past WFCs -- and concluded that possibly my most memorable WFC was in 2000 in Corpus Christi, Texas, on October 26-29. The Author Guests of Honor were K. W. Jeter and John Crowley, the Artist GoH was Charles Vess (whose wonderful art graced the cover of the convention book, pictured at the left), and the Toastmaster was Joe R. Lansdale hisownself.

But regarding these memories, I'm specifically referring to positive memories; my worst convention -- ever! -- was the World Fantasy Con in Montreal the following year. Let's just say it put me off toward Canada and I have never returned, nor do I intend to. But don't get me started on that con....[though maybe I will blog about it one of these days....]

When I think of WFC 2000 in Corpus Christi, a number of names come immediately to mind, and all for specific reasons for which I will elaborate: Andy Duncan, Jeffrey Ford, John Picacio, Michael Moorcock, and Gordon Van Gelder.

Andy Duncan:

Andy's first short story collection -- and first book -- Beluthahatchie and Other Stories, was published by Golden Gryphon Press in time for the 2000 World Fantasy Con. Though at the time I was acquiring and editing for GGP, I wasn't involved with the publication of Andy's book. Nevertheless, I was intrigued with Andy's writing and made certain to attend his reading on Friday at 2:30 pm. Andy read from his story "Lincoln in Frogmore," about President Lincoln's visit to the town just after the slaves were freed, as told in 1936 by a man who remembers the event. [The story is available online courtesy of asimovs.com.] As I listened to Andy read, I was amazed at how well he voiced a Southern drawl to portray the protagonist in the story. At the end of the reading, someone in the audience asked a question -- and when Andy responded I realized that his drawl wasn't simply for effect during the story: he really did talk that way!

By the way, at the WFC the following year, in Montreal, Andy was honored with a pair of matching bookends: a World Fantasy Award for best collection for Beluthahatchie and Other Stories, and a second award for best short fiction for "The Pottawatomie Giant." [Note: Since I did mention that the 2001 Montreal WFC was my worst con ever, I wanted to add that Andy Duncan's award wins were, in fact, one of the highlights of that convention for me.]

Jeffrey Ford:

In addition to wanting to meet Andy Duncan, I also attended this convention with the specific intent to meet Jeffrey Ford. I was already a fan of his fiction, having read "At Reparata" and "Pansolapia" online on Event Horizon, "Malthusian's Zombie" online on SCI FICTION, and "The Fantasy Writer's Assistant" in Fantasy & Science Fiction. Jeff's reading was also on Friday, though earlier in the morning, at 10:00 am. Jeff chose to read a new story, "Creation," which hadn't as yet been sold. What can I say? "Creation" -- particularly Jeff's reading of the story -- absolutely knocked me out. After listening to that story, I knew that he was a writer to watch, and I wanted to be the editor to snag his first collection. So after Jeff's reading, I introduced myself and complimented him on "Creation," and then told him straight up that I wanted to publish his first short story collection. I won't go into further details at this point other than to say that it took a few months for the collection to come together -- Jeff's New York publisher had "first look," so we had to wait for the publisher to pass on the collection.

The Fantasy Writer's Assistant and Other Stories was published by Golden Gryphon Press in August 2002. FWA received a starred review in Publishers Weekly and was later selected as one of PW's best SF/F books of the year. And, at the 2003 World Fantasy Convention in Washington, DC, Jeffrey Ford, like Andy Duncan, was honored with a pair of matching bookends: a World Fantasy Award for best collection for The Fantasy Writer's Assistant and Other Stories and a second award for best short fiction for -- what else? -- "Creation."

The Very Best of Fantasy and Science Fiction Magazine

I received two very large boxes this week. The first box, from Jill Roberts at Tachyon Publications, contained a whopping 611-page manuscript. The second box, from F&SF Magazine publisher and editor Gordon Van Gelder, contained a stack of back issues (the oldest being June 1966) and three different, old F&SF anthologies (the oldest dated 1953), along with a couple other books and photocopies. And a recent email from Gordon stated that he still needed to send me a few more issues.

As you may have surmised, all of this stuff was sent to me because for my next project...

I will be copyediting the anthology The Very Best of Fantasy & Science Fiction, edited by Gordon Van Gelder for Tachyon Publications. This book is so new -- literally -- that it hasn't even been mentioned as yet on the publisher's web site. So does that mean you've heard it hear first? Maybe...

It has been a very long time since a 600-plus page manuscript has crossed my desk. But the most enjoyable part of a job like this is that I get to read all this wonderful "very best of" F&SF fiction, and get paid for doing so! Ya gotta love it! (Of course, I also have to catch all the typos, missing punctuation, scanning errors, etc. while reading all this great fiction.)