Ross E. Lockhart's Word Horde and Tales of Jack the Ripper

In the past few weeks I've worked on three projects by former Night Shade Books assets. "Assets" -- don't you just love that word? It's so wonderful when the publishing industry refers to its authors -- people -- human beings! -- as assets. I tend to think of assets as material objects: company cars, machinery, inventory -- property; but not people. And maybe, just maybe, that's why the traditional book publishing business is in the asset hole that it currently finds itself, as more and more assets -- people -- leave traditional publishing to self-publish and/or set up their own micro presses.

The first of the three projects was Bradley P. Beaulieu's self-published short fiction collection, Lest Our Passage Be Forgotten & Other Stories, which I blogged about here; and the second project is the forthcoming collection of Company stories, In the Company of Thieves, by Kage Baker and Kathleen Bartholomew, from Tachyon Publications -- which I blogged about here.

Which brings me to my most recent project:

There is a new publisher in town, virtually speaking, that is: Word Horde press.

After serving five years as the anchor that centered and steadied the inevitable tsunami-bound ship that was Night Shade Books, Ross E. Lockhart formed his own publishing venture earlier this year, and thus we have Word Horde.

Cover art by Arnaud de Vallois

While at Night Shade, Ross edited the two epic Lovecraftian anthologies -- The Book of Cthulhu and The Book of Cthulhu II. Now, with the launch of Word Horde, Ross's first book -- the enthralling Tales of Jack the Ripper -- affirms the Ripper's Whitechapel slayings in 1888, 125 years ago.

You can read the official Press Release, which includes a complete list of the contents of the anthology, but let me take this opportunity to excerpt just a paragraph from that PR:

The story of Jack the Ripper captured lurid headlines and the public's imagination, and the first fictionalization of the Ripper killings, John Francis Brewer's The Curse Upon Mitre Square appeared in October of 1888, mere weeks after the discovery of Jack's first victim. Since then, hundreds of stories have been written about Bloody Jack, his victims, and his legacy. Authors ranging from Marie Belloc Lowndes to Robert Bloch to Harlan Ellison to Roger Zelazny to Alan Moore have added their own tales to the Ripper myth. Now, as we arrive at the quasquicentennial of the murders, we bring you a few tales more.

Of the seventeen stories (and two bookending poems by Ann K. Schwader) included in this volume, fourteen of them are original to the anthology. (Again, check the official PR for a list of the contents.) The three reprint stories are by a few authors you may even recognize: Ramsey Campbell, Alan M. Clark and Gary A. Braunbeck, and Joe R. Lansdale.

Every themed anthology faces the issue of repetitive content: Can the editor -- and the contributing authors -- maintain the reader's interest/attention through fifteen or twenty or more stories without yielding to theme overload? After reading (and copy editing) Tales of Jack the Ripper this past week, I believe this anthology successfully (and I use that word with emphasis) responds to this issue. While reading these stories I found myself amidst the offal and stink of the back alleys of 1888 Whitechapel; questioning who the Ripper really was (a female assailant?); tracking how the "Ripper disorder" skipped generations to present day; and more.

It's probably best not to read the stories in Tales of Jack the Ripper at night -- and alone.

Jack Vance 1916–2013

Today we lost one of the greats: Jack Vance -- a Grand Master of science fiction; or maybe his style of writing would be better served were I to call it "science fantasy." Jack Vance was 96 years young, with a lifetime of experiences that ranged the entire world.

In memory of Jack Vance, I would like to post the following, which I originally published on this blog on July 31, 2009: I recount my two visits to the Vance household in the Oakland foothills, in 1989 and 1990; I also hold Jack Vance responsible for my book collecting addiction....

At Home with Jack Vance

At 92 years of age (soon to be 93, on August 28), author Jack Vance is finally garnering some long-overdue, well-deserved attention in the media. And considering that he hasn't published any new fiction since 2004 (novel Lurulu, sequel to Ports of Call, 1998; both from Tor Books), this is indeed a remarkable accomplishment. Why all the media attention now? Because Vance has two books that have just been published by Subterranean Press. First and foremost is Vance's autobiography, This Is Me, Jack Vance! (more on this in a bit). The second title is anthology Songs of the Dying Earth, which is subtitled "Stories in Honor of Jack Vance." Songs features some of the best writers in the genre: Neil Gaiman, George R. R. Martin (who co-edited the anthology), Lucius Shepard, and Dan Simmons, to name only four, with an appreciation by Dean Koontz. What makes this book even more special is that Vance himself has written a new preface to open the anthology.

Carlo Rotella, director of American Studies at Boston College, wrote an excellent and lengthy piece (nearly 3,700 words) on Jack Vance entitled "The Genre Artist" in the July 15 New York Times. Rotella's introduction to Vance's fiction occurred when he was 14 years old, and he's been reading the author's work ever since. In this article Rotella quotes from a number of Vance novels, quotes from contributors (Tanith Lee and Dan Simmons) to the Songs anthology, and even quotes from Pulitzer Prize-winning novelist Michael Chabon: "Jack Vance is the most painful case of all the writers I love who I feel don't get the credit they deserve. If 'The Last Castle' or 'The Dragon Masters' had the name Italo Calvino on it, or just a foreign name, it would be received as a profound meditation, but because he's Jack Vance and published in Amazing Whatever, there's this insurmountable barrier." Well said, Mr. Chabon! I'm awaiting my copy of This Is Me, Jack Vance! from Subterranean Press, but in the meantime I have Rotella's article to tide me over. By the way, Rotella notes that "Vance takes pride in his craft but does not care to talk about it in any detail, going so far in his memoir as to consign almost all discussion of writing to a brief chapter at the end." If you're not familiar with Jack Vance, this article is a great mini-introduction to Vance's work, and his life. Kudos to Carlo Rotella.

I personally lay all the blame for my rampant book collecting on Jack Vance... Well, that's not really fair: his mass market paperback publishers Berkley Medallion and DAW Books actually share that dubious honor. I was already an avid book reader, but it was Jack Vance's Demon Princes series that drove me to my bibliophilic behavior. I don't recall how the Demon Princes series was brought to my attention, but in the early '80s I made a concerted effort to track down these five books. Now, you have to remember that at that point in time, there was no internet; there was no "online" in which to do an online book search. In those days we actually had to visit bookstores; and we used the telephone and, dare I say it, book catalogs sent through the mail to acquire specific titles. My favorite bookstore was Books, Inc. in the Town & Country shopping center near the corner of Stevens Creek and Winchester boulevards in San Jose. Books, Inc. closed down not too long after the Barnes and Noble superstore opened about a block away; and now the entire Town & Country shopping center is gone, replaced by the upscale Santana Row. But back to Books, Inc.: The store was a panacea for SF readers in particular because the management never returned a book. Regardless of the number of copies they ordered of any particular paperback, those copies would remain on the shelves until they sold. You could find paperbacks on the shelves that were years old, the pages often yellowed from age. So that's where I went to purchase the five volumes in Vance's Demon Princes series. The first three books in the series -- Star King, The Killing Machine, and The Palace of Love -- were published in the '60s by Berkley Medallion; the final two books in the series -- The Face and The Book of Dreams -- were published by DAW Books in 1979 and 1981 respectively. Unfortunately, I only found one of the DAW books on the shelf. A clerk assisted me by looking up the other four titles in Books in Print (available as a set of humongous hardcovers as well as on microfiche). It turned out that two of the five titles were out of print -- one from Berkley Medallion and the first book from DAW. And, not understanding the stupidity of publishers at the time, I couldn't comprehend why any publisher would allow the middle books of a five-book series to go out of print. It just didn't make any sense to me -- then. But in the course of looking through Books in Print, the clerk discovered that the series had been published in a hardcover edition by an independent press called Underwood-Miller. Great, I said, let's order them. Sorry, said the clerk, we don't deal directly with that publisher, and those titles aren't available through our regular distributor. Sigh... Time to go home and make some telephone calls to other bookstores in the area.

This is how I discovered genre bookstore Future Fantasy in Palo Alto, about a 25-mile drive from where I live. I telephoned the store, and yes, they could order the books for me, but I would have to pay for them in advance. So I made the drive to Palo Alto, only to discover that the store proprietor would only order one volume at a time -- even though I was willing to pay for the five books all at once, up front. Not sure of her rationale; but keep in mind that this was the early '80s and each of these trade hardcovers cost, I believe it was, $20.00 each -- so the set of five books was $100.00 (plus tax). Anyhow, I paid for the first book in advance, returned to the store a couple weeks later when the book arrived and paid in advance for the next one in the series, and so on until I owned all five books. Of course, I was now hooked on hardcovers and limited editions, having been in Future Fantasy -- browsing and buying -- six times over the span of about three months: the road to ruin, you might say. Future Fantasy moved a few years later to a larger store, but then the local competition and the internet finally took its toll and the store closed as well.

CrossMe Color app for Android Redux

As I've mentioned in two previous blog posts (here and here), I have a rather strong addiction to an Android game called CrossMe Color. It's sort of like Suduku, but with numbers and colors.

I have now completed all the puzzles through level 8, which is the "Shogun" or "Expert" level. The game has a level 9, but all the puzzles are random. By that I mean the puzzles are simply random patterns, squares, and colors. Once a puzzle is completed, a return to the main menu will automatically clear the puzzle and randomize the patterns, squares, and colors again. When I get desperate enough for a CrossMe Color fix, I will work a random puzzle, but I'm not particularly fond of them: I prefer a puzzle of an actual picture/object, which is saved when the puzzle is completed.

Of course, I can always delete any puzzle solution and re-solve the puzzle, but for now I want to retain the completed puzzles. I'm hoping that the CrossMe Color developers will have an update soon that adds a few new puzzles to the existing levels.

In the meantime, I wanted to share with you a few of the level 7 (Sensei/Advanced) and the level 8 puzzles and solutions; I enjoy discovering what those rows and columns of colored, numbered squares will form when I complete a puzzle.

Puzzle 7.10 - Young Homer

Puzzle 7-23 - Bird

Puzzle 8-3 - Dog

Puzzle 8.4 - Giraffe

Puzzle 8.7 - Cat

Puzzle 8.14 - Parrot

Puzzle 8.16 - East

Puzzle 8.20 - Turtle

A few of the "expert" puzzles presented some difficulty, and I had to snag a few hints from the CrossMe Color Solutions Blog. But what I've pictured above are some of the puzzles that I solved completely on my own, and were personal favorites.

The CrossMe Color Premium app is $4.95 on both Google Play and the Amazon Appstore: a small amount for the hours (and hours) you'll find yourself engrossed in these puzzles.

Jonathan Strahan's Year's Best Science Fiction and Fantasy 6

A couple weeks ago I published a blog post (Doin' Hard Time at Night Shade Books) on my nine years with Night Shade Books. In that post I listed the 125 books that I worked on throughout those nine years. One such book was Jonathan Strahan's annual anthology The Best Science Fiction and Fantasy of the Year, Volume 6.

When I checked my email this morning, I found a note from Jonathan Strahan awaiting my perusal. In the email, which was also addressed to Ross E. Lockhart, Jonathan informed us that his book, The Best Science Fiction and Fantasy of the Year, Volume 6, had just won the Aurealis Award -- Australia's premier genre award -- for best anthology of the year, and that he wanted to thank Ross and me for our work on this, and his previous books.

Of course, receiving a "thank you" email from an award recipient for one's contribution is very cool. However, as I was catching up on my online reading (Google Reader feeds) I saw that Jonathan had also posted about his award win on his blog Notes from Coode Street. Included in his post was his acceptance speech, which had been read by James Bradley, in Jonathan's absence, at the awards ceremony. With Jonathan's most kind permission, here is his Aurealis Award acceptance speech in its entirety:

Thank you so much. If James Bradley is reading these words to you, which I promise I will keep brief as absent winners should, then it means my anthology The Best Science Fiction and Fantasy of the Year: Volume Six has won the Aurealis Award. It is a great honour and I wish I was there in the Independent Theatre in Sydney, and not sitting in Perth following this on Twitter, so that you all could see just how thrilled I am.

I would sincerely like to thank the judges Kathleen Stubbs, Matt Chrulew and Sarah Fletcher for their hard work (and commend them on their excellent taste), and I also want to thank awards administrator Tehani Wesley and the AA team for their hard work. It is an honour to be nominated alongside my editorial colleagues Liz Gryb, Talie Helene, and Amanda Pillar and the great team at my dear friend Russell Farr’s Ticonderoga, and I extend my congratulations to them as well.

Editing The Best Science Fiction and Fantasy of the Year series has defined the past seven years of my life. It’s a strange, wonderful experience, and I am deeply proud of the books I’ve been able to produce with the Night Shade team. I would especially like to thank Ross Lockhart and Marty Halpern at Night Shade Books for the care and attention they gave to this book, and for their work on the rest of the series. They are my unsung collaborators and deserve your congratulations as much as I do.

Finally, and most importantly, I would like to acknowledge the efforts of my spectacular agent Howard Morhaim, and the tireless support of my family Marianne, Jessica and Sophie who give me time to do this strange editing thing that I love doing so much.

Thank you all very much! Have a great night! I’m going to turn Twitter off now and go have a glass of champagne (or at least get the kids dinner on).

Like I said, receiving a thank you email for contributing to an award-winning book is one thing; having one's name mentioned in an acceptance speech takes that "thank you" to an entirely new level.

I, in turn, would like to thank Jonathan for the opportunity to work on his "best of the year" anthologies; I read many fine stories in these volumes that I wouldn't have had the occasion to read otherwise. And while I'm at it, let me thank Ross Lockhart, who kept the work flowing for the past five years at Night Shade Books. Ross could have sent Jonathan's anthologies to any number of other copy editors, but he typically sent the books to me.

Kage Baker's In the Company of Thieves

In May 2001, I contacted Kage Baker via email about a collection of Company stories; at the time I was acquiring and editing for Golden Gryphon Press. Kage responded the very same day, stating that she was intrigued with my proposal and that she has forwarded my letter to her agent, Linn Prentis. On May 9 I received a response from Linn: the collection was a "go."

Black Projects, White Knights: The Company Dossiers premiered at the San Jose WorldCon on August 29, 2002. The book was even more successful than I had anticipated: Publishers Weekly gave the collection a starred review; the first printing of 3,000 copies sold out in only two months; there was a second hardcover printing, and the trade paperback edition was published in October 2004. In a blog post dated January 27, 2010 -- just four days before Kage Baker passed away -- I detailed how Kage and I worked together on this book, how it all came together.

And now, nearly to the day and twelve years later, I have the good fortune to be able to work on what will, unfortunately, be the last new collection of Company stories by Kage Baker: In the Company of Thieves, forthcoming from Tachyon Publications.

Working on these stories is like meeting up with old friends again, like the immortal cyborg Joseph (in "Hollywood Ikons," a new story original to the collection; more on this in a bit), Edward Bell Fairfax and Lady Beatrice, of the Gentlemen's Speculative Society and Ladies Auxiliary, respectively (in "The Women of Nell Gwynne's" and "The Unfortunate Gytt"), and the evil Labienus and his Plague Cabal (in "Mother Aegypt"). Note that I didn't say they were all "good" friends....

So many memories have come flooding back since I began work on this collection of stories: working on Black Projects, White Knights and then the limited edition chapbook story The Angel in the Darkness; meeting up with Kage at cons -- she was always with her sister Kathleen and I was usually with my wife Diane -- which typically entailed a long chat over lunch or dinner. Did you know Kage's favorite drink is (was) a mojito? Meeting niece "Emma Rose" (read the novel The Hotel Under the Sand, also from Tachyon Pubs) at Kage's appearance at SF in SF on July 25, 2009. And... I could go on, but you get the drift. We were friends, and I always looked forward to the next meeting/lunch/dinner at the next con.... And now we (Diane and I) get to continue that friendship with Kathleen, hopefully sharing a meal at BayCon over the Memorial Day weekend.

Only six stories make up In the Company of Thieves, but those six stories entail more than 100,000 words of very fine fiction. Three of the stories are novella length, at 25,000-plus words. Two additional stories clock in at around the 12,000-word mark. And one story ("The Carpet Beds of Sutro Park"), one of my very favorites, is a mere 3,700 words. I am constantly amazed at what Kage can accomplish in so few words.

Previously I mentioned a new story, "Hollywood Ikons" (one of the 12,000-word stories mentioned above), to be published in this collection for the first time. The story is a collaboration, as it were, between Kage and her sister Kathleen Bartholomew. From the draft copy of Kathleen's story notes:

Before Kage died in 2010, this was one of the stories she told me to look at first....Kage had already assigned Joseph as the hero of this one, so all I had to do was channel her and connect the gold-limned dots."

So I can only hope that Kage has left behind piles of notes and outlines and that Kathleen is able to continue channeling Kage into new stories of the Company, of Dr. Zeus Incorporated, of the Gentlemen's Speculative Society... Or, better yet, I can hope that Kathleen eventually graces us with her own unique tales of wonder.

Doin' Hard Time at Night Shade Books

How often, how many times, have you asked yourself, What have I done with my time? What have I really accomplished?

I've been asking myself this very question quite a bit of late; or, at least, more than I normally do....

I spent about nine years of my professional career working for Night Shade Books. If you are a genre writer and/or reader, then you probably have seen an online article, or blog post, about the publisher's demise. Essentially Night Shade Books is bankrupt, they just haven't declared it legally (yet), but are hoping to sell the assets of the company to a pair of publishing houses. I won't go into any of that here; you can just search for "Night Shade Books" and you'll find enough to read: posts from authors talking about the deal with the new buyers, posts from bloggers both objective and subjective about Night Shade, and so on.

But what I see is the demise of a publishing house that had the potential to make it into the "big leagues" as an independent. I recall an early telephone conversation with publisher/owner Jason Williams, in which he told me that he wanted Night Shade to be the next Baen Books. And they could have been, I honestly believe that, but they squandered it all away....

But six months from now, a year from now, will new readers even know who Night Shade Books is? And for those of us who know of them now, what will we think of them going forward? Will readers think of the books with positive memories: the great books like The Algebraist and The Windup Girl; the beautifully designed covers and interiors? Or will they remember the orders not fulfilled, the books promised and never published? Will former Night Shade authors remember Night Shade as the publisher who gave them their first break, bought and published their first book, bought and published the book that they were unable to sell to any New York publisher? Or will they remember that they were never paid their advance, never paid royalties, or if they did get paid, that they had to fight for every dollar, or that their book never even got published as promised?

But getting back to my original question: Just what have I accomplished in nearly nine years with this publisher? And what will I remember?

I sat down and reviewed all my invoices -- 190 of them -- dating back to 2004, and compiled a list of all the books I touched, so to speak. The first book was Adam Roberts's short fiction collection, Swiftly; the last book was Jonathan Strahan's anthology, The Best Science Fiction and Fantasy of the Year, Volume Seven, just this past January. And in between were a helluva lot of books.

Bradley P. Beaulieu's Lest Our Passage Be Forgotten

Artwork by Sang Han

Fate (if you believe in that sort of thing) has a way of, occasionally, flipping reality onto its head.

I have worked for Night Shade Books for these past nine years: the very first book I worked on was Adam Roberts's Swiftly, which I completed in May 2005; the last book I worked on, The Best Science Fiction and Fantasy of the Year, Volume Seven, edited by Jonathan Strahan, was completed in January of this year. In the course of these nine years, I edited, line edited, and/or copy edited content for approximately 190 books for Night Shade. 190. One of these days, I just may list all the titles. Unfortunately, I should have stopped working for Night Shade at least six months ago, but we'll leave that discussion possibly for another blog post.

About the same time I was wrestling with the decision whether or not to take on another Night Shade project (which I didn't, thankfully), another author was wrestling with a similar decision: Bradley P. Beaulieu (pronounced "Bowl-yer") was owed money by Night Shade Books (Aren't we all?) and the publisher had decided to push out volume three of his Lays of Anuskaya trilogy for at least another full year. Brad chose then to leave Night Shade, take volume three, The Flames of Shadam Khoreh, with him, and self-publish the book. He explained all this in a blog post entitled "A Slight Change of Plans," which he published on February 19, 2013.

Now, while all this was going on, Brad was also running a Kickstarter campaign for his short story collection, Lest Our Passage Be Forgotten & Other Stories. Funding ended for Brad's collection on January 11, with the primary goal reached, as well as all six of the stretch goals.

Which brings us to the present: Bradley P. Beaulieu was in need of an editor for Lest Our Passage Be Forgotten, and I was in need of a new editing gig -- and I am pleased to announce that I will be working with Brad on this project.

Initially I edited the three stories written exclusively for the collection as part of the Kickstarter stretch goals:

"To the Towers of Tulandan" is a prequel story to his Lays of Anuskaya trilogy (The Winds of Khalakovo, The Straits of Galahesh, and the forthcoming The Flames of Shadam Khoreh).

"Prima" is somewhat of a sequel story to the trilogy: the story takes place 25 years after the end of The Flames of Shadam Khoreh, but is not related to the main events in the trilogy.

"Unearthed" is a prequel story to the world of Bryndlholt, a new middle-grade series that Brad has recently begun writing.

Paul Williams 1948–2013

On March 27, we lost one of our own: Paul Williams passed away. In 1995, Paul suffered a traumatic brain injury in a bicycle accident, which is believed to have later caused his early-onset dementia. Paul's achievements are far too numerous to list here, but let me just touch upon a few: In January 1966, Paul launched Crawdaddy! the first magazine of rock music criticism, which paved the way for Rolling Stone and other such rags. In the '80s Paul founded the Philip K. Dick Society and published the society's newsletter. It was Paul's hard work that helped keep PKD's name -- and work -- alive, following the author's death in 1982. Paul also edited the 5-volume Collected Stories of Philip K. Dick and the 13-volume Complete Short Stories of Theodore Sturgeon.

Obits and tributes to Paul Williams have been posted across the 'net, including io9, the LA Times, and the New York Times.

All 19 issues of Crawdaddy! published between 1966 and 1968 are also available online for your reading pleasure in the Crawdaddy! Archives.

I briefly wrote about my involvement with the PKD Society in my "February Links & Things" post (third bullet point from the bottom) in 2010. I again mention Paul Williams in another blog post on PKD and Rudy Rucker, published on August 30, 2010: Paul had fact-checked an article I wrote on PKD in 1988 prior to its publication in the 'zine Paperback Parade.

My friend, author Eileen Gunn, shared some personal thoughts with me, and her Facebook readers, the day after Paul passed away:

Crawdaddy! was a stenciled fanzine, and I bought it for a quarter at Briggs & Briggs in Harvard Square in the spring of 1966. It made my head explode. And that was just the first time. The first issue looked like a term paper; the next looked like an SF fanzine. By the third issue, in less than six weeks, it looked like it belonged on a shelf with other magazines. Whatever the subject, Paul wrote always of exactly the moment he was in, and it was often exactly the moment that I was in. He expanded my view of my own world, of my own (counter)culture, whether it was music or philosophy or the strange internal politics of the Sixties. (Fort Hill, anyone?) I will miss him, but somehow it feels like he's still out there....

Aside from the 5-volume PKD story collection and the 13-volume Theodore Sturgeon collection, both of which hold special places (literally and figuratively) in my own personal library, I would also like to recommend Paul Williams's Bob Dylan: Performing Artist series -- assuming of course that you are a fan of Dylan's music. Unlike most books about rock music, which are typically biographical in nature, these three books focus on Dylan in concert, a critical look at the man's performances over a span of nearly 40 years: Volume 1, The Early Years 1960-1973; Volume 2, The Middle Years 1974-1986; and Volume 3, Mind Out of Time 1986 and Beyond.

My deepest sympathy to Paul's wife, Cindy Lee Berryhill, their son Alexander, and Paul's extended family and friends.

Keep on rockin', Paul....

---------------

Note: The Paul Williams photo that opens this post accompanied the New York Times article by Paul Vitello; the photo was taken by Raeanne Rubenstein, and features Paul Williams in 1971, after he had left Crawdaddy! Since I do not have the rights to reprint this photo, I have linked to the photo on the NYT website. It's one of my favorite photos of Paul: we were grunge before there was grunge. Thank you, Raeanne Rubenstein, for sharing this photograph with us.

"In my view a writer is..."

"You see, in my view a writer is a writer not because she writes well and easily, because she has amazing talent, because everything she does is golden. In my view a writer is a writer because even when there is no hope, even when nothing you do shows any sign of promise, you keep writing anyway."

~Junot Diaz

This quote courtesy of Theodora Goss; see her Tumblr blog for more quotes.

A Day in the Life with Android (Part 6): CrossMe Color and Other Games

This is Part 6 (of what I originally thought would be only three parts) in my continuing series on how I use my Google/ASUS Nexus 7 tablet on a day-to-day basis. Part 1 covers my hardware accessories and business apps; Part 2 focuses on a variety of utilities; Part 3 deals with social media and related apps as well as ebook readers; in Part 4 I present additional utilities, news apps, and apps that didn't fit in the previous three posts, and Part 5 deals with media and radio apps, along with a few other odds 'n' ends. And here, in Part 6, I will cover a few Android games.

There are literally thousands (tens of thousands?) of Android games available. Who hasn't heard of Angry Birds. But did you know there are Angry Birds Seasons, Angry Birds Rio, Angry Birds Space, and, most recently, Angry Birds Star Wars? And should you purchase these or other games/apps, be sure to check first for an "HD" or "THD" version: this version will be optimized for the Android tablet (as opposed to a phone-sized screen). Unfortunately, these optimized versions usually cost a bit more.

Adventure games, puzzle games, physics games, single-person shooter games, construction games, defense games, sports games, word games, space shooter games. You name it, and there's a game or ten (or more) for it. If you are new to Android gaming, be aware that many paid apps have a free version of the game available for users to try before buying; these "lite" versions are typically limited in scope, but offer you the opportunity to try them out first.

Personally, I'm partial to puzzle games, especially those that have no time clock associated with the game play. Which is why, as I stated in a previous blog post, I am addicted to the game entitled CrossMe Color Premium. There's a free version of the game (CrossMe), but the squares are in black and gray, and the levels are limited. But if you are a puzzle freak, then pay the $4.95 and get the full-color premium version; you won't be disappointed.

CrossMe Color is a kind of Suvudu puzzle, but with colored squares; you have to match the color and number of squares both vertically and horizontally. Some of these puzzles have been very difficult and have taken probably hours (spaced out over time) to solve. There are no time limits on any puzzle, you can undo/redo squares whenever necessary, and -- check this -- the puzzle automatically saves your every move!

Here are a select few CrossMe Color before and after screen shots:

Puzzle 5.26 Chinese Wall

Puzzle 6.24 Cathedral

Puzzle 7.4 Halloween

Puzzle 7.8 Junk

Three of the CrossMe Color puzzles (3.13, 3.27, and 7.3) were so difficult that I couldn't find a starting point on the primary color. After hours -- and hours -- of frustrating attempts, I sought out the CrossMe Color Solutions Blog. Trust me, I didn't really want to snag a few starting lines from these puzzle solutions, and yet I didn't want to leave these three puzzles incomplete any longer. There were much harder puzzles that I have completed on my own, so why these three gave me such difficulty, I cannot say.

Selected Links & Things

Here are some links that you may find of interest from the past few weeks. My apologies that these haven't been posted in a more timely fashion, but other priorities blah, blah, blah.

Courtesy of Quote-Unquote Apps (@qapps), we have a new version of the Courier Prime font, IBM's classic public domain typeface, which has been redesigned to look good in print and on-screen. So if you still use Courier Prime (I'm a Times Roman kinda guy, myself) for your manuscripts, you'll want to check this out. Easy-to-install for both PCs and Macs; instructions included. (via BoingBoing.net)

Mary Doria Russell is the author of the well-known 1996 alien contact/Jesuits in space novel The Sparrow and its sequel Children of God, and most recently Doc, a novel of "Doc" Holliday and Wyatt Earp. On the Washington Post Book Blog, Mary shares her story with columnist Ron Charles (@RonCharles) on the "perils (and rewards) of being a midlist novelist": "Just as her new novel, Doc, was being released in 2011, she got word that her publisher [Random House] was not interested in any more books from her."

What if you could buy your way onto the New York Times bestseller list? Think it's impossible? Not if you have enough money, as detailed by one author's experience in Forbes.com's "Here's How You Buy Your Way Onto The New York Times Bestsellers List." ResultSource, a San Diego-based marketing consultancy, specializes in getting books onto bestseller lists, assuming you have $200,000-plus to invest. The author in question couldn't afford the NYT, so he settled for the Wall Street Journal's list. Life's tough, aint' it?

"How I made $2,000 in 7 days launching my ebook." Programmer Josh Earl, author of Sublime Productivity: Code Like a Pro with Today's Premier Text Editor ebook, writes: "The book is growing steadily, and with it, a sense of panic: What happens when I’m done? My entire promotional strategy consists of pushing the publish button! I’m a programmer, not a sales wizard. Marketing seems like black magic. The thought of my hard work going to waste makes me sick." (via Hacker News)

Digital Book World (@digibookworld) has an excerpt from a new book on publishing by former Apple guru Guy Kawasaki; the book is entitled APE: Author, Publisher, Entrepreneur-How to Publish a Book. The section "Appearance Is Everything" covers such topics as: Front Matter; Ebook Front Matter; Organization Name; Blurb Overload; Gaffes; and Crappy Interior Design. Authors, even those not self-publishing, would be wise to read this excerpt, if not the entire book, which includes manuscript and text formatting in the "Gaffes" section.

The Original Hacker's Dictionary: "Many years after the original book went out of print, Eric Raymond picked it up, updated it and republished it as the New Hacker's Dictionary. Unfortunately, in the process, he essentially destroyed what held it together, in various ways: first, by changing its emphasis from Lisp-based to UNIX-based (blithely ignoring the distinctly anti-UNIX aspects of the LISP culture celebrated in the original); second, by watering down what was otherwise the fairly undiluted record of a single cultural group through this kind of mixing; and third, by adding in all sorts of terms which are 'jargon' only in the sense that they're technical. This page, however, is pretty much the original, snarfed from MIT-AI around 1988." (via Hacker News)

"Aaron Hillel Swartz (November 8, 1986 – January 11, 2013) was an American computer programmer, writer, political organizer and Internet activist." At least that's what Wikipedia opens with, when you search for "Aaron Swartz." But Aaron was so much more: as a teenager he helped develop the RSS feed, which has been in the tech news lately as Google prepares to shut down its Google Reader service. Aaron also helped develop the Creative Commons licensing, which many have used to publish their work openly on the internet. Facing years of incarceration from an overzealous prosecutor, Aaron committed suicide on January 11. I'll leave you to decide the rights and wrongs of the case (a quick Google search will yield plenty of results). Aaron Swartz's weblog, Raw Thought, has been preserved for free download as PDF, mobi, and epub files. (via Hacker News) Here's an excerpt:

I’m not such a nuisance to the world, and the kick I get out of living can, I suppose, justify the impositions I make on it. But when life isn’t so fun, well, then I start to wonder. What’s the point of going on if it’s just trouble for us both? My friends will miss me, I am told. . . . But even so, I feel reticent. Even among my closest friends, I still feel like something of an imposition, and the slightest shock, the slightest hint that I’m correct, sends me scurrying back into my hole. (2007)

From The National Security Archive: "The Zero Dark Thirty File -- Lifting the Government's Shroud Over the Mission That Killed Osama bin Laden." Twenty-two files including photos, letters, and details on the mission that brought down bin Laden.

And lastly, in 1942 LIFE magazine sent Margaret Bourke-White, America’s first accredited woman photographer during WWII, to spend time with the now legendary VIII Bomber Command in England. During her assignment, she managed to snap a series of color photographs, many of which never actually made it to her feature article. Over 70 years later, LIFE has finally released these unpublished color photos. (via io9.com - @io9)