"One" by George Alec Effinger (Part 1 of 3)

As I mentioned in my previous blog post, if there was one previously published story that I would have included in my original anthology Is Anybody Out There? (co-edited with Nick Gevers, Daw Books, 2010), that story would have been "One" by George Alec Effinger.

In a posting to Usenet group "rec.arts.sf.written" on December 13, 1998, George wrote: "...the most difficult short story sale I've ever had was a piece called 'One,' which I wrote almost twenty years ago.... It was rejected by editors who thought... it would be an unpopular idea among their readers. It was bounced at 'Isaac Asimov's' by three different editors over the years."

The "unpopular idea" to which George referred is that we are, in fact, alone in the universe. Readers want to read about aliens, and alien contact—not that the galaxy is completely void of other intelligent life, or any life, for that matter. What kind of story would that make, anyhow?

So GAE's "One" remained unpublished for nearly 20 years until it was finally purchased in 1995 by noted SF author Greg Bear for his New Legends anthology, published by Legend Press UK. And there the story remained until 2001, when Orson Scott Card selected it for his reprint anthology, Masterpieces: The Best Science Fiction of the Century.¹ And, lastly, I included "One" in George Alec Effinger Live! from Planet Earth, a collection (the second of three) of his work, which I acquired and edited for Golden Gryphon Press in 2005.² The story was introduced in the book by Barbara Hambly, George's ex-wife and executrix of the Effinger Estate.

Here is Ms. Hambly's introduction to "One" from George Alec Effinger Live! from Planet Earth:

Like a meditation returned to over and over—or a recurring dream—George revisited the image of a lone man trying his best to perform an assigned task that is both impossible and meaningless, and getting no thanks or support for his efforts. Sometimes these stories are ironic, like "King of the Cyber Rifles," sometimes bleakly funny, like "Posterity."

I suspect this was how George viewed himself and his work.

But "One" rises far above that.

I can think of no other science fiction writer who would tell a story so completely antithetical to the whole concept of science fiction. The genre is based, almost as a given, upon the fact that there is life, civilization, intelligence out there: sometimes benevolent, sometimes hostile, sometimes completely incomprehensible...but there. It is a literature of hope.

It is a literature of "What if...?"

But what if we are alone?

What does that do to hope? To sanity?

George had this story in his files for twenty years before Greg Bear bought it for his New Legends anthology, I think for precisely that reason: in the 1970s it was an almost unaskable question. George was absolutely delighted when it finally sold.

Science fiction is a genre of possibilities, of humanity meeting and dealing with unthinkable situations.

This one's about as unthinkable as they get.

—Barbara Hambly

And now, for only the fourth time in nearly 20 years—and with the most gracious and kind permission of Barbara Hambly and the George Alec Effinger Estate, I bring you, in three serialized parts...

"One" Is the Lonliest Number....

Frank Drake, Seth Shostak, former SETI Institute director Jill Tarter, Astronaut Tom Jones, science fiction author Robert J Sawyer – these are just a few of the luminaries that were on hand for the SETI Institute's second SETIcon, held at the Santa Clara (California) Hyatt, from June 22 to 24, 2012.

I had made arrangements to sell copies of my two anthologies – Alien Contact (Night Shade Books, 2011) and Is Anybody Out There? (DAW Books, 2010) – through the SETI Institute store in the exhibitors room (actually, more like a ballroom!). So I was on hand all three days – and I mean all three days, from opening until closing – during which I chatted with attendees and, in the process, managed to sell a few copies of the books.

One of the exhibitors was the Astronomical Society of the Pacific, from whom I snagged a few back issues of their newsletter Astronomy Beat. The April 5, 2010, issue (Number 46) features a cover story entitled "The Origin of the Drake Equation."¹

Having co-edited (with Nick Gevers) anthology Is Anybody Out There? – stories based on the Fermi Paradox² – my interest in the Drake Equation is more than just a passing fancy. And to see Frank Drake up close and personal, as it were, well, it's like being in the same room with one's favorite actor, or musician.

According to Astronomy Beat, in the summer of 1961, J. Peter Pearman, a staff officer on the Space Science Board of the National Academy of Science, contacted Frank Drake about a meeting of the minds "to investigate the research potential" for "discovering life on other planets." Noteworthy scientists, researchers, and inventors were then invited to the meeting. Here's an excerpt from Frank Drake and "The Origin of the Drake Equation."

I took on the job of setting an agenda for the meeting. There was no one else to do it. So I sat down and thought, "What do we need to know about to discover life in space?" Then I began listing the relevant points as they occurred to me.

[...]

I looked at my list, thinking to arrange it somehow, perhaps in the order of relative importance of the topics. But each one seemed to carry just as much weight as another... Then it hit me: The topics were not only of equal importance, there were also utterly independent. Furthermore, multiplied together they constituted a formula for determining the number of advanced, communicative civilizations that existed in space.

The result of Frank Drake's list was, of course, the Drake Equation:

I'm not going to define each of the variables in the equation at this time, but you will see this equation again soon.

Benevolent (Close Encounters of the Third Kind) or deadly (Independence Day), contact with the alien "other" is one of the basic themes of science fiction. And we as readers and moviegoers thrive on this content. The basic premise of Is Anybody Out There? is that we are not alone, but that we haven't quite figured out ET's mode of communication. And/or we haven't yet learned what is important to ET to intrigue them enough to even want to make contact with us mere Earthlings. That is what the stories in IAOT? explore.

But the Fermi Paradox and the Drake Equation bring to mind another story by one very special author, George Alec Effinger who, alas, is no longer with us. The story is called "One." I would have loved to have included this story in Is Anybody Out There? as the antithesis of the anthology's theme, but all the included stories were written expressly for the book, and "One" was previously published in 1995.

I will leave you, for now, with this question:

What if we really are alone in the universe: How far would you go in search of that truth?

[Read the story "One" by George Alec Effinger]

---------------
Footnotes:

1. The excerpt entitled "The Origin of the Drake Equation" was adapted and updated for Astronomy Beat from Is Anyone Out There? The Scientific Search for Extraterrestrial Intelligence (Delacorte Press, 1992) by Frank Drake and Dava Sobel.

2. From author Paul McAuley's Introduction to Is Anybody Out There? co-edited by Nick Gevers and Marty Halpern (Daw Books, 2010): "The galaxy contains between one hundred billion and four hundred billion stars: even if only a small fraction possess planets capable of supporting life, and technological civilisations arise on only a few of those life-bearing planets, there should still be a large number of civilisations capable of communicating with us. And although the distances between stars are very large, and even if exploration of the galaxy is limited to speeds below that of light, exponential multiplication of interstellar colonies would mean that a determined star-faring civilisation would be able to visit or colonise every star in the galaxy within 5 to 50 million years, a trivial span of time compared to the lifetime of the galaxy. From these basic assumptions and calculations, Fermi concluded that Earth should have been visited by aliens long ago, and many times since. But where was everybody?"

One additional note: Seth Shostak, the SETI Institute's senior scientist, is author of Confessions of an Alien Hunter: A Scientist's Search for Extraterrestrial Intelligence (National Geographic, 2009).

June Links & Things

This is my monthly wrap-up of June's Links & Things. You can receive these links in real time by following me on Twitter: @martyhalpern; or Friending me on Facebook (FB). Note, however, that not all of my tweeted/FB links make it into these month-end posts. As with prior months, June was a busy month, so there is a lot of content here. Previous monthly recaps are accessible via the "Links and Things" tag in the right column.

• Mediabistro's @galleycat recommends that writers try SmartEdit, a free software program. No, this program won't edit your manuscript, but it will find clichés, along with overused words and phrases. The link showcases a SmartEdit of The Wonderful Wizard of Oz by L. Frank Baum. I've tested the program on a couple short story manuscripts, which revealed little of interest; but I'll be using it shortly on a novel I am editing.
• Speaking of editing: Guest blogger @JaneFriedman shares an interesting piece [hint, hint] entitled "How to Influence Editors in a Way That 90% of Other Writers Don't." Jane writes: "One of the most important qualities of successful people I know (regardless of profession) is that they understand what motivates the people around them. Some authors—even though they are experts in understanding the hearts of their characters—forget to look into the hearts of editors and agents.... Well, how do you win anyone over? You start by listening and showing you understand." (via @RachelleGardner)
• I found this next link via the Facebook page of Testy Copy Editors [And though it's not my page, I certainly would qualify!]: From CNN.com comes "Why 'Amercia' needs copy editors.": "But most important is that a copy editor stands in for the reader, gingerly reshaping, clarifying and correcting things before the reader can see them and post an excoriating comment. But more and more publications are laying off their copy editors, replacing them with Web designers or more reporters, or with nothing."
• In past "Links & Things" I've included links to blog posts by both Kristine Kathryn Rusch (@KristineRusch) and @DeanWesleySmith, both of whom post regularly on the business of books and publishing. In a recent "Business Rusch" post, Kris tackles the difference between traditional publishing and indie publishing, or, as she words it: the difference between "hurry up and wait" and "wait and hurry up." This latest Business Rusch post has more than 75 comments, too.
• After reading "The Business Rusch" above, you might want to read this post on duolit entitled "8 Questions to Ask Yourself Before Deciding to Self-Publish," by guest poster @AndrewGalasetti: 1) How will my readers benefit? 2) Do I mind the long wait for traditional publishing? 3) If so, is it because I'm impatient? 4) If so, will my impatience negatively impact the quality of my writing? 5) What skills do I possess? 6) What skills can I outsource? 7) How will I outsource these skills? and 8) How bad do I want it? You'll find the details at the link. (Via Hugh Howey's FB page; see my May Links & Things for more on Hugh Howey's self-publishing success.)

"Today we celebrate our independence day!"

Good morning. Good morning. In less than an hour, aircraft from here will join others from around the world, and you will be launching the largest aerial battle in the history of mankind.

Mankind, that word should have new meaning for all of us today.

We can't be consumed by our petty differences any more.

We will be united in our common interest.

Perhaps it's fate that today is the 4th of July, and you will once again be fighting for our freedom. Not from tyranny, oppression, or persecution, but from annihilation. We're fighting for our right to live, to exist. And should we win the day, the 4th of July will no longer be known as an American holiday, but as the day when the world declared in one voice:

"We will not go quietly into the night!
We will not vanish without a fight!
We're going to live on, we're going to survive."

Today we celebrate our independence day!

—President Thomas J. Whitmore
    July 4th, 1996

Reviewing the Apocalypse

I've thoroughly enjoyed reading Stross' 'Laundry' series for years now and seeing how Britain's brave secret agents fight creatures from extra-dimensional space whilst dealing with the latest round of meetings and Civil Service budget cuts. Having worked in government I find this really funny because it's true (the bureaucracy I mean, not the extra-dimensional creatures...)

—Graeme Flory, Graeme's Fantasy Book Review

Earlier this year, on January 27, I posted a blog update entitled "Doing Charles Stross's Laundry with Style," in which I wrote about working on the author's newest Laundry Files novel, The Apocalypse Codex, for Ace Books. And, specifically, that the publisher required that I provide a Style Sheet along with the edited manuscript.

The Apocalypse Codex will be published this month and the reviews are starting to appear. All very positive, so far....

I opened this blog post above with a quote from Graeme Flory's review on his Fantasy Book Review blog. Here is another snippet from his review:

...Stross appears to be of the mind that he is done explaining all the technical stuff that underpins this setting....We've had a few books for it all to sink in and now it's time for the plot itself to have some room to breathe. It's a great move on Stross' part; his plots are normally brimming over with cool stuff anyway but the extra room allows things to ramp up to another level.

And Graeme concludes his review with:

...there are still some nasty surprises in store to trap unwary characters and make The Apocalypse Codex a book that you simply have to finish. My only regret is that I finished the book too quickly and now I have to wait for ages until the next installment.

I suspect every author would like to read a review of their work end like that!

The second review is from Elias F. Combarro (@odo), whose name you may recognize on this blog. In a blog post on May 9, I linked to Odo's review of my Alien Contact anthology on his Spanish-language blog Sense of Wonder. If Spanish isn't your thing, Odo also now posts all his reviews in English as well. As a follow-up to his review, Odo also interviewed me about a week later. I've included a link to the interview in that previous blog post as well.

But back to The Apocalypse Codex -- Odo writes in his review on Sense of Wonder:

I found The Apocalypse Codex a bit closer to urban fantasy than the previous books in the series, and some parts even reminded me of The Magician King by Lev Grossman and Kraken by China Miéville. The plot is tighter, more interesting and easier to follow than some of the other novels of The Laundry Files.

And the last paragraph of his review ends with a dire warning:

All in all, The Apocalypse Codex is possibly the best novel of The Laundry Files (and my favorite book of 2012 so far, together with Existence by David Brin) and that is a lot to say. Buy it. Read it. You don't know when CASE NIGHTMARE GREEN will happen and you'd better be prepared.

Orbit Books, the U.K. publisher of TAC, has kindly made the book's Prologue available online for your reading pleasure. So, if you're not already familiar with The Laundry and Bob Howard, here's your chance for a sneak peak at the new novel.

Is Anybody Out There? -- Variant Covers and a Second Printing

While attending SETIcon II this past weekend, one of the attendees, who was purchasing a copy of my co-edited anthology Is Anybody Out There? (Daw Books, 2010), pointed out to me not only a difference in the books' covers but also that some of the books were a second printing. Learning that your book has sold well enough to necessitate a second printing is always great news. And to learn, too, of the cover variants was surprising as well.

In preparation for SETIcon, I had previously ordered a number of copies of Is Anybody Out There? direct from Penguin Group (USA) Inc. Aside from checking that the number of books in the box was accurate and that none were damaged, well, that was as far as my keen observations went.

I've tried to scan the covers to show the differences, but the glare and all prohibits such distinctions. So, I will do my best to explain.

For all you completists out there: What we discovered is that the first printings had a matte-finish cover, whereas the second printings had a glossy cover, with a press line on the left side of the cover about three-sixteenths of an inch from the edge. Another way of describing a press line (possibly "press line" is not the correct term, but that's how I know it) might be a manufactured/built-in reading crease near the left edge on the front cover.

Also, the first printings have the full number line 1 through 8, whereas the second printings begin with the number 2.

But wait, there's more! When I returned home that evening I pulled out my own first printing of IAOT? -- a copy that I had received in 2010 when the book was published -- and verified the full number line. This copy has a glossy cover but no press line.

So, we have two different covers on the first printing: glossy and matte finish; and a different cover than either of those on the second printing: glossy with a press line.

Is anybody out there? Does anyone really care?

Unfortunately, I had no knowledge that the book was going back to press. Had I known I would have alerted the publisher to the two typos (at least the only two that I am aware of) and asked that they be corrected. One typo is in the David Langford story, "Graffiti in the Library of Babel," and the other is in the Ray Vukcevich story, "One Big Monkey." Sorry, guys....

Writing 101: Reality Check

Fair use allows me to use the cover art to this wonderful manga comic Reality Check!, however truth in advertising requires I state that this blog post has absolutely nothing to do with this comic. I just needed a catchy graphic that contained the words "Reality Check" -- and this Rikki Simons comic [full title: Super Information Hijinks: Reality Check!] serves that purpose.

My reality check, the one about which I am writing today, has to do with that point in a writer's life when s/he has to come to grips with the manuscript they've been working on for months, possibly even for years.

In mid-2007 when I was acquiring for Golden Gryphon Press, I received a submissions query from a writer who was a fan of "pulp sword & sorcery" fantasy fiction. He explained that since little fiction had been written recently [at the time of this query] in the style of Robert E. Howard and Lin Carter, among others, he had written his own pulp sword & sorcery novel and was seeking publication.

His email was well-written and quite intriguing; he had my attention, so I replied in kind. In his next response, he attached a copy of the full manuscript, but included a caveat:

...the opening couple of chapters are admittedly the weakest portions of my novel, and I am at a loss as to how to improve them, so if you wouldn't mind reading ahead to chapter three or so where the real action begins, I would greatly appreciate it.

Trust me, this is not something I want to hear as an acquiring editor, that the first two chapters of a submission are weak and the author is at a loss on how to fix it. [Maybe just begin the novel with chapter 3 and weave in the necessary back story from chapters 1 and 2 where appropriate?]

So I read the first three chapters; actually, the novel began with a lengthy prologue, too! The overlong, wordy, winding sentences, that seemed to ramble on and on, nearly drove me to drink (well, at least an excessive amount of coffee)... As a test, I rewrote one paragraph (only two sentences!) without all the unnecessary verbiage and reduced it from 84 words to 77 words. Doesn't seem like much but it made a huge difference in the flow of the paragraph. In another scene he introduced five major characters -- plus a demon -- all with names that weren't...well, they weren't as easy to pronounce as "Conan."

So I sent him a response that included quite a bit of feedback: the paragraph example from above, the overwhelming number of characters in the scene from above, a few examples of sentence structure issues (misplaced phrases), grammar errors, etc. I also suggested that he find himself a local writers group, through a bookstore, or library, or college, so that he could obtain feedback from fellow writers. His response to my email was quite cordial [I had also mentioned that I was leaving Golden Gryphon Press at the end of the year] but not what I had expected:

Thanks for taking the time to evaluate my submission, and best of luck to you, as well, in your future endeavors. As for your suggestion to allow my work to be critiqued by some manner of reader group, I will have to pass, as I generally find writers to be a rather pretentious lot, and I have no desire to associate with such. Just so you know, I wrote this novel for my own personal amusement, and only decided to shop it around to publishers at the behest of friends and family. Obviously, based upon your critique of my work, I should just stick to writing for pleasure as I obviously haven't the necessary skills to compete in the professional market nor do I have the drive to make myself more competitive. Lesson learned.

That, boys and girls, is a reality check.

Ray Bradbury....

In my month end Links & Things post for April 2009, I included the following entry on Ray Bradbury:

Ray Bradbury, during his regular appearance at the Los Angeles Festival of Books, remarked that this may be his final appearance unless the LA Times resurrects its "Book" section, which, like most of the paper, has seen staff and page counts cut over the years. Bradbury worked for the LA Times "Book" section more than forty years ago! He shares some anecdotes in this article, including how he typed the manuscript for Fahrenheit 451 using a "pay" typewriter in a basement room under the Powell Library on the UCLA campus. The typewriter required 10 cents for 30 minutes. Bradbury came each day with a bag of dimes. When the manuscript was complete, he had spent $9.80. (via @GalleyCat) [Good luck, Ray, on getting the "Book" section reinstated!]

The link above is to a brief article in the Los Angeles Times and well worth your time (no pun intended) -- and includes a photo of ole Ray signing books at the LA Festival of Books. His appearance there will be sorely missed.

Speaking of Ray's love of the printed word, and the joy he took in signing copies of his books and stories, I thought I would include one such book in my library that I personally had Ray Bradbury sign many years ago:

You'll have to pardon the inclusion of my thumb in the photo, but the book is too fragile (the binding glue is completely dried out) to lay flat. The signatures, from top to bottom: Ray Bradbury, Philip K. Dick, Robert Sheckley, Isaac Asimov, Alan E. Nourse, and Chad Oliver -- all past masters, all of them now gone.

There are far more knowledgeable and eloquent tributes to Mr. Bradbury across the web today -- particularly this one from the LA Times, which includes twenty-one photos of Bradbury from throughout his life, beginning at age 3. But I just wanted to acknowledge his passing with this very brief post.

Ray Bradbury
(August 22, 1920 – June 5, 2012)

May Links & Things

This is my monthly wrap-up of May's Links & Things. You can receive these links in real time by following me on Twitter: @martyhalpern; or Friending me on Facebook (FB). Note, however, that not all of my tweeted/FB links make it into these month-end posts. May was another busy month, so there is a lot of content here. Previous monthly recaps are accessible via the "Links and Things" tag in the right column. 

• What would the publishing world be without another "authors beware" entry.... In this case I'm referring to Open Casket Press, Living Dead Press, and Undead Press. Don't be fooled: these three presses are all run by the same individual: Anthony Giangregorio -- and when "Tony" mentions his "editor" (Vincenzo Bilof) he's also talking about himself, though he wants you to believe that he is referring to some other nebulous individual. New author Mandy DeGeit was excited to have her first published story accepted for an Undead Press anthology -- that is, until she discovered after the story was published how the "editor" had rewritten her work, going so far as to include a paragraph of a dog beating (and sexual arousal) that was never in the original story. Mandy's sad tale went viral shortly thereafter, and when Richard Salter read it, he decided to go public as to why he pulled his novel, World's Collider, from Open Casket Press. You can read Richard's blog post, which also contains a link to Mandy's blog post. Bottom line: Stay away from Open Casket/Living Dead/Undead Press and Anthony "Tony" Giangregorio/Vincenzo Bilof. You have been duly warned.
• But I'm not quite finished with Tony Giangregorio. Author Adam-Troy Castro posted a lengthy Facebook piece concerning this individual; since only FB users could read said post, I asked Adam to repost it elsewhere, and he graciously complied. So now non-FB users can read his "Secret Sequels" post. Here's a quote: "What Giangregorio has done is specifically, and deliberately, hijack the name of a better work and superior work to his sequel; he is specifically saying, 'This is a sequel to Dawn of the Dead.' Which he has no right to do."
• I spent Memorial Day weekend at the annual BayCon convention here in Santa Clara County. One of the many panels in which I participated was entitled "Editors, Agents and Other Endangered Species"; the moderator, Dario Ciriello, posted a recap of the panel, with particular emphasis on the "editors" part.
• Hugh Howey. Recognize that name? If not, neither had I, until May 14 when I read in Publishers Weekly online that film rights to his science fiction series Wool had sold to 20th Century Fox -- and partnering with Fox on the film deal is Scott Free, none other than Ridley and Tony Scott's production company. So I purchased a copy of Wool myself, and in the process learned that Hugh Howey had originally self-published Wool as a series of five novellas. The book will be published in hardcover in the UK, and the author is currently at work on a prequel series. If you search out Wool you will read nothing but rave reviews of this book. It represents one of the true self-publishing success stories, the result of a great story and great writing, and hard work. Howey's guest blog on IndieReader provides some personal history on Wool and how the movie rights came about. And he even writes on his own blog about receiving payment from a reader who originally obtained a copy of his book for free from a pirate site. As Howey writes: "How cool an exchange is that?"
• Self-publishing is, of course, what everyone is talking about, especially when you read success stories like Hugh Howey's above. Rudy Rucker (@rudytheelder) has posted a four-part series on his step-by-step road to creating an ebook, which includes working with HTML code and apps like Calibre and Sigil. Begin at part one: "Getting Started," and you'll find links at the top of each page to get you to parts 2, 3, and 4. In part 4, you can even purchase the ebook edition of Rudy's How to Make an Ebook for only $1.95 from his own Transreal Books press.
  

To Every Thing There Is a Season....

On Saturday, July 1, 1989, I drove nearly 400 miles -- with my wife and young daughter in tow -- in order to meet Leo and Diane Dillon. They were appearing that weekend at Westercon 42, at the Anaheim Marriott Hotel.

The Dillons weren't the artist guests of honor, but somehow I had learned they would be in attendance at the convention. (Remember, there was no online "social media" then like there is now.) According to Tom Whitmore [more on Tom in a bit], the Dillons tended to turn down GOH invites, but they were in the middle of a book tour, and managed to squeeze in some convention time into their hectic schedule. Regardless of how I heard the Dillons were planning to be at the convention, I was planning to be there, too.

Nebula and Hugo awards for Best Novel

Upon arriving in Anaheim on Saturday, July 1, we stayed at my parents' house [the house, alas, that I finally sold in April] as they lived only a mile or so from the hotel. And while my wife and daughter spent time that weekend with my family, I made my way to the Marriott and Westercon 42.

In addition to my family and a couple pieces of luggage, I had also brought with me two fairly large boxes (printer paper boxes) of books that I had hoped to have Leo and Diane Dillon sign. Among the approximately 50 or so books were all 36 original Ace Science Fiction Specials, edited by the late Terry Carr, in which the Dillons had done the cover art.¹ Obviously this was back in the days of my book collecting mania. I still have these books -- and probably about three thousand more -- I just don't worry about getting them signed any longer. (That is, unless the book is one that I edited and/or the author is a personal friend.)

To successfully get all of my books signed, I needed some dedicated time with the Dillons. So, I approached Tom Whitmore, who was on the Westercon 42 staff, and asked for his assistance. Tom was one of the three founding partners of the Other Change of Hobbit bookstore in Berkeley; I knew Tom from spending far too much time (and undoubtedly far too much money) at that particular bookstore during the mid-to-late '80s and '90s.

Leo and Diane Dillon were presenting a slide show of their work in the afternoon, I believe it was on Sunday, July 2; following the slide show presentation, Tom graciously escorted the Dillons and me to a smaller room where we could have some private time -- and, in fact, Tom even remained by the door to ensure we were not interrupted.

But before all the signing was the Dillons' slide show presentation. I have this vague (after 23 years!) memory of the event, and truly wish that a recording of the Dillons' commentary was available. They showed slide after slide, discussing the particular technique used with each one: wood block prints, batik (or some similar process), various mixed media; and the occasional hassles they had with art directors, deadlines, and such. How Leo fell asleep while painting late one night and Diane picked up right where he had left off... How each piece they did was a collaboration of ideas and skills: what they themselves referred to as the "Third Artist." They touched on -- but didn't dwell upon -- some of the difficulties they encountered in the late '50s and '60s as an interracial couple.

Tom Whitmore also reminded me that it was this slide show that the Dillons presented an unfinished cover for The Last Unicorn. I don't recall the full story (i.e. how the cover came to be, and then remained unfinished), but Tom informed Connor Freff Cochran -- Peter S. Beagle's agent, co-producer, publisher, etc. -- about the unfinished piece; Connor then contacted the Dillons and had them finish the piece for a reprint edition of the book.

Tachyons Proven To No Longer Be Imaginary

According to Wikipedia:

A tachyon is a hypothetical particle that always moves faster than light. Most physicists think that such particles cannot exist because they are not consistent with the known laws of physics....Today, "tachyon" often refers instead to imaginary mass fields, which cannot exceed the speed of light and have come to play an important role in modern physics.

This past week I visited the newly remodeled and greatly enlarged office of Tachyon Publications in San Francisco. Of course, the remodeled office was only new to me as I haven't visited in the past year due to familial issues, now resolved, which I previously blogged about. But my lateness doesn't detract from the beauty of the new office: the bay windows, the wood flooring, the unique cinder block walls toward the back half of the office space, the openness -- and the fact that the rear two-thirds of the office is tunneled into the side of a hill (thus the cinder blocks)!

I detest driving in the city of San Francisco, so I have to rely on public transportation. This means I take the CalTrain commuter from the San Jose station to the San Francisco 22nd Street station, whereupon I am then chauffeured to the office in the Tachyonmobile. Unlike tachyons, though, CalTrain does not move at superluminal speed. In fact, the trip each way takes approximately one and a half hours, with a myriad of mind-numbing stops in between. But before one can even consider boarding a train at the San Jose station, one must first find a parking space! I circled all three parking lots, and then re-circled the last parking lot to its very edges and found what I still believe to be the very last available slot in all of stationdom. Then, once a parking spot is found, one must pay tribute to the god of parking.

I was graciously met at the 22nd Street station by Jacob Weisman, editor and publisher, and Jill Roberts, managing editor. I communicate with Jill regularly via email, and Jacob and I chat occasionally on the telephone, so an opportunity to get together -- and also share a lunchtime meal -- is always welcome.

The day prior to my visit, cases of Tachyon's newest book, The Sword & Sorcery Anthology, edited by David G. Hartwell and Jacob Weisman, had arrived at the office; following our lunch, Jacob dutifully packed up review copies and comp copies, later to be shipped out. In fact, since I had worked on this book as well, I was able to take a couple comp copies home with me, thus saving Jacob a wee bit of packing time and postage.

Sense of Wonder and Alien Contact

Elias F. Combarro has recently posted his Alien Contact (publisher Night Shade Books) review and interview (conmigo) on his Spanish-language blog Sense of Wonder.

First, the review.

[Note: If Spanish is not your preferred language, Elias has graciously translated his review into English as well, which is the content from which I will be quoting. However, each page, English or Spanish, links at the bottom to the other version.]

On themed anthologies, Elias writes: "...I don't want to read the same story twenty times. I want to explore many different approaches to the same topic. I want to be surprised and amazed. I want to be shown something new, something that I didn't even imagine that could be done." He goes on to state:

I've recently had the pleasure of reading Alien Contact, an anthology edited by Marty Halpern. It is the perfect illustration of how to assemble a wonderful set of stories devoted to a fascinating theme. All the stories selected by the editor are excellent examples of human contact with alien races (not necessarily a first contact) but no two of them are alike.

[...]

This amazing variety of takes on a single theme is one of the strongest points of the anthology. Throughout all the stories included in the book, we explore, from different points of view, a fascinating topic: ourselves as seen by a stranger.

[...]

The stories of the book are complemented with an invaluable source of information: before Alien Contact was published Marty Halpern blogged about each and every individual tale, providing extremely interesting details and, in some cases, even the full text of some of the stories. While reading the book, I frequently revisited Halpern's notes and that certainly added a lot to the experience.

Let the wild rumpus begin....

In memory of Maurice Sendak

June 10, 1928 – May 8, 2012

April Links & Things

This is my monthly wrap-up of April's Links & Things. You can receive these links in real time by following me on Twitter: @martyhalpern; or Friending me on Facebook (FB). Note, however, that not all of my tweeted/FB links make it into these month-end posts. April was a very busy month, so there is a lot of content here; please return to this blog if necessary to take full advantage of all the links. Previous month-end posts are accessible via the "Links and Things" tag in the right column.

• Philip K. Dick passed away shortly before the release of the Blade Runner movie. But, PKD did catch "his first glimpse of Blade Runner in a television segment," after which he wrote this wondrous letter to the Ladd Company, one of the film's production companies. The PKD Estate believes this is the first time the letter has been made public: "...I came to the conclusion that this indeed is not science fiction; it is not fantasy; it is exactly what Harrison said: futurism. The impact of BLADE RUNNER is simply going to be overwhelming, both on the public and on creative people -- and, I believe, on science fiction as a field." [all emphasis is PKD's] (@WordandFilm via @PantheonBooks)
• Grim_Noir on the PopTards blog revisits George Alec Effinger's Maríd Audran series of books 30 years later: When Gravity Fails, A Fire in the Sun, The Exile Kiss, and Budayeen Nights (which I acquired and edited for Golden Gryphon Press; here is my lengthy blog post on the making of Budayeen Nights, part one of three on my edited GAE books). Grim_Noir writes: "THIS is what Blade Runner wants to be when it grows up. (And I say that with the upmost respect for Philip K. Dick, Ridley Scott, Harrison Ford AND Blade Runner.)...Thirty years after it was originally published, George Alec Effinger's Audran Sequence is STILL ahead of its time. The writing is sharp and goes straight at the gut, like a turbo-charged razorblade." (via Gordon Van Gelder's Facebook page)
• After twenty-one years of teaching English Literature at Oakdale Community College in New Jersey, author Jeffrey Ford has retired from the teaching profession to write full time in upstate New York. One of Jeff's former students, Matthew Sorrento, pays tribute to his mentor, in this very personal post on Matthew's Identity Theory (@IdentityTheory) blog. For an instructor, it doesn't get any better than this.
• On Amazon's Omnivoracious blog, Susan J. Morris (@susanjmorris) writes about "Engaging Readers on Page One" with a blog post entitled "Brilliant Beginnings." Susan covers the three most common "False Starts": Waking Up, Fight Scenes, and Origin Stories...of the Universe.
• Speaking of first pages and opening lines: Glamour in Glass, the new novel by Mary Robinette Kowal (@MaryRobinette), is missing its opening line. The sentence was there during the review of the page proofs, but then, shazam! -- it disappeared in the published edition. But not one to miss an opportunity, Mary has turned the missing line into a game, a t-shirt, and more.

Wild West Show Rides Again....

Annie Oakley bottle

On March 4, I published a blog post about my father's collection of Wild West whiskey decanters, many of which he designed himself.

Since my parents' house was for sale and, in fact, three days later, on March 7, I signed the paperwork that placed the house in escrow, I was desperate to find a home for these bottles. There were thirty-three of them -- too many for me to display at my house, too many for me to even store at my house. I was hoping to find a place, a museum of some sort, preferably, where the decanters would forever be safe, and still be able to be seen by the public.

Thanks to Cory Doctorow, my blog post was cross-posted on BoingBoing.net -- and between the two posts, the response from readers was overwhelming, with suggestions of possible resources both in and outside the state. I was elated. I contacted the Autry National Center (formerly the Autry Museum of Western Heritage) and the Santa Clarita Historical Society, among others, and I even visited Walker '47 -- a Western-themed gun store in Anaheim only three and a half miles from my parents' house, with quite the historical display throughout the shop, and chatted briefly with owner Andy Cauble.

Within a couple weeks I had actually found a home for the bottle collection, but I haven't been able to say anything until now: the official "Deed of Gift" forms have finally arrived.

My father's collection of Wild West whiskey bottles have been acquired by the Autry National Center (Twitter: @TheAutry); from their website:

The Autry is an intercultural history center dedicated to exploring and sharing the stories, experiences, and perceptions of the diverse peoples of the American West. Located in Griffith Park, the Autry’s collection of over 500,000 pieces of art and artifacts, which includes the collection of the Southwest Museum of the American Indian, is one of the largest and most significant in the United States....

My initial email communications were with Jeffrey Richardson, Gamble Curator of Western History, Popular Culture, and Firearms at the Autry National Center. I provided him with a link to my March 4 blog post, and then provided whatever additional information I was able to in response to his many questions. After expressing an interest in the collection, Jeffrey introduced me, virtually speaking, that is, to Steven Walsh, Registrar & Project Manager at the Autry National Center. There were some telephone calls along the way as well. Steven arranged a meeting at the house on Thursday morning, March 22, to pack up all the bottles and transport them to the Autry.

Steven arrived on schedule, along with a couple dozen or more bankers boxes, a ton of styrofoam packing peanuts, plastic bags, bubble wrap -- and a car that I thought was far too small to hold everything -- but it did!

Even though the collection was now in the Autry's possession, it was still not a done deal. On Wednesday, April 4, the Accession Committee was to meet to review my donation of the ceramic decanter collection. The final decision was up to this committee. Later that day I received a telephone call from Jeffrey Richardson, informing me that the collection donation had been accepted by the Autry. But, it still wasn't official just yet: I had to wait to receive the "Deed of Gift" forms, which, as I have already said, are now in my hands. These forms consist of thirty-one pages (two pages contain two entries) describing each of the thirty-three decanters, with a place at the bottom of each page for my signature and date. The letter that accompanied the "Deed of Gift" forms states in part:

It is with great pleasure that the Autry National Center accepts your donation for the museum. The Accession Committee, whose members review each donation to ensure that it meets our acceptance criteria, were delighted with the donation and feel that it will make an important and lasting addition to the museum's collection.

[...]

Please accept our thanks for your gift to the Autry National Center. Your interest and support is greatly valued, and your generosity in making this donation is sincerely appreciated.

[signed] Steven Walsh, Acquisitions Registrar

I, in turn, wish to thank all the readers -- both here and at BoingBoing.net -- for their support, and especially their suggestions. I didn't know there were so many speciality museums! I particularly want to thank Pamela Kruse-Buckingham, who went the extra step with some additional suggestions on museum donations.

Jeffrey Richardson has informed me that the museum plans a special exhibit in 2013 that will focus on the Wild West in American pop culture, which will include my father's decanter collection.

Thanks again, everyone!

Nancy Kress: After...Before...During the Fall

I'm delighted to announce here that I have editorial credit on the recent book by multi Hugo and Nebula award-winning author Nancy Kress: titled After the Fall, Before the Fall, During the Fall, the novella (38,300 words) is published by Tachyon Publications.

In addition to proof reading, line editing, copy editing, and other such editorial stuff, the manuscript also required a bit of fact checking, given the story's sense of place in the three ultimately intersecting timelines: future, past, and present: 2035, 2013, and 2014.

I submitted the final, edited manuscript to Tachyon Pubs on June 13, 2011. A couple months later, on August 24, I received the following email from Jill Roberts, Managing Editor at Tachyon:

Marty --

From Nancy [Kress], re the copyediting job you did for After the Fall:

"Whoever the copy-editor is, he or she is the best one I've ever had: thorough, sharp-eyed, and willing to be editor instead of a co-author. Please thank him/her for me."

Pretty sure I told her it was you, but I will again. And I totally agree with her. Well done.

Cheers,

Jill

Obviously, at the time Nancy Kress sent that email, she didn't know I had been assigned to her manuscript; but thankfully Jill rectified that fact. When one [me!] is conscientious about a project, makes every effort to do the best job possible, those two sentences from the author can be extremely gratifying. Such praise typically isn't expressed often enough -- I mean, I'm just doing my job, right? -- so when it is, it makes the long hours I spend on a manuscript well worth the effort.

Later, I had an opportunity to briefly chat with Jill and Nancy about the project when we met at Tachyon Publications' "Sweet 16" birthday party at Borderlands Books on September 11, which I wrote about in a previous blog post.

After the Fall... has gotten some great press, and I believe the best way to give readers a taste of this novella is to share some excerpts from those reviews.

The first review (and the longest review) is courtesy of Stefan Raets on Tor.com:

Superstar SF and fantasy author Nancy Kress returns with After the Fall, Before the Fall, During the Fall, an elegant novella that combines several wildly different science fiction ideas into a tight package. There's a little bit of everything here: time travel, hard science, environmental collapse, aliens, post-apocalyptic dystopia. It may sound hard to combine all of these in such a short format, but Nancy Kress makes it work.

The novella's slightly unwieldy title refers to the three plot lines described above: the survivors in their Shell in the future, the mathematician trying to solve the "crimes" happening in the present, and the environmental changes. What makes this much more than just another story told from three separate points of view is the time travel angle: as the novella progresses, the stories occasionally connect and weave through each other. After the Fall, Before the Fall, During the Fall is really a series of interlocking flashforwards and flashbacks that continuously provide new information and different perspectives about each other to the reader.

[...]

The characters eventually lose [the misconceptions built into the story by the author] as everything inexorably works its way to a convergence, but until that happens there's constant tension between the three plot lines. It's this tension that ultimately makes After the Fall, Before the Fall, During the Fall a great success. Expect to see this one on the final ballots of the major awards next year.

March Links & Things

This is my monthly wrap-up of March's Links & Things. You can receive these links in real time by following me on Twitter: @martyhalpern; or Friending me on Facebook (FB). Note, however, that not all of my tweeted/FB links make it into these month-end posts. Once again there is a lot of content, so please return if you need to to take full advantage of all the links. Previous month-end posts are accessible via the "Links and Things" tag in the right column.

• Unfortunately, words of warning to authors are an endless stream, and even more so in this digital age of publishing. This month's word of warning concerns Dorchester Publishing. Author Brian Keene details the current mess surrounding this publisher (with numerous links to other sources). In one place Dorchester states they are closing down; yet elsewhere they continue to buy new material and sell existing material, even when they no longer have the authors' permissions to do so -- while owing their authors advances and royalties. Bottom Line: DO NOT DO BUSINESS of any kind with Dorchester Publishing.
• This was brought to my attention via Neil Gaiman (@neilhimself) along with a warning for those who travel with digital comics on their cellphones, laptops, and tablets, particularly in Canada (though there are other countries far more repressive, certainly, than Canada). Everyone who travels with digital comics really needs to read this.... The Comic Book Legal Defense Fund (CBLDF) reports "Criminal Charges Dropped in Canada Customs Manga Case." This case involved defendant Ryan Matheson, a 27-year-old comic book reader, amateur artist, and computer programmer, who ended up in this criminal and legal brouhaha because manga comic books were found on his computer. The total legal costs in this case exceeded $75,000 -- and contributions are being sought to help pay off Matheson's huge remaining debt: $45,000.
• On March 13, Encyclopaedia Britannica announced that -- after 244 years; since 1768 -- they will discontinue the 32-volume print edition once the current inventory is gone. But, they add: "...the encyclopedia will live on--in bigger, more numerous, and more vibrant digital forms." (via @HuffPostBooks)
• From The Guardian UK: Lloyd Shepherd, author of The English Monster, found a request to pirate his novel on the discussion board Mobilism; so, he decided to respond to the request himself, to open up a dialog with said individual. Frustration and anger followed with this individual's responses, so Lloyd opened a topic himself entitled "Novelist seeking understanding" on the main discussion board. (via @ebooknewser)
• Brad Torgersen guests on Kevin J. Anderson's (@TheKJA) blog, with a blog post entitled "On Not Quitting." Brad writes: "One week ago, I got a call from the President of the Science Fiction Writers of America. He told me that my novelette, 'Ray of Light,' was nominated for the SFWA Nebula Award.... Being nominated for a Nebula means my story not only connected with readers, it connected with a readership composed of my peers.... I can say from now on that my fiction is 'Nebula quality,' something I find more than a little astounding when I consider the fact that I didn't have a single word in professional print prior to 2010. How did it happen? Simple: I didn't quit."
  

February Links & Things (This Post Not Quite Past Its Sell-by Date)

To say that my February wrap-up of Links & Things is a bit late would be a gross understatement. After spending two separate weeks in February in Southern California (see this previous blog post for some background), I was just too overwhelmed with catch-up in the first half of March -- and then preparing for my next (and hopefully last) trip to SoCal in the second half of the month -- to deal with February at that time; and now, here it is April 1! But there were some excellent resources in February and I didn't want to simply overlook that month entirely, so here they are, February's Links & Things: better late than never.

• Consumers in greater numbers are finally questioning the source of their food (and what is in it), which has led more and more people to begin growing their own. So I wanted to take this opportunity to inform you that the long-out-of-print (1995) book Homestead Year: Back to the Land in Suburbia, by author (and my friend) Judith Moffett, is now back in print courtesy of the Authors Guild Back-in-Print program. [Note: I appear, though not by name, in Homestead Year, in a paragraph on "September 4" (page 258 in the original hardcover edition) in Judith's journal; she refers to me as a "[book] collector in California."]
• What was undoubtedly the biggest news of the month (and yet I've seen no further details on this since): On February 6 Reuters reported that Amazon "plans to open a physical store in its home town of Seattle in coming months to showcase and sell its growing line of gadgets, including the Kindle Fire tablet..." (via mediabistro.com's @galleycat)
• A website entitled BookBub has recently come to my attention, and if you are an avid eBook reader, then you'll want to sign up at the site's home page. BookBub describes itself as "an alert service that keeps you updated on great book deals. We only notify you about deals that meet the following criteria: Free or Deeply Discounted, Top Quality Content, and Limited Time Offers." When you register for BookBub's newsletter, you can select the categories of books in which you have an interest. View the latest BookBub Deals.
• Author N. K. Jemisin (@nkjemisin) shares with her readers an essay she wrote for a forthcoming anthology entitled The Miseducation of the Writer -- essays by writers of color on genre literature -- edited by Maurice Broaddus, John Edward Lawson, and Chesya Burke, to be published by Guide Dog Books, the nonfiction imprint of Raw Dog Screaming Press. From the essay: "Not so long ago, at the dawn of the New World, black people were saved from ignorance in darkest Africa by being brought into the light of the West. This is bullshit." This is a must-read essay for all writers (and editors, too).
• James L. Sutter's guest post on SF Signal (@sfsignal) deals with "Technology in Fantasy." Sutter writes: "Some people prefer technology that precisely matches that of a given real-world historical era. Others see nothing wrong with mixing and matching, combining swords, laser pistols, zeppelins, and dinosaur-pulled chariots. Some feel that technology itself should be the defining feature of the world (hence the ever-popular steampunk genre). Yet whatever path you choose when designing worlds for your fiction or RPG setting, there are a few important technological issues to consider." And he deals with each of these issues: 1) Anachronism; 2) Multiple Technology Levels; 3) The Question of Magic; and 4) Common Technologies, in which he covers these specifics: Airships; Sanitation; Medicine; Printing Press; Steam Power; and Firearms.
  

News of Alien Contact

While I was slogging away in the nether regions of fabulous Orange County throughout February and March, two reviews of anthology Alien Contact were published in online 'zines.

The first review, published on February 21, is courtesy of Josh Vogt (@JRVogt), Speculative Fiction Editor for examiner.com. From the review:

Alien Contact is a new short story anthology taking readers through 30 years of extraterrestrial fiction. As with many short story collections, there's a little bit of everything here. From the humorous to the horrifying, the inspiring to the incomprehensible. Often, I count an anthology successful if it leaves a lasting impression with at least a couple stories--and this one hits the mark more than once.

He goes on to review a few of his favorite stories, stating: "Of them all, 'Sunday Night Yams at Minnie and Earl's,' by Adam-Troy Castro, reigned supreme." Josh concludes his review with:

Alien Contact is a strong collection of science fiction short stories, well worth a hefty slot in your reading schedule. As with any anthology, there are entries that fall a bit flat, or leave you wondering what the point of it all was--but these are few and far between here. For all those who've wondered whether we're alone in this universe (and desperately hope this isn't the case), this collection will uplift your imagination and give you access to a wider reality where anything is possible.

The second review, from Laith Preston, appeared on The Dragon Page (@dragonpage) on March 1:

I'm always on the lookout for good reading and new authors to follow. Alien Contact is something of a veritable who's who of the current genre greats, with some names I'm not as familiar with in the mix as well.

With twenty-six short stories telling tales of man meeting with other intelligences, Marty Halpern has pulled together an anthology filled with hours of enjoyable reading.

One of the reviewer's favorite stories in the anthology was Harry Turtledove's "The Road Not Taken" -- "An extremely well told tale of the first meeting between two races, one more advanced than the other, and the unexpected outcome of that meeting." Laith sums up his review with: "I would highly recommend this anthology to fans of good short form Science Fiction."

And now for something related, but completely different:

"Our house is a very very very fine house..."

My apologies for the lack of posts this month, but the exigencies of life often get in the way of more desirable (and preferable) options. So, I thought a status report was in order....

This past weekend I returned from my third week-long trip (the two previous trips this year were in February) -- and what I hope will be my final trip -- to Southern California for the purpose of cleaning out my mother's house in preparation for its sale. Funnily enough, even though my father passed away in 1998, most of the required work at the house was for his "stuff," as evidenced by my March 4 blog post regarding the Lionstone Old West liquor decanters that he designed.

I signed with realtors The Lappin Team on February 1 for the sale of the house. Facebook users can search for "Lappin Team Real Estate" to learn more -- and if you have property in Southern Cal that you wish to sell, trust me, these are the folks you want to have promoting your house. I lucked out connecting with them: Archie Lappin went to high school years ago with the neighbors' son from across the street -- and when I asked the neighbors for a referral for real estate agents, The Lappin Team was on their list. In fact, the Lappins put together a YouTube vid of my mother's house as part of their promotional efforts. When I first watched the vid, and saw how Kelly Lappin had "staged" (her word) the various rooms in the house using her own décor, my reaction was like "Wow! That's the same house?"

So as I said, I signed with the realtors on February 1, but I wouldn't let them place the house on the multiple listings service until I had an opportunity (two weeks worth) to clean the place up as much as possible. The Lappins could show the house themselves -- in fact, they had an open house on Sunday, February 19 (I arrived at the house around 4:00 p.m. that day for a week-long stay; the open house had ended around 2:30) -- but I wanted to hold off opening the house to other realtors. The house was finally placed on the multi listing service on Sunday, February 26, and I signed the acceptance paperwork, which placed the house in a 30-day Escrow, on Wednesday, March 7. Amazingly, the house sold (with multiple offers) within ten days of being placed on the multi listing! And the buyers? A husband and wife; he grew up two doors down, graduating from the same high school as Archie and the neighbors' son (and me as well).

My wife Diane and I have our hands full managing our own house, but I have also had responsibility for managing my mother's house -- and her affairs -- since August of last year (she passed away in October), and with the added complication that I live nearly 400 miles away. But hopefully in two weeks, when Escrow closes on April 6, most of this will be behind me; all that will be left will be the disbursement of my mother's trust.

Within about a week and a half or so I hope to be able to announce some good news regarding the status of the Lionstone whisky bottles: one official hurdle remains (though I believe it's more of a formality), which should be resolved next Wednesday, April 4. Keeping fingers crossed....

In addition to these whisky bottles, my father had a history of other such creative endeavors. Back in the 1950s and early '60s, he was an amateur photographer (living in Pennsylvania at the time), with a penchant toward circuses, if you can believe that. This was long after the Ringling Brothers Circus fire (1944), so the only circuses still performing under the "big top" were smaller, family-owned circuses. He would sometimes visit as many as two different circuses in a single day across the state, photographing the shows and the performers themselves, often before or after the show, back in the trailer areas, which was typically off limits to the public -- but not my father. As a "thank you" for their posing for his pictures (slides, actually), he would gift them with a set of slides from his previous visit. To make a long story short, I found a box of slides from various circuses from the late '50s and early '60s: Cole Bros. circus, Hagen Bros. circus, and quite a few others. I contacted the Circus World Museum in Baraboo, Wisconsin, and shipped off the 500 or so slides last Thursday to the attention of archivist Peter Shrake. In addition, I found my father's old movie-making equipment: a Revere movie camera, circa 1955; two tripods, one brand new and still sealed in the original packing box; two title-making setups, both brand new and sealed in the original boxes; and a ton of title-making letters, in gold, silver, red, blue, and black. I packed up two huge boxes of this stuff, and shipped it to the photography teacher, Victoria Byers, at Silver Creek High School, where my daughter had attended. She always spoke highly of the class and the photography teacher, who has since retired, so I wanted to make this material donation to the school. Schools continue to need our support, particularly for the elective classes.

Upon cleaning out the kitchen cabinets, hall closets, and garage storage areas, we filled two trash bins (one regular trash, one recycled; but note that I had filled two dumpsters, each holding 80 cubic feet of trash, during my previous visit); we also filled the rental SUV from back to front with a Goodwill donation (this was my fourth, and final, trip to Goodwill since October). And the realtors promised me that they would find good homes for all the remaining furniture.

So, that was how my wife and I spent our spring vacation. And why I have been absent from this blog for most of the month.