Happy Birthday, George Alec Effinger (Part 3 of 3)

In memory of author George Alec Effinger (January 10, 1947 – April 27, 2002), who would have been 66 years old this month, I am reprinting a series of three blog posts I published in the first half of 2009. This third, and final, blog post, originally published on June 8, 2009, focuses on the book A Thousand Deaths, which contained George's personal favorite, the novel The Wolves of Memory -- and my favorite of his work as well.

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Since my blogs tend to be more essay rather than random comments, like blogging about my great cup of coffee this morning, they take longer to compose. If you enjoy reading what I write, then I thank you for your time and patience, and I ask that you just keep checking back -- and/or subscribe to this blog's RSS feed -- for my next entry.

At least for now, this will be my final blog post on author George Alec Effinger; one blog entry for each of the three collections of his work that I acquired and edited for Golden Gryphon Press between 2001 and 2007. Part One of this series focused on Budayeen Nights and Part Two pertained to collection Live! From Planet Earth. I have a couple ideas for possible future projects of Effinger's work, but only time -- and the economy -- will tell if these ever come to pass.

In late 2002, once I had completed Budayeen Nights, and the book was in the hands of the typesetter, and then the printer, I began thinking about the next Effinger collection. During my email communications with George between 2001 and 2002, I promised him that I would do my best to help him bring his work back into print -- and even though George was no longer alive at this point in time, I felt a personal responsibility to honor that promise.

Obviously the second collection published by Golden Gryphon Press was George Alec Effinger Live! From Planet Earth -- but this wasn't the book I had initially intended to publish next.

In the latter part of 2002, I had written Barbara Hambly, executrix of Effinger's literary estate, for a list of her favorite GAE stories. On December 2, 2002, Barb wrote: "I've sorted through George's story titles, cut out all the Maureen Birnbaum and Sandor Courane stories (which have or are getting anthologies of their own) and still have quite a few." Of course, I knew about the Birnbaum collection, but a collection of Sandor Courane stories? This was a complete surprise to me. So I inquired further of Barb about the Courane collection, and later that same day she responded: "There's a fellow in the Midwest who's doing Sandor Courane -- George was working on it with him at the time of his death." Unfortunately, Barb could not recall this fellow's name. Now I was intrigued: during my email communications with George before he passed away, when he spoke so personally about all of his work being long out-of-print, he made no mention whatsoever of another editor working on a collection of his short fiction.

And so my search began.

Eventually my net searching found a website for Wunzenzierohs Publishing Company¹, which noted a "forthcoming" GAE collection entitled A Thousand Deaths. But then the announcement went on to state that the collection was currently in limbo due to Effinger's passing. Using the "Email Us" link on the home page, I contacted the publisher on December 19, 2002. I expressed my interest in seeing GAE's short fiction back in print, and I asked if the publisher still planned to pursue this particular collection of Sandor Courane stories. I also requested a list of the proposed stories to be included in the book. I was thinking that if the publisher was willing to give up the rights to this collection so that it could be published by Golden Gryphon -- and if he had all the stories pretty much ready to go and was willing to share them with me -- then I could get this book into print more quickly than the other collection I was planning (Live! From Planet Earth), which I was having to start from scratch.

Gordie Meyer, Wunzenzierohs publisher, responded to my email the following day. Apparently, WunzPub (to use Gordie's abbreviation) was more of a hobby venture, and he had, in fact, been considering if he really had the time to do the Sandor Courane collection. Gordie wrote: "I've known George from his being online at Delphi long ago, and we'd occasionally touch base via email or meet in person at a con, but I didn't really know him all that well. Mike [Resnick], however, did, and when I mentioned that I thought it was a shame that all of George's work was OOP, he suggested that I consider a collection of...the Sandor Courane stories, as they were an identifiable group to collect and were some of Mike's favorite Effinger stories. So I ran the idea past George at a con, he and Barbara [Hambly] liked the idea..." Evidently this all occurred four years earlier, in 1998. Gordie went on to say: "If you'd be interested in taking over the publication of A Thousand Deaths ([the title of] which both George and I came up with independently -- cue Twilight Zone theme...), it'd make my decision a bit easier.... It was [always] about getting George's work back into print. So if I can make that happen, even without actually publishing it myself, I'd still feel good about the project.... Barbara has already approved having Mike Resnick do the introduction. And actually, Mike threatened physical violence if he didn't get to do the intro. {g}"

Happy Birthday, George Alec Effinger (Part 2 of 3)

In memory of author George Alec Effinger (January 10, 1947 – April 27, 2002), who would have been 66 years old this month, I am reprinting a series of three blog posts I published in the first half of 2009. This second blog post, originally published on May 12, 2009, focuses on the book George Alec Effinger Live! From Planet Earth, which I helped a wee bit through publication.

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This is the second of three essays on author George Alec Effinger -- one for each of the three collections of his work that I acquired and edited for Golden Gryphon Press, between 2001 and 2007. Part One of this series focused on Budayeen Nights, a compilation of all of George's Marîd Audran and related stories.

Once Budayeen Nights was complete and in the hands of the typesetter, I began thinking about the next collection of Effinger's work. But now that George had passed away, I didn't have his input on this second book as I did for BN. All I had was my commitment to him to help bring his work back into print, and his email of August 30, 2001, in which he suggested a collection featuring "a hefty selection of my 200 stories, with introductions to each one, and calling it GAE: The White Album or GAE Live! At the Village Gate or...GAE: The Prairie Years." When George and I were communicating by email (albeit sporadically, due to his health and domicile issues) between 2001 and 2002, I had asked him to put together a list of the stories he would like to include in a "best of" collection, but time just wasn't on his side. And George wasn't kidding when he referred to his "200 stories" -- I know, as I've tried to track down a goodly portion of them! In fact, I probably have the largest "collection" of George Alec Effinger short fiction, only second to Barbara Hambly, who now has all of George's files and books in her possession.

The Concept
I'm a bit fuzzy on the details, considering it was six years ago [2003], but if ye olde memory still serves me, I came up with the basic idea for the second collection during a telephone conversation with author George Zebrowski. Unlike archived email, I'm not able to replay and quote six-year-old telephone conversations, so memory will have to do. (Maybe AT&T has the conversation archived in some illegal-wiretapping file? GeorgeZ and I may have mentioned the words "Budayeen" or "Islamic" or "Arab" in the course of our conversations about GAE!)

I had worked with GeorgeZ on his short story collection entitled Swift Thoughts (Golden Gryphon Press, 2002). During that project, and for some time afterward, we spoke quite often on the telephone. George had unlimited long distance at the time and enjoyed calling and chatting with his many author friends and editors. It was the "author friends and editors" that gave me the idea. Since GAE was no longer with us, to select the stories for his next collection, I decided that I would ask his peers -- his friends and fellow authors, and editors -- to select their favorite GAE story. And then, once they told me their favorite story, I would ask them -- as a tribute to GAE -- to write a mini introduction to the story. I wanted to first hook them on the story suggestion, and then seek their cooperation to write an intro. GeorgeZ wholeheartedly agreed to contribute, as did many others.

Happy Birthday, George Alec Effinger (Part 1 of 3)

In memory of author George Alec Effinger (January 10, 1947 – April 27, 2002), who would have been 66 years old today, I am reprinting a series of three blog posts I published in the first half of 2009. This first blog post, originally published on April 11, 2009, was only my twelfth blog post. Whether or not my novice status shows, well, I'll leave that up to you to decide, but I certainly was (and still am) very passionate about these three Effinger books in which I played a role.

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This is part one of a planned three-part blog posting on author George Alec Effinger, one part pertaining to each of the three volumes of his work that I acquired and edited for Golden Gryphon Press. In this first part, I'd like to step you through my correspondence with George leading up to the publication of Budayeen Nights, the first collection, published in hardcover in 2003 and reprinted in trade paperback this past September [2008].

I've always been a fan of George Alec Effinger's work. His Budayeen novels (When Gravity Fails, A Fire in the Sun, and The Exile Kiss) did indeed impress me, but I was more captivated with his short fiction: the subtlety of his writing, his sardonic wit, his very unique craft and range. In my opinion, George is (was) one of the most underrated and underappreciated authors within the science fiction and fantasy genre, and much of his lack of notoriety was due to his chronic illness, which affected his output over the years. By 2001, when I first made contact with George, I believe all of his published work was out of print, though all were obviously still available through the used book market. As an acquisitions editor with Golden Gryphon Press, from 1999 through 2007, I was finally in a position to do something about bringing attention to his work once again.

I knew that George surfed the Usenet groups and thus I was able to track him down in this fashion. Between late July 2001 and early April 2002, I received a total of eleven emails from George. I probably sent him three times as many in return, but I was grateful to have received the few emails from him that I did. At the time, I knew somewhat of George's medical problems and financial difficulties; what I didn't know is that, because of past due medical bills, a local (New Orleans) hospital had threatened ownership of George's intellectual property in order to recoup their expenses. Because of this, for a number of years, George only wrote stories for themed anthologies so that he would at least have some income, while refusing to write any further work involving his own characters and worlds. He should have written the fourth Budayeen novel, continuing the tale of Marîd Audran -- it's what his fans and readers were clamoring for, and the only real source of income before him -- but George didn't want the hospital's lawyers to become any wealthier off of his work, and so he continued his "for hire" writing. Fortunately, the legal case was dropped when the lawyers failed to appear for a court hearing, and George finally got his life -- and his characters -- back. But the damage was done; the best writing years of George's life were now behind him, as I would soon learn.

In my first email to George, I introduced myself and provided some details on books that I had previously edited, and then I presented a couple ideas to him. George's response, on July 31, 2001, was very brief but to the point; he wrote: "I am flattered by both your suggestions. I've been frustrated by how the whole body of my 30-years' work has already disappeared. Please let me know how I can help you in your projects."

I was so excited, I responded that very same day, but it was another month, on August 30, before I received a reply. George suggested a collection featuring "a hefty selection of my 200 stories, with introductions to each one, and calling it GAE: The White Album or GAE Live! At the Village Gate or...GAE: The Prairie Years." I again responded immediately, but a number of months went by with no word from George. In fact, I had to go through another individual in New Orleans who tracked George down and told him that he needed to contact me. I learned much later that during these months George's health and housing issues had once again returned to impact the quality of his life; he had no regular Internet access because he was being shuffled from one residence to another.

Finally, on February 25, 2002, I received an email from George. He informed me that he's "online regularly now and back to work, too," and concluded his brief email with: "Let's get to work! I could use... a good project to work on, and something to put out so that people will realize I'm still around and kicking. Typing, I mean." Even in the few short sentences contained within this communication, I could sense his new-found energy, and I was anxious to get to work on a project with him as well. Earlier, George had also suggested a collection of his Budayeen stories, and since I felt these stories had the most commercial potential, given the continued popularity of his Budayeen novels, this was the book we began work on first.

A Day in the Life with Android (Part 3)

[Updated: January 8, 2013; see the app gReader Pro below]

This blog post continues my efforts to present the Android apps I use -- and how I use them -- on my Google/ASUS Nexus 7 tablet. In Part 1 I covered hardware accessories and what I think of as business apps. Part 2 dealt with utility apps, including cloud services.

I assume that if you are still with me on this series of blog posts, then you currently own an Android device, or at least are thinking about purchasing an Android device. So, if you haven't noted this already, each app links directly to the Google Play store where you can read more about the app, including a lengthier description, a list of permissions, and user reviews; and if you are currently an Android user, you could also install the app at that time.

With this third blog post, I plan to cover all the social media and related apps that I use: Google+, Facebook, Twitter, and Google Reader; apps that support social media posts, like Skitch and Snapseed; and ebook readers: Kindle, Nook, Google Play Books, and support apps, like ED PDF Reader Pro and Calibre Library.

I realize these aren't the most exciting of blog posts, but I'm hopeful that Android users, or potential Android users, will find something of value here. These posts also allow me to indulge in my latest passion.

The official Twitter app has too many holes, so I initially used Tweetdeck Web, which I also use on my desktop and laptop. Unfortunately, it's not designed for mobile devices and was very difficult to use on the N7. And then I found Falcon Pro: a beautifully designed app that features the Google "holo" design. I've submitted a few suggestions for updates, which I hope will be addressed in the near future. If I want to view (and delete) one of my own tweets, or unfollow someone, I still have to use either Tweetdeck Web or Twitter itself.

The official Facebook app was virtually unusable until founder Mark Zuckerberg "encouraged" his employees to use the Facebook Android app -- and then multiple updates were forthcoming. Until those updates, however, I used FaceDroid, but this app would freeze quite often (and still does) so I welcomed the "new" Facebook app.

I don't use Google+, per se, but when I post to Facebook I also post to Google+. However, I do get Google+ notifications on the N7 (and Facebook and Falcon Pro notifications as well), which keeps me informed of incoming posts.

On a daily basis, I read a ton of blogs, forums, RSS feeds, etc., so I need an RSS reader that will sync across all devices; the obvious answer is Google Reader. But, GR on the web is nothing more than a list of feeds and the official GR app is just as dreadful (it hasn't been updated since the Nexus 7 was shipped in mid-July 2012). I use Feedly on the web, an excellent RSS reader, which integrates with Google Reader; but the Feedly Android app crashes on my N7 constantly, nearly every time I access a link within a feed. (To recover from the crash I have to either reboot the N7 or go into the app's settings and delete all data.) But then I read a lengthy, detailed review of the gReader Pro app on Android Police -- and gReader Pro has since become my preferred RSS reader on the N7. (It's optimized for use on tablets, too.)

[Update: Yesterday, the Feedly app had its first update since last July; the update includes some UI changes as well as bug fixes. I have used it now for about a half-hour, accessing various links, and not a single crash -- so far. The wonder (and frustration) of Android, as I previously mentioned, are the updates: sometimes one waits for six months for such an update, as with Feedly; other times an app can be updated daily, or even multiple times during the day: the app may have worked perfectly on your device to start with, but after an update, not so much anymore.

So I have set aside gReader Pro for now and returned to using Feedly, which had been my favorite RSS reader (crashes aside).]

When a photo needs an extra touch -- a border, annotation, essentially any kind of photo editing -- then Skitch or Snapseed will meet those needs. Skitch, from the makers of Evernote, has sketching capabilities as well as picture editing; and before being ported to Android, Snapseed was the 2011 iPad App of the Year. (Please forgive my indiscretion for mentioning the "i" device.) The photos from either app can then be shared with social media apps, Evernote, cloud services, etc.

A Day in the Life with Android (Part 2)

In Part 1 I reviewed the hardware accessories for my Nexus 7 tablet, as well as one set of apps that I use for work; let's call them my "business" apps for now. Though the dividing line as to whether an app is business or entertainment can be blurry at best, given the nature of some of these apps....

With this blog post I want to cover the utilities that I use on a day-to-day basis. Again, in most instances, they can be used for both business and entertainment.

As is the case with Chrome and Gmail, mentioned in Part 1, many of these apps can be installed in some fashion as both an Android and a Windows app, allowing them to be synced across all devices. In a lot of ways, it's like having my desktop and laptop at my fingertips wherever I'm at, as long as my Nexus 7 is in hand (and a wireless connection is available).

Pocket, formerly "Read It Later," is one of those essential apps that appears regularly on "best of" lists. Pocket allows you to save a website, or just the URL, or a tweet, or blog post, or -- pretty much anything -- with the ability to read it later, WiFi connected or not. I also have the Pocket Windows add-on installed on the Chrome browser on my desktop and laptop: I can save an online short story to Pocket on my desktop and read it later on the Nexus 7.

Evernote is like One Note in Windows 7, but far less complicated, and thus easier to use; and, unlike One Note, Evernote can be installed and synced across all devices. Any text and graphic can be saved to Evernote; it's for notetaking, lists, essays, drafts, whatever.

Clipper - Clipboard Manager stores my 20 most recent clips, or copies, so that nothing is lost from the clipboard. The clips can then be stored in lists with an unlimited number of clips; clippings can be searched; and, under Android Jelly Bean, the clipboard manager is accessible from the notification bar.

With the N7 I can make outgoing telephone calls and send SMS text message; however, since it is not a mobile phone, the N7 cannot receive calls. I use Talkatone free calls & texting. Talkatone also requires a free Google Voice account for incoming calls: if a voice call is sent to my N7, the call gets routed automatically to another number of my choice that is able to accept incoming calls (this number must be provided when the Google Voice acct is set up); if a text msg is sent to my N7, it is automatically routed to my Gmail account.

Battery Widget? Reborn! Pro and Easy Battery Saver: I use these two apps to manage my battery usage. The N7 battery, at least in my few months of experience, requires frequent battery charges, so I rely on Easy Battery Saver to monitor and control the battery usage, and the widget to keep me informed of same. The widget maintains a graph in the notification bar, showing usage and hours remaining or charging time.

A Day in the Life with Android (Part 1)

[Updated: December 29, 2012; see below under "Apps/Swype keyboard."]

If you read my September 21 blog post, then you know that a few months ago I purchased a Google Nexus 7 tablet (built by ASUS).

I haven't been very active on this blog since that purchase, and when I'm not working on book projects¹ to pay the bills, I'm probably attached in some fashion (my wife would probably say "umbilically") to the Nexus 7.

My goal is to be able to perform all work-related activities on the N7. A lot of that ability is dependent on the quality and performance of the apps that I use. I'll install an app that will work perfectly, and then after the next update (and some apps are updated often, even daily at times), possibly the app won't even open on the N7. It's the nature of Android: developers attempting to make their apps compatible with dozens (hundreds?) of devices, running various levels of the Android operating system (OS), and from a multitude of manufacturers.

My N7 has the latest (and not always greatest) "Jelly Bean" (JB) OS, version 4.2.1. That point-1 update occurred just last month, and since then the device's Bluetooth functionality has been erratic. This is a known issue. Unfortunately for me, Bluetooth capability is critical to my end goal.

Hardware

1. When I need to do some serious input, I use the Logitech 920-003390 Tablet Keyboard for Android 3.0 Plus and the Targus Bluetooth Comfort Laser Mouse AMB09US. The keyboard is full-size with an excellent "feel," and the case flips open to serve as a stand for the tablet.

But when the N7's Bluetooth keeps dropping the keyboard (re: see above known issue), well, not a lot of serious work gets done. The tab's onscreen "Swype" keyboard (more on this in a bit) is fairly fast, but still error prone, and I also have a tendency to fat-finger the screen -- so a keyboard is a necessity.

2. To avoid the onscreen fat-finger effect, I often use the amPen New Hybrid Stylus. I would be lost without this stylus at times (especially playing the CrossMe Color game!) and it is compatible with all capacitive touch screens. The stylus has a plastic anchor that fits in the audio headphone jack on the N7 so you never have to worry about setting the stylus down and then forgetting where you set it.

3. And lastly (for now): When I end up in an AC outlet-deprived environment and the N7's battery is running low, I have the IOGEAR GMP10K GearPower Ultra Capacity Mobile Power Station -- great for powering a phone and tab simultaneously.

A "True Review" of Alien Contact

Whispers in the night... quiet words spoken amidst the rampaging hordes of vampires, werewolves, zombies... and superheroes.

Only a few of us, now, speak -- albeit resolutely -- of our Alien Contact experience. Of the stories therein, and their impact on our collective psyches, our thoughts, our visions of what is, what could be....

Recently, another spark of light has emerged from the darkness to wield its mighty words in approbation of this tome of some of the best stories from the past 30 or so years: 'zine True Review, edited by Andrew Andrews, reviews Alien Contact in its current issue (No. 82, Vol.25, Oct. 2012).

The review is brief, considering that the anthology contains 26 stories, but recognition in any size or shape is always welcome. The review highlights 10 of the stories; here's what Andrew had to say about Neil Gaiman's "How to Talk to Girls at Parties":

Two London blokes find out about a party coming to town like no other, with beautiful women who seem, well, kind of odd. But the guys want one thing only: to get to know the girls with perhaps some extended "benefits." Everything goes as planned until the dudes realize THESE women aren't of this world.

And Ursula K. Le Guin's "The First Contact with the Gorgonids":

Jerry and Annie Laurie Debree, tourists from a plastics conference in Australia, make it to Grong Crossing, one of the most unlikely places for humans to make first contact with aliens. But for these arrogant and ignorant tourists, fame will come, whether they like it or not.

For more of the review, please check out True Review.

Writing 101: Self-Editing Notes and Resources

This weekend (November 2-4) I will be participating in the first Convolution convention, to be held at the Hyatt Regency San Francisco Airport Hotel in Burlingame, California. So if you just happen to be in the neighborhood, please do stop by and join the festivities.

I am moderating a panel on "Self-Editing" at 6:00 PM on Saturday (tomorrow) in the Sandpebble-A room. While reviewing notes, online resources, etc. in preparation for this panel discussion --

I decided to write down these notes and links and such here, on More Red Ink, as a way of gathering my thoughts, and providing a virtual resource to the panel attendees. This way I can simply point the audience to this blog post and not have to worry about spelling out web links, names, and such during the actual panel discussion.

So, let me begin by saying that what follows are strictly notes, quotes, links, bullet points, etc. No fancy paragraphs and flow; these are literally reference notes for the panel discussion. However, if you are a writer, then by definition you are a self-editor, and you may find some of what follows of interest in your pursuit of perfection and publication.

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Recommendation:

Self-Editing for Fiction Writers, Second Edition: How to Edit Yourself Into Print by Renni Browne and Dave King (William Morrow Paperbacks).

Update: 11/05/2012.
As I was gathering my notes for the panel, I realized I neglected to include one of the best writing books ever:
On Writing: 10th Anniversary Edition: A Memoir of the Craft by Stephen King (Scribner).

I know writers who reread this book once every six months or so, just to be inspired once again.


References:

Alan Cooper's List of Homonyms: words that have the same sound and often the same spelling but differ in meaning; a wonderful list of homonyms, but the list is old (1997) -- though words don't really change, do they.


Eclectics.com: "Self-Editing" by Lori Handeland.

Self editing is a very important aspect of re-writing. It is the last thing a writer does before sending the manuscript off to their agent or an editor. I look at self-editing as a final housecleaning chore. Not a lot of fun in itself, but don't you feel good when you're done?

I always do a final edit with a hard copy. There are so many things you won't see by reading your manuscript off a computer screen--beside the problem of going blind from reading an entire book that way. The printed word needs to be read, as it was meant to be read, on paper, so you can see the mistakes--and hear any with your inner ear. There is a flow that comes with a well written, well rewritten, well edited manuscript that you can hear when you read it. You must also be able to see your work as an editor or agent will see it. Too much introspection or narrative all in a row with no breaks for dialogue or adequate paragraphing makes a reader skip ahead for some excitement. Sometimes you don't notice this until you read your hard copy in the self-editing stage.

1. Are you telling instead of showing?
2. Are you establishing your character gradually and unobtrusively?
3. Is your point of view consistent?
4. Are your dialogue mechanics sophisticated? (reflect adequate knowledge of proper writing technique)
5 Have you checked for breaks?
6. Have you checked for unintentional repetition?
7. Have you checked for sophistication throughout the novel?
8. Have you checked your general mechanics?

Each bullet point has excellent content with examples.

Dorchester Publishing May Be Looking for You!

Earlier this year, Dorchester Publishing closed its doors and sold approximately 1,000 titles to Amazon.com.

Dorchester is now trying to transfer rights back to authors, but they have a huge list of authors for whom they have no contact information. You may be on this list -- or you may know someone who is and could put them in touch with Dorchester. Here's what the publisher has to say:

Thank you for your support over the last 75 years.

At this time, we are completing the reversion process, transferring all titles back to their respective authors. Though we have made great strides, our research has uncovered a number of authors for whom we have no contact information. In addition, there are a number of titles without corresponding authors. To complete this reversion process, we will need your help.

So check out Dorchester Publishing's full list of authors and titles. You just may be on that list.

Note: A lot of the authors are deceased, so agents and estates need to review this list as well.

(Thanks to @StaciaKane and @galleycat.)

How to Survive an Atomic Bomb...

A January 1951 advertisement from the Mutual of Omaha insurance company, courtesy of "v. valenti" on flickr, and boingboing.net:

The flickr link above provides a much larger image.

You gotta love this text in the header: "GAMMA RAYS VIRTUALLY HARMLESS OVER 7000 FT."

I assume this type of propaganda was initiated by the government to give the population a false sense of hope that an atomic attack was, in fact, survivable simply by following this "duck and cover" procedure. Mwa-ha-ha-ha-ha....

Charles Stross and Five Loads of Laundry

I'll begin with a couple references to previous blog posts: the first post details my work on Charles Stross's The Apocalypse Codex, book four in his Laundry Files series, for Ace Books. The second post excerpts, and links to, a couple reviews of this novel.

In the intervening two months since that second blog post, The Apocalypse Codex has again been reviewed a number of times, and I would like to share with you a brief excerpt from just five of those reviews, in order of their publication. So, if you haven't picked up a copy of TAC as yet, if you're still undecided whether the Laundry Files novels are for you, then please read on; hopefully these reviews will help you decide that this series of books, and The Apocalypse Codex in particular, are a must read (and a must have).

I'll begin with the review by NancyO on oddly weird fiction (subtitled: "the fantasy, sci-fi and other weird books from my reading year"). What's so very cool about this particular review -- especially if you are new to the Laundry Files series -- is that NancyO reviews all four books in the series. So instead of focusing on TAC, I would like to quote from the introduction to her review:

There's something to be said about a guy who can combine HP Lovecraft, various writers of spy fiction, computer geekness and a little of the management nitwitedness of Office Space and come up with a series of consistently good novels that incorporate all of the above.... Along the way he throws pointed barbs at iPhones, cults, Power Point presentations, evangelical Christians, handguns and other sources of irritation -- all of which come off as funny, but only because you realize that some of the things he pokes sarcastic fun at resonate with your own fears, peeves, and annoyances. This guy is Charles Stross, who is the author of four books that comprise The Laundry Files, one of my favorite series of novels ever written. If you'll pardon the expletive, I don't know he manages to keep coming up with this amazing shit -- each book is different, sending the main character Bob Howard, computational demonologist, into perilous adventures as he and the Laundry, the super-secret civil service organization Bob works for, prepare to save humanity from the onslaught of CASE NIGHTMARE GREEN -- an apocalypse arriving from the multiverse. The people at the Laundry have developed some very modern and secret technologies that combine the most high-tech electronics with the occult to keep Bob and others like him safe to defend the world -- all based on magic as a form of mathematics. These novels remind me of old-time adventure stories with a hopped-up occult/geek/horror twist that for some reason unknown to myself I just can't seem to get enough of.

I couldn't have asked for a better recap of the Laundry Files series. And as I said, NancyO goes on to review all four books in the series.

This next review of TAC is on mentatjack (subtitled: "sff book reviews and subversive ontology"). MentatJack writes:

Stross likes to play with point of view.... At the start of The Apocalypse Codex, Bob Howard (protagonist) is established formally as an unreliable narrator:

If it happened to me, I'll describe it in the first person... If it happened to someone else I'll describe it in the third person… And if there's something you really need to understand... I'll [use second person.]

Bob tells us that in the prologue and then we're dropped immediately into a 3rd person section.... The super spy, Persephone, gives us a glimpse of what Bob is being trained to be.

Bob's accelerated training is a big part of the British defense against the future and it'll be interesting to see how Stross handles the inevitable "hell on earth" he’s forecasting. He does a great job with his central characters and the bits of insanity they encounter, but there's a distinct fog of war hovering over the rest of the world these stories are set in.

The Apocalypse Codex isn't your typical spy novel, or Lovecratian novel, or geek/hacker novel, or any combination thereof, simply because of the style in which it is written, which is dependent on the point of view of the content at any point in the story: first person, second person, and third person.

CrossMe Color app for Android

I have been remiss in posting on More Red Ink over the past few weeks. And therefore I must confess: I have become an addict. Yes, you read correctly! I have become addicted to an Android app, a game, called CrossMe Color on my Nexus 7 tab.

The game is available from Google Play and the Amazon App Store, and probably wherever else one might purchase Android apps. The cost for such an addiction is a mere $4.95; but let it be known that my addiction came to me free of charge: CrossMe Color was Amazon's free app of the day a couple weeks back.

I'm only on level two (Ashigaru), but there are eight levels (level eight being Shogun, or Expert, level) for a total of 150 puzzles.

The object of the game is to fill in the appropriate number of squares with the appropriate color, matching color and number of squares both horizontally and vertically. Here's the opening screen of the puzzle I just completed in level 2; this one is 25 by 25 squares, but many of the puzzles are rectangular.

It actually looks more difficult than it really is, at least at this level; though a couple of the puzzles, so far, have been fairly trying. This one only has three colors, but I completed one just the other day that had five colors. Here's the completed puzzle:

Note: Should you care to share in my addiction struggle, be sure to purchase the "Premium" $4.95 version of CrossMe Color. Otherwise, you will be sorely disappointed to discover the lack of color...regardless of the word "Color" in the title.

By the way, I tend to keep the sound off on my N7 when playing this game, but you might want to leave the sound on for the traditional Japanese music that accompanies the game play. And lastly, the developers promise future updates -- with more puzzles.

If you seriously want to check out this game, you can "test drive" it on the Amazon App Store.

Here's one more screen: a completed puzzle from the Expert level. I didn't complete this myself, rather I snagged the graphic from Amazon:

And when I'm not playing this game, or doing real work to pay the bills to allow me to play this game, I've been reading a dozen or so Android-related blogs and forums and ezines, trying to learn this new OS.

Harper Voyager to Accept Unagented Manuscripts for Two Weeks in October

This is not something I typically post in and of itself; rather it would be more appropriate for my month-end Links & Things roundup. However, if I wait until the end of September (considering that I haven't tackled the lengthy August Links & Things as yet!), there would be insufficient time for readers to act. So... this information is courtesy of mediabistro.com's @galleycat email newsletter:

Publisher Harper Voyager, "the global science fiction and fantasy imprint of HarperCollins," will accept unagented -- and complete -- manuscripts for two weeks in October: from October 1 until October 14.

Note that manuscripts are being accepted during this two-week period for "digital publication." Here's more:

The manuscripts will then be read and those most suited to the global Harper Voyager list will be selected jointly by editors in the USA, UK and Australia. Accepted submissions will benefit from the full publishing process: accepted manuscripts will be edited; and the finished titles will receive online marketing and sales support in World English markets. Voyager will be seeking an array of adult and young adult speculative fiction for digital publication, but particularly novels written in the epic fantasy, science fiction, urban fantasy, horror, dystopia and supernatural genres.

The link above provides submission guidelines: please read these carefully and completely. Harper Voyager has even provided an online "submissions portal," which is not yet active, and probably won't be until October 1.

So finish up those manuscripts, and be sure to at least spell check your work! You have a wee bit more than 4 weeks until that cutoff date.

One final note: I have absolutely no connection whatsoever with Harper Voyager -- but should they be in need of an experienced editor, line editor, copy editor....

September 11, 2012

Politics may divide us, but there are always those who will hate us specifically because we can and do argue so openly with one another. Freedom – especially of speech – has always been anathema to dictators, tyrants and ideologues. Let's not forget that on this of all days.

—Dani Kollin

---------------
Dani Kollin, along with his brother Eytan, is the author of The Unincorporated Man, a Tor Books SciFi Essential book, which went on to win the 2010 Prometheus Award for Best Science Fiction Novel of the year. Their second and third novels, The Unincorporated War and The Unincorporated Woman, were also nominated for the same award. The Unincorporated Future, fourth in the series, was published in July 2012.

"...think of Neil Armstrong, and give him a wink."

One Giant Leap for Mankind....

Neil Alden Armstrong

(August 5, 1930 – August 25, 2012)

Does Google Dream of Electric Sheep?

"Nexus 6 Replicants" graphic by Superior Graphix

I got the urge recently to reread Philip K. Dick's Do Android's Dream of Electric Sheep? as it's been about 20 years since I last read this wonderful novel. It's so much different than the movie Blade Runner, which is based on DADOES?

The novel doesn't have the visual impact of the movie, nor does it have the manic emotions and level of violence of the movie. The novel is a completely different [reading] experience -- and if you are a fan of the movie and have not read the novel, I encourage you to do so.

But the novel notwithstanding, I am a huge fan of Blade Runner and, in fact, I own three versions of the movie: the original version with the voice-over (on video), the Director's Cut and the Final Cut (both on DVD). One of my favorite scenes: following the fight between the replicant Roy Batty (Rutger Hauer) and Rick Deckard (Harrison Ford), on the rooftop, after Batty saves Deckard, when Batty could have easily just let Deckard fall to his death below. Batty, with symbolic white bird in hand, says to Deckard (and to everyone):

"I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I've watched C-beams glitter in the dark near the Tannhauser Gate. All those moments will be lost in time, like tears in rain. Time to die."

PKD was offered $400,000 to write a novelization of the movie, but he refused, stating that the novel would remain as is and there would be no novelization. Now, to put that $400,000 in perspective: Since the film was released in June 1982, let's assume that the novelization offer was made in 1981. According to DollarTimes's inflation calculator, the inflation rate since 1981 is 3.15%; so $400,000 in 1981 is equivalent to $1,045,988.41 (let's not forget the 41 cents!) in 2012.

So, my question to you: Would you be willing able to turn down a million-plus dollars to maintain the integrity of your novel, your writing? Sorry, but I don't think so, not in this day and age of me, me, me....

In the end, in 1982, Del Rey Books released a mass market paperback movie tie-in version of the novel, featuring the Blade Runner title and promo poster on the cover, with the subtitle -- Do Androids Dream of Electric Sheep? -- in parenthesis. And on the copyright page the following blocked text was added:

July Links & Things

The past five or so weeks have been very busy for me -- but having work to do is always a good thing: it helps to pay the bills. I completed a developmental edit on a manuscript for an unpublished author; I completed a line and copy edit on reprint anthology The Apes of Wrath for Tachyon Publications (edited by Rick Klaw); and lastly, I completed a comprehensive line and copy edit (and some content editing as well) on Kameron Hurley's Rapture, the final volume in her Bel Dame Apocrypha series, for Night Shade Books. Oh, and for my own personal reading (which occurs so seldom anymore), I read the omnibus edition of Wool by Hugh Howey -- one of the finest works of post-apocalyptic SF that I have read in years. I don't recall any typos at all, though there was the occasional dropped word, missing hyphenation, etc., but that's it. Imagine that -- and a self-published book, too!

I also attended Readercon in mid-July; there are aspects of Readercon that I truly enjoy, but too much of it is simply cliquish and pedantic -- and thus not my personal preference; but I attend roughly every other year for the sole purpose of seeing friends whom I would not ever see otherwise. But, it turned out that this year's Readercon wasn't so typical after all, as a lot of controversy ensued afterward. Just search for "Readercon controversy" in any search engine and you'll find enough links. Or, you could check out John Scalzi's blog post: he links to a list of "Readercon controversy" posts, and provides his own personal view on convention harassment. Bottom line: the Readercon board of directors reversed their initial decision regarding a Readercon attendee, and they have all resigned from their positions as directors. You can read the official public Readercon statement.

Now to resume my regularly (albeit late) scheduled programming: This is my monthly wrap-up of July's Links & Things. You can receive these links in real time by following me on Twitter: @martyhalpern; or Friending me on Facebook (FB). Note, however, that not all of my tweeted/FB links make it into these month-end posts. As with prior months, June was a busy month, so there is a lot of content here. Previous monthly recaps are accessible via the "Links and Things" tag in the right column.

• If you are a Facebook user -- and a writer -- you may want to add the following group to your FB profile: OPEN CALL: SCIENCE FICTION, FANTASY & PULP MARKETS. The majority of posts are made by Cynthia Ward, publisher of Market Maven, but anyone can post an open call for genre submissions. There have been a half-dozen posts already today, which is fairly typical.

• I recently critiqued a couple stories for a "new" writer, after which he contacted me about ways he might improve his grammar. I recommended that he read works by a few specific authors, one of which was Lucius Shepard. Shortly thereafter I read a blog post by Michael Swanwick (another author whose work I would highly recommend) in which he quoted a lengthy paragraph written by Lucius Shepard; in this paragraph, a tyrant's son restores a dragon skull. The paragraph is approximately 160 words, and includes very few adjectives and only two adverbs. As Michael says about the paragraph: "Beautiful stuff, eh?"

• On Salon.com: In an article entitled "Thank you for killing my novel," author Patrick Somerville explains how the New York Times "panned my book, then had to correct the review to fix all their errors"; he then shares the email communication one of the book's characters (yes, that's right, a character from the book) had with an NYT editor. (via Curt Jarrell's Facebook page)

• I do a lot of copy editing in my line of work, and if you've ever wandered just what a copy editor does -- a good copy editor -- then read this next link and be amazed: courtesy of Angry Robot Books (@angryrobotbooks). (also via Curt Jarrell's Facebook page)

Firefly-class Serenity

"They" say a picture is worth a thousand words, but in this case, this one photo is simply not enough to do justice to this amazing wonderwork: a minifig-scale model of the Serenity spacecraft created with Legos. That's right, boys and girls: Legos!

This model was recently featured on io9:

The designer is 37-year-old Adrian Drake. According to Adrian, the model took 475 hours to build over a span of 21 months; it measures 7 feet 2 inches in length, weighs 135 pounds, and contains approximately 70,000 lego pieces. Adrian states that he spent $800.00 specifically for the model in addition to the "many many many thousands of dollars I've spent on Lego over the years."

Adrian debuted the Serenity on August 4 at Brickfair in Chantilly, Virginia. And to get a sense of the size of this model, you need to see this picture, taken at the Brickfair:

But even this photo doesn't do this masterpiece justice -- because... the interior features the bridge (in fact, Wash has his toy dinosaur to hand), crew accommodations, the dining room, and cargo bay, plus Inara's shuttle. And, the cargo bay and Firefly drive light up.

Seeing is believing: Adrian has posted a 31-photo Flickr set entitled "Serenity Construction," and the coup de grâce: a 75-photo Flickr set featuring a look at the finished model, inside and out, from every angle imaginable.

Please do check out these 106 photos, which showcase Adrian Drake's Serenity.

Now, who's for getting out their Lego sets?

More Alien Contact Anthology PR

Michael Swanwick, author of the story "A Midwinter's Tale," doing his best PR routine for Alien Contact at Readercon, Burlington (Boston), Massachusetts, Friday, June 13, 2012. [Note the stack of ACs on the table next to Michael!]

And speaking of PR:

If you are interested in reviewing the Alien Contact anthology, please contact me: you can post a comment below or, if you would prefer a private email, just click on "View my complete profile" for a link to my email addy. I can provide a print copy, a PDF file, a Kindle ebook, or Nook/Sony/Kobo ebook. In your comment or email, please include a link to your book review site or, if you review for another resource, a link to one of your reviews. And if you have any questions, you now know how to contact me.